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Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. Boston, Houghton Mifflin, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 386 pages. The first narrative history of the Civil War told by the very people it freed. Groundbreaking, compelling, and poignant, The Slaves' War delivers an unprecedented vision of the nation's bloodiest conflict. An acclaimed historian of nineteenth-century and African-American history, Andrew Ward gives us the first narrative of the Civil War told from the perspective of those whose destiny it decided. Woven together from hundreds of interviews, diaries, letters, and memoirs, here is the Civil War as seen from not only battlefields, capitals, and camps, but also slave quarters, kitchens, roadsides, farms, towns, and swamps. Speaking in a quintessentially American language of wit, candor, and biblical power, army cooks and launderers, runaways, teamsters, and gravediggers bring the war to vivid life. From slaves' theories about the causes of the war to their frank assessments of such major figures as Lincoln, Davis, Lee, and Grant; from their searing memories of the carnage of battle to their often startling attitudes toward masters and liberators alike; and from their initial jubilation at the Yankee invasion of the slave South to the crushing disappointment of freedom's promise unfulfilled, The Slaves' War is a transformative and engrossing vision of America's Second Revolution. Clean copy.

Hardcover. NY, Pantheon Books, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, light tan boards with pictorial cover in red and black. Sequence of events in Carroll's life and bibliography in back of book. B&w drawings by David Levine. Bright, clean copy, lacks dust jacket.

Softcover. NY, Charter Books, reprint, 1962, Book: Very Good, Dust Jacket: None, Softcover, 350 pages. With a new introduction by the author. Presents the story about coming of age in America by way of the baseball diamond. Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. Written in Henry's own words, this funny novel follows his eccentric course from bush league to the World Series. First published in 1953. Price blacked out on front fly leaf, otherwise a tight, clean copy.

Hardcover. NY, Doubleday, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages. Black cloth, pictorial dust jacket. Lovely copy. Like new. The Speed Queen is the gripping story of a twisted love triangle's drug-fueled killing spree across the desert plains, told in the voice of Oklahoma death-row inmate Marjorie Standiford, who is recounting her experiences for a best-selling horror writer researching the murders. It's a chilling, unputdownable crime novel in the tradition of James M. Cain -- a voyage into the dark soul of the American West.

Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1985, Book: Very Good, Dust Jacket: None, Hardcover, handsomely bound in black leather lettered and decorated in gilt, blind stamping, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A compilation Pound's most influential works: The Spirit of the Common Law (1921), Law and Morals (1924), Interpretations of Legal History (1923) and "The Call For a Realist Jurisprudence" (1931). Clean, bright copy.

Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.

Hardcover. Insight Editions, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 16 pages. Born from shadow and mystery, Will Eisner's deathless hero returns in a recreation of The Spirit's final two issues. Coinciding with Frank Miller's upcoming Spirit movie, Will Eisner's The Spirit: A Pop-Up Graphic Novel spins a noir tale of blackmail, murder, and espionage innovatively crafted into seven full-color pop-up spreads. Reborn, The Spirit breaks out of the conventional comic book frame, animating the vigor and dynamism of Eisner's original vision. Designed by renowned paper engineer Bruce Foster (creator of The Pop-up Book of Celebrity Meltdowns and designer of the Caldecott nominated Little Red Riding Hood) Will Eisner's The Spirit: A Pop-Up Graphic Novel comes alive with expansive panoramic cityscapes, three-dimensional action sequence pop-outs, frame-by-frame expanding mini-booklets, and scene change pullouts. Re-colored and ingeniously renovated, the novel design animates the vigorous action of the Spirit's final exploits with an inventiveness merited by Eisner's original imagination. From the noir aficionado to the comic zealot, fans will celebrate this renaissance of Eisner's masterpiece, heralding the interactive ingenuity of a new format for sequential art.

Softcover. NY, Random House/Vintage Contemporaries, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 1st printing of the first American trade edition SIGNED by Ford on the title page with a black pen. No inscription. A trade paper original with glossy card covers. March Date: 1986. First edition is stated on the copyright page. Mild shelf wear, clean copy.

Hardcover. London, Merrell, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages, color and b&w plates. This book collects Willoughby's candid photographs from the sets of various great films since the 1950s. Also included are filmographies of the directors with whom he has worked. As the subtitle indicates, he really has collaborated with many of the great cinema luminaries. Beginning with Vincente Minnelli, they include Orson Welles, William Wellman, George Stevens, Mike Nichols, William Wyler, Alfred Hitchcock, and others. The most interesting aspect of this book is indisputably the photos (most of them black and white), many of which were shot in informal settings, showing directors and actors in seemingly unguarded moments. He made himself seem invisible, Willoughby said, by blending in with the movie crew, once he realized they were invisible to the actors.

Hardcover. London, Cresta House, 1st, nd, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards in color, 24 full page color illustrations by Angi Petrescu Tiparescu with the story printed in black on half-size sturdy yellow paper & bound in the center of the book. Printed in Romania. No date but appears to be 1970s. Clean copy.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth stamped in gilt. beautifully illustrated with color & black lithographs and numerous text illustrations by the Petershams. Gilt lettering on spine faded.

Hardcover. NY, Privately Printed, 1st, 1934, Book: Very Good, Dust Jacket: None, Two hardcover volumes, original two-tone cloth (dark green spines and light green sides). Gilt titles and decorations. Top edge gilt. Memoir of a successful banker and financial businessman. Notable for his his World War 1 recollections and numerous accounts of sporting trips: trolling for lake trout and moose hunting in Quebec, dove shoots in Georgia, trout fishing and elk hunting in Yellowstone, duck shooting in Minnesota, salmon fishing in Newfoundland, grayling fishing in Yukon, black bass fishing in Canada, fishing for sailfish and dolphin off Florida. Clean bright set.

Hardcover. Philadelpha, J. B. Lippincott, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 56 pages illustrated in color. Red cloth stamped in black with $1.50 on front dj flap. No date but appears to be the 1946 edition. Back flap of jacket advertises Sambo and the Twins with blurb describing this as "this new Little Black Sambo story". Child's name on front fly leaf otherwise clean.

Hardcover. San Francisco, Chronicle Books, 1st thus, 2003, Book: Very Good, Hardcover, illustrated in color by Christopher Bing. A remarkable celebration from the Caldecott Honor-winning artist! A clever young boy outwits a band of voracious tigers and returns home in triumph to a splendid feast of a yard-high stack of pancakes. The story, penned by Helen Brodie Bannerman for her two daughters in 1889, has captured the imagination of readers around the world and across many generations. But the pictures which accompanied her text were crudely stereotypical and hurtful to many. Caldecott Honor-winning artist Christopher Bing has spent almost fifteen years rediscovering the joy and energy of the original story. He respects that Bannerman was writing in an Indian setting and with Indian animals-after all, there are no tigers in Africa-and faithfully adheres to the original text. However, recognizing that the image of Sambo has been used as a symbol of repression of Africans and African-Americans, Christopher Bing celebrates Sambo as proudly African, a child of beauty and joy, wit and resourcefulness.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, full black leather with ornate gilt design on cover. all edges gilt, ribbon marker, marbled endpapers, raised bands. This is a facsimile of the 1932 first edition. Considered a 'sophisticated country lawyer', Darrow remains notable for his wit; he was quoted as saying, 'The trouble with law is lawyers.' Here, his autobiography, together with the additional 59-pg. Darrow's Plea, written in his own defense to the jury that exonerated him of the charge of bribery at Los Angeles, August, 1912. Clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1930, Book: Very Good, Dust Jacket: None, Hardcover. black cloth with color illustration on cover label. 347 pages. 10 color plates by Peter Hurd, including the illustrated title page. Front hinge cracked, bookplate on half-title page. Otherwise clean.

Hardcover. NY, Charles Scribner's Sons, 1st illust thus, 1931, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with pictorial paper label to front cover, gilt stamping to spine. Six color plates, title page design and 2-color endpapers art by Peter Hurd. 279 pages. Some fading tospine gilt, light shelf wear, clean copy.

Hardcover. Chicago, Rand McNally, 1st, 1938, Book: Very Good, Dust Jacket: None, Small hardcover, pictorial boards. Color and b&w illustrations by Clarence Biers and Joan Harman, 60 pages. Light edge wear to boards, clean.

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 225 pages, minor dust jacket edge wear, otherwise, spotless and tight copy.

Softcover. Kingston, Ian Randle Publishers, 1st pbk, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 434 pages with index. The book traces the African ancestral line of Black Jamaicans through to the influence of Asian, European & Spanish rule of the island throughout the ages, culminating with early English white settlers, forging 2-types of Jamaican People. Clean, like new.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust dacket with light fading to spine. Jeremiah, a middle- aged proboscis monkey feels life is passing him by. Wonderful black and white illustrations by the author. Clean copy.

Hardcover. NY, Doubleday, Doran & Co, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black, no dust jacket. Second mystery "The Curious Case of Callista" begins on page 133, b&w illustrations by Genevieve Foster. Front cover has fading/discoloration to green cloth, inside clean.

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout