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Softcover. New York, Writers and Readers Pub., reprint, 1994, Book: Very Good, Dust Jacket: None, 200 pages, softcover. Extensive b&w photography throughout. Light edge wear, otherwise clean, tight copy. Collects recently discovered portraits made by a commercial Black photographer of Columbia, South Carolina's Black middle class during the 1920's and '30's

Softcover. Rochester NY, Visual Studies Workshop Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 50 pages. b&w illustrations. Decorative red/black endpapers. Floral patterned front endpapers. Very clean copy, small amount of wear evident around spine. Limited to 300 softcover copies. Clean.

Softcover. Berkeley CA, Black Lizard, reprint, 1988, Book: Very Good, Dust Jacket: None, Mass market sized paperback, originally published in 1971. Clean, bright copy in color wraps.

Hardcover. Alabama, University of Alabama Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 299 pages. Hardcover with dust jacket. Illustrated with black & white photographs. Clean, bright copy.

NY, Coward-McCann, 1st US, Nd , Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages. Black & white illustrations by Grace Huxtable. Light edgewear and soil to dust jacket. Translated by Rose Fyleman. Originally published in Switzerland under the title Muck: Lebenstage eines Alpenhasen. Clean copy.

Hardcover. London, England, Hammond, Hammond & Co. Ltd., 1st Edition, 1953, Book: Very Good, Dust Jacket: Very Good, 2 Volume Set, DOMESTIC SHIPPING ONLY. 1560 total pages. Hardcovers. Black cover boards, gilt title on spine. Light tanning from age to pages. Bindings good. Spines straight. A record of one of America's most distinguished diplomatic careers.

Hardcover. Solana Beach, CA, Santa Monica Press LLC, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A very clean, unmarked copy. Color and black & white photographs throughout.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, 500 pages, with illustrations. Corner and edge wear and fade, scuff mark on spine, some red spots on back cover, two small watermarks on front cover and black ink stains on bottom edge. Overall in good condition with clean pages and tight binding.

Hardcover. New York, Lippincott, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 89 pages. Black & white illustrations by Charles Mikolaycak. Dust jacket is protected by a mylar cover.

Hardcover. New York, Reinhold, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 270 pages. Illustrated with full color and black & white examples of fine book design. Clean, tight copy.

Softcover. Seattle, WA, Fantagraphics, 1st, 2002, Book: Very Good, Dust Jacket: None, 112 pages. Softcvoer, Light edgewear to wrappers. Color and Black and white comics throughout. Trailing the success of the movie based on Clowes' graphic novel Ghost World (1997) comes this collection of shorter stories from his alternative comic book Eightball. Many of the pieces are tirades, albeit entertaining ones, about things Clowes despises (perhaps the comic should have been called Hateball). "On Sports" details his contempt for professional athletics, and "Art School Confidential" is an expose of pretentious, talentless poseurs. This approach is carried to its logical peak in "I Hate You Deeply," a litany of the "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, and sensitive people." Clowes puts his misanthropy in abeyance for slice-of-life stories in which he ruminates during a stroll around his neighborhood or fantasizes about his fellow passengers on a subway. Worthwhile enough, these earlier stories merely presage Clowes' far-more-impressive recent work in which cynicism is presented more subtly, leavened with sympathy, and voiced by well-developed characters. If these pieces lack the heft of Clowes' longer, more ambitious efforts, the best of them are still masterful miniatures.

Hardcover. Boston, Oliver Ditson Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover. Black & white frontis. portrait of author. Preface by Booker T. Washington. Ex-lib with small bookplate, residue to rear end paper, light marking. Top edge gilt. 127 pages.

Hardcover. NY, Mysterious Press, Ltd. Ed., 1990, Book: Very Good, Dust Jacket: None, Hardcover, black cloth. Limited Issue, one of 100 numbered copies specially bound and signed by the author, this being copy #40. Titles stamped in gilt on spine; publisher's matching cloth slipcase with a small bump/nick to the top corner.

Hardcover. NY, Dial, 1st , 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Black & white illustrations by Diane de Groat. Clean copy.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. Chicago, Rand McNally & Co., 1st, 1929, Book: Fair, Dust Jacket: None, Hardcover, blue cloth covers with black titles, color label on front cover. Color and b&w plates by Arnold Hicks. Some short tears to pages, not affecting plates. Covers with edgewear, name on front fly leaf.

Hardcover. Philsadelphia, J.B. Lippincott Company, 1st, 1940, Book: Very Good, Dust Jacket: None, 223 pages. Hardcover with yellow cover boards. No dust jacket. Illustrated in black and white by Armstrong Sperry. Tight copy with only minor soil to pages.

Hardcover. NY, Garland Publishing, reprint, 1978, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering on spine, 195+ 276 pages. Facsimile of the original 1682 edition. From the 'British Philosophers and Theologians of the 17th and 18th Century' series, edited by Rene Wellek. Name on front fly leaf otherwise clean.

Hardcover. NY, Doubleday, Page & Co., 1st, 1925, Book: Very Good, Dust Jacket: None, Hardcover, black cloth boards, orange title label to upper board and back strip, black lettering, orange end papers, top edge stained red, black illustrative boarders on leaves. Two stories: "The Story of a White Blackbird" and "The Young Foreigner". Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black, white and gilt design on front cover and spine. 191 pages, plus publisher's ads in rear. 12 b&w plates by Reginald Birch. Previous owner's inscription on front fly leaf, otherwise a clean, bright copy.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Washington DC, Potomac Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 270 pages, b&w illustrations. As the first great Jewish player in the major leagues and the first African American to play major-league baseball during the twentieth century, respectively, Hank Greenberg and Jackie Robinson are forever linked because of the barriers they encountered, the discrimination they endured, the athletic gifts they exhibited, and especially the courage and dignity they displayed. Both suffered ridicule and abuse as they participated in the national pastime. Nevertheless, each excelled. Greenberg became one of the preeminent sluggers of the 1930s and 1940s who took a break from baseball to serve in the war. Robinson, from the mid-1940s into the following decade, helped bring back speed and a thinking man's approach to the game, both of which had largely been discarded for a generation. Two Pioneers presents these remarkable players' experiences while competing in a nation that was deeply divided on social issues such as anti-Semitism and racism. Both men earned nearly as much attention off the field as they did on it. Greenberg called into question the idea of a "master race" as Adolf Hitler rose to power and gained supporters all over the world. Likewise, Robinson contested racial notions regarding the supposed inferiority of people of African ancestry, even though segregationists proved determined to maintain social barriers separating blacks and whites. It is only fitting that when Robinson finally crossed baseball's color line, Greenberg was one of the first players to welcome him publicly. Robert Cottrell's well-researched work shows how two baseball superstars became important figures in the civil rights crusade to ensure that all Americans, no matter their religion or race, are given equal opportunity. Clean, bright copy.

Softcover. Concord NH, William B. Ewert, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, original sewn gray wrappers. Title page wood engraving by Gillian Tyler. Designed by Michael McCurdy. Unpaginated. Edition of 225 copies, of which 175 were hand-sewn into paper wrappers. Signed by Levertov and Tyler at colophon. Contains two poems by Black Mountain lyricist Levertov, 'Gathered at the River,' and 'The Cry.' Clean, like new.

Hardcover. NY, Henry Holt & Co., 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, light gray boards with a black cloth spine with gilt lettering. Name and ownership stamp on front fly leaf, otherwise clean copy.