business

Hardcover. San Diego, Thunder Bay Press , 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages. From singer-songwriters like Billy Joel and the Bee Gees to folk artists like John Denver and James Taylor to the rock legends Aerosmith and Led Zeppelin, you won't find a more complete list of albums that defines the '70s music scene. Each listing features the full-color, original sleeve artwork, and is packed with information about the musician lineup, track listings, and number-one singles that resulted. A celebration of this funky era. Clean, bright copy.

Softcover. NY, Assouline, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. The history of advertising is detailed here through five of the world's most influential figures in the field. Albert Davis Lasker, who changed the consumer habits of the American public with his campaigns for Palmolive, Kotex and Lucky Strike. Leo Burnett, who gave life to mythical characters such as the Marlboro man and the Green Giant. Marcel Bleustein-Blanchet, the Frenchman who earned a place at the side of the American giants. David Ogilvy, who brought British style to American advertising. And finally, Bill Bernbach, who invented a new style of advertising, inspiring unique and creative work for clients such as Levy's bread and Polaroid film. This book profiles these pioneers and illustrates the campaigns that made them authorities in the advertising world. Although The 5 Giants Of Advertising focuses primarily on these men, it also includes many others who created, animated and reformed this profession. This book is a tribute to all these great talents who have made history with their contributions to the advertising industry.

Hardcover. Portland, Paul E. Merrill, 1st, 1979, Book: Good, Dust Jacket: Good, 166 pages plus additional 28 page pamphlet laid-in. Hardcover. Both hardcover and pamphlet illustrated with full color and black & white photographs. Both book and pamphlet have musty odor. Dust jacket with wear and tape repaired tears along edges. Clean, unmarked pages.

Hardcover. New York, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 307 pages. Black & white photography. Minor wear to dust jacket, else a very nice, tight copy.

Hardcover. London, Hard Case Crime, 1st , 2019, Book: Very Good, Dust Jacket: None, Hardcover, colorful dust jacket with a retro-style illustration by the author. In 1919, the National Prohibition Act was passed, making it illegal across America to produce, distribute, or sell liquor. With this act, the U.S. Congress also created organized crime as we know it. Italian, Jewish, and Irish mobs sprang up to supply the suddenly illegal commodity to the millions of people still eager to drink it. Men like Lucky Luciano and Meyer Lansky, Dutch Schultz and Bugsy Siegel, Al Capone in Chicago and Nucky Johnson in Atlantic City, waged a brutal war for power in the streets and on the waterfronts. But if you think you already know this story...think again, since you've never seen it through the eyes of one the mobsters who lived it. Called "one of the most significant organized crime figures in the United States" by the U.S. District Attorney, Vincent "Jimmy Blue Eyes" Alo was just 15 years old when Prohibition became law. Over the next decade, Alo would work side by side with Lansky and Luciano as they navigated the brutal underworld of bootlegging, thievery and murder. Alo's later career included prison time and the ultimate Mob tribute: being immortalized as "Johnny Ola" in The Godfather, Part II. Introduced to the 91-year-old Alo living in retirement in Florida, Dylan Struzan based this book on more than 50 hours of recorded testimony--stories Alo had never shared, and that he forbid her to publish until "after I'm gone." Alo died, peacefully, two months short of his 97th birthday. And now his stories--bracing and violent, full of intrigue and betrayal, hunger and hubris--can finally be told. With cover art and 24 interior illustrations by Drew Struzan, one of the most acclaimed movie poster painters of all time. Small remainder dot bottom edge, otherwise like new.

Hardcover. Boston, John F, Jewett, 1st, 1849, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Bound in blind-stamped brown cloth, gilt-pictorial black morocco spine. frontispiece view and two plates with tissue guards; plates foxed. Otherwise clean, tight copy.

Hardcover. NY, Harcourt, Brace & World, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with mild fading to the spine. Photo frontispiece. SIGNED BY AUTHOR on the half-title page. The Johnny Appleseed Bookshop became one of the most beloved bookstores in the state. Started by Ruth Hard the daughter of Walter and Margaret it soon attracted a following of from Vermont and nearby New York and Massachusetts. Major literary figures of the day, Robert Frost, Sinclair Lewis, Alexander Woollcott, Pearl Buck, all part time residents of the state, quickly became regulars. The store closed in 1980 after almost 50 years in business in Manchester, Vermont. Her bookshop sticker on front fly leaf, otherwise clean.

Softcover. Logan Airport, Northeast Airlines, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, profusely illustrated with b&w photos. No author but with opening statement by Bill Michaels, President of the airline at the time. Lively commemorative booklet published by Northeast for its employees on July 31, 1972, the day before officially merging with Delta. Features many black & white photos of personnel, advertising and operations. Clean copy.

Hardcover. NY, Reynal & Hitchcock, 1st, 1938, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First novel by the author of I Cover the Waterfront. Harried businessman takes a year off to loaf on a houseboat. Clean, tight copy.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tragic, comic, and utterly honest, this extraordinary memoir is at once a great family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was twelve and a half years old, his mother committed suicide, a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen and joins a kibbutz, changes his name, marries, has children, and finally becomes a writer as well as an active participant in the political life of Israel. Clean copy.

Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.

Hardcover. NY, Viking, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 472 pages, b&w photos. Traces the landmark 1969 Supreme Court case between All-Star center fielder Curt Flood and Major League Baseball, documenting how he fought to play for the team of his choice at the cost of his career and placement in the Hall of Fame but paved the way for future players to become free agents. Clean copy.

Hardcover. New York, Harrison House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages. Over 200 color illustrations tell the story of Rockwell's advertising work. Good tight copy with a repaired tear to rear portion of dust jacket. Totally illustrated by Rockwell plus copy related to each advertising art work piece from Acme Markets to Valspar Varnish.

Hardcover. NY, Harper Business/ Harper Collins , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 532 pages, b&w photos. In a bright, unclipped dust jacket. Notes and Sources. Bibliography. Index. This is a story of loyalty and betrayal, a multigenerational saga that culminates in the emergence of Michael Ovitz and his Creative Artists Agency as the dominant force in Hollywood. Good in very good dust jacket. Clean copy.

Hardcover. NY, Riverhead , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Aloft offers a reexamination of the American dream from the inside out, through the voice of Jerry Battle, a suburban middle-aged man who has lived his entire life on Long Island, New York. Battle's favorite diversion is to fly his small plane solo; slipping away for quick flights over the Island or to the coastal towns of New England, Jerry has been disappearing for years. Then a family crisis occurs, and Jerry finds he must face his disengagement in his relationships: with his deceased wife, the circumstances of whose death he has never fully accepted; with his former girlfriend, whom he still longs for; with his daughter, who refuses to address the disease that threatens her life; with his son, who is in danger of losing the family business; and with his father, whom he has placed in a nursing home. Clean copy.

Hardcover. North Hollywood CA, National Association of Theatre Owners, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, color and b&w illustrations. Lavish and marvelous pictorial on movie theatres and how movies were presented including the publicity and all the hoopla that surrounded the movie going experience from the first nickelodeons to the majestic movie palaces and all the wonderful small neighborhood theatres. Loaded with 100's of b&w photos publicity material and more with many color photos.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Softcover. New York, Metropolitan Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 165 pages, illustrated in b&w and color. INSCRIBED BY MARGARET & RAYMOND (HOROWITZ) TO JOHN WILMERDING, art historian and author. Also laid in is the business card of JOHN K. HOWAT - curator of this exhibition at the Metropolitan. Tight, clean copy.

Hardcover. NY, Free Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 437 pages, in a bright dust jacket. The story of the rebuilding of Skinnerville, Massachusetts destroyed in a dam failure and flood along with Skinners silk thread factory in 1874. Remainder mark on bottom edge.

Chapel Hill NC, Algonquin Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Harcover in a bright, unclipped dust jacket. SIGNED BY AUTHOR on title page. This is the story of what happened to Ellen DeLay in Quillifarkeag, Maine. Quilli (to the locals) has a lot in common with the small towns that Stephen King so often writes about: there are strange characters with strange names (to some of us) who have lived in the area all their lives, as did their parents before them and their grandparents before that--you get the idea. The narrator tells us that his daughter is a killer and he wants to get the whole story down. He takes his time about it, but what we know from the get-go is that Ellen DeLay was gunned down by four female officers of the law who pumped two hundred rounds into her body. Ellen had been married to Joe for 25 years, but she left him after he accidentally locked her in the part of his truck where he kept his tools--for four days. Ellen thought that Joe was trying to kill her while Joe thought that Ellen had left him. In any case, this incident prompted Ellen to head for the north woods, where, over the years, she learned to dress hunters' kills and became a respected businesswoman. There were a few, especially kids, who thought she was just a crazy woman in the woods but, for the most part, Ellen was left alone. Over the course of 250 pages, the narrator carefully pieces together the details of what happened one afternoon at St. Antoine du Plupart and, just as importantly, what happened afterwards. Being from Maine, the narrator takes his time. He has other things to do and other stories to tell, but in the end every detail about what is truly an American outrage is told. G.K. Wuori is the author of Nude in Tub and has a wonderful gift for language and a heartfelt affection for the place about which he writes.

Softcover. University Park, Pennsylvania State University Press, 2nd pr., 2023, Book: Very Good, Dust Jacket: None, Softcover, 266 pages, b&w illustrations. INSCRIBED BY KELLEY on the title page. Lydia Hamilton Smith (1813-1884) was a prominent African American businesswoman in Lancaster, Pennsylvania, and the longtime housekeeper, life companion, and collaborator of the state's abolitionist congressman Thaddeus Stevens. In his biography of this remarkable woman, Mark Kelley reveals how Smith served the cause of abolition, managed Stevens's household, acquired property, and crossed racialized social boundaries. In the last years of Stevens's life, as his declining health threatened to short-circuit his work, Smith risked her own well-being to keep him alive while he led the drive to end slavery, impeach Andrew Johnson, and push for the ratification of the Thirteenth, Fourteenth, and Fifteenth Amendments. Clean copy.

Hardcover. NY, Scribners, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, 387 pages. The autobiography of a legendary advertising and marketing genius who was active in the early 1900s. Black & white illustrations. Previous owner's signature on front fly leaf, otherwise clean.

Softcover. NY, Grolier Club, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A lively look at an underexplored niche in the history of American ads: pop-ups. Drawing from Ellen G. K. Rubins extensive collection of more than 7,000 pop-up books and related ephemera, Animated Advertising demonstrates how animated and dimensional paper devices have been used throughout US history to promote products, art, entertainment, and ideas. The book displays the creativity of advertisers in food, fashion, tobacco, pharmaceuticals, travel, music, politics, and more. Rubins diverse examples of historical paper pop-ups show how they leaped from the pack of standard marketing materials to catch the eye and inform patrons and clientele about the items being sold. Illustrated with two hundred and fifty color images, and published to coincide with a Winter 2023 exhibition at the Grolier Clubs New York headquarters, Animated Advertising is a lively look at an underexplored niche in the history of American marketing, graphic design, and paper engineering. Still in publisher's shrinkwrap.

Hardcover. US, Angelika Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 304 pages. Like new in publisher's shrink-wrap. Anna Bauer's Backstage is a comprehensive portrait of the protagonists of fashion in the twenty-first century's first decade: not just the designers but the entire cast of PR agents, photographers, make-up artists, art directors, editors and, of course, the models. Photographing at shows in Paris, Milan, London and New York, using a large-format camera and black-and-white Polaroid, Bauer decided to portray the diversity of the talent at work behind the scenes. "I got totally addicted to the backstage," Bauer says in the preface to this volume. "I wanted to show how much is involved." Elegantly designed by Fabien Baron, Backstage is divided into eight themed sections.