culture

Hardcover. NY, Hurd and Houghton, unk, 1878, Book: Good, Dust Jacket: None, Hardcover, color illustrated boards, corner wear, minor edgewear, previous owner's signature otherwise nice. Copyright 1877. Many b&w engravings, not credited. Children's stories, poems, and songs embedded in the daily life of a comfortable, cultured, and unassuming New England family. From the first Bodley series, very popular in their day. Scudder (1838 - 1902) was closely connected to Houghton for most of his career and for nine years the editor of the Atlantic Monthly.

Hardcover. Oxford UK, Clarendon Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. The Consolations of Philosophy by Boethius, whose English translators include King Alfred, Geoffrey Chaucer, and Queen Elizabeth I, ranks among the most remarkable books to be written by a prisoner awaiting the execution of a tyrannical death sentence. Its interpretation is bound up with his other writings on mathematics and music, on Aristotelian and propositional logic, and on central themes of Christian dogma. Chadwick begins by tracing the career of Boethius, a Roman rising to high office under the Gothic King Theoderic the Great, and suggests that his death may be seen as a cruel by-product of Byzantine ambitions to restore Roman imperial rule after its elimination in the West in AD 476. Subsequent chapters examine in detail his educational programme in the liberal arts designed to avert a threatened collapse of culture and his ambition to translate into Latin everything he could find on Plato and Aristotle. Name on front fly leaf, otherwise bright and clean.

Softcover. NY, Grove Press, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 430 pages, b&w illustrations. A legendary capital of the arts, Paris hosted some of the most legendary developments in world culture -- particularly at the beginning of the twentieth century, with the flowering of fauvism, cubism, dadaism, and surrealism. In Bohemian Paris, Dan Franck leads us on a vivid and magical tour of the Paris of 1900-1930, a hotbed of artistic creation where we encounter Apollinaire, Modigliani, Cocteau, Matisse, Picasso, Hemingway, and Fitzgerald, working, loving, and struggling to stay afloat. Clean, bright copy.

Softcover. New York, Thames & Hudson, 1st, 2009, Book: Very Good, Dust Jacket: None, 216 pages. Softcover. Like new in publisher's shrink-wrap. Light edgewear to spine corners. From the early 20th century to the present day, this large-scale, brightly colored, coffee table book features the very best (and also the very cheesiest) advertisements for the hottest movie releases and stand-alone Hindi classics.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy with only minor wear to boards. Hardcover, 128 pages with 120 color plates featuring the conceptual artist's graffiti-like images. Claw was the first famous graffiti artist who later expanded her work into the world of fashion.

Hardcover. NY, Pantheon, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 495 pages. Boogaloo--the synonym of choice among the cognoscenti for rhythm and blues--is a stylish and profound meditation on the art, influence, and commerce of black American popular music. At once deeply knowing and keenly observant, Arthur Kempton reveals the tensions between the sacred and the profane at the heart of "soul music," and the complex centrality of "Aframericans" in the evolution of our mass musical culture. What that culture is all about, who owns it, and who gets paid--these are issues of moment in his epic narrative. Kempton brilliantly traces the interconnections among a century's worth of signal personalities, events, and achievements: from Thomas A. Dorsey, the so-called Father of Gospel Music, whose career ("Got to Know How to Work Your Show") sheds light on Mahalia Jackson, Aretha Franklin, and James Brown, among others, to the rise of that "handsome Negro lad," Sam Cooke (perhaps the greatest of soul singers) and his definitive crossover dreams; from Berry Gordy Jr.'s infatuation with Doris Day and his sharp business plan to capture and exploit the sounds of young America through Motown ("It's What's in the Grooves That Counts") to the founding of Stax Records and Memphis Soul by a white farm kid who grew up dreaming of being a country fiddler; from the visionary funk of George Clinton to the ascendancy of hip hop ("Sharecropping in Wonderland"), the murders of Tupac Shakur and Biggie Smalls, and the story of Death Row Records. Clean copy.

Bauer and Dean, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine. This alluring blend of art book and autobiography will capture the imagination. At its heart are hundreds of captivating 3 x 5-inch artworks? intricate collages and drawings created on old library checkout cards, each one representing a book that left an indelible mark on artist Barbara Page. She began creating these illustrated "book marks" as a colorful way to remember titles she was currently reading. Before long, Page embarked on a decade-long art project recreating her reading history, starting with picture books from early childhood. Every artwork serves as a bookmark for a moment in time connected to a specific title, and, as a collection, they present over seventy years of literature, politics, thought, and culture-as colored by one woman's reading choices. Some images may evoke your own memories of a story. Others may feel like little puzzles that require reading or rereading a title to interpret the artistic references.

Hardcover. New York, Umbrage Editions, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Hardcover. Non-paginated. Full color and black & white photographs. Clean, bright copy.

Hardcover. New York, Little, Brown and Company, 2nd pr., 2018, Book: Very Good, Dust Jacket: Very Good, 503 pages. Hardcover with dust jacket. Clean, tight copy. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.

Hardcover. NY/Boston, Little Brown, 3rd pr., 2018, Book: Very Good, Hardcover in a bright dust jacket, 503 pages. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? Dery draws back the curtain on the eccentric genius and mysterious life of Gorey. Small remainder dot on bottom edge, otherwise clean.

Hardcover. Cambridge UK, Cambridge University Press, 1st UK, 1993, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover. Dust jacket with light rubbing. Collection of correspondence between Pierre Boulez and John Cage. Translated and edited by Robert Samuels.

Hardcover. New York, William Morrow, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 11.5' x 10'', 195 pages. A beautifully produced illustrated biography with high quality color reprints of artwork from Bradbury's novels, comics letters and papers as well as movie stills and posters, with examples from many eras and cultures.

Hardcover. New Haven, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 312 pages. Green cloth, silver title to spine, pictorial dust jacket. Allergy is the sixth leading cause of chronic illness in the United States. More than fifty million Americans suffer from allergies, and they spend an estimated $18 billion coping with them. Yet despite advances in biomedicine and enormous investment in research over the past fifty years, the burden of allergic disease continues to grow. Why have we failed to reverse this trend? Breathing Space offers an intimate portrait of how allergic disease has shaped American culture, landscape, and life. Drawing on environmental, medical, and cultural history and the life stories of people, plants, and insects, Mitman traces how America's changing environment from the late 1800s to the present day has led to the epidemic growth of allergic disease. We have seen a never-ending stream of solutions to combat allergies, from hay fever resorts, herbicides, and air-conditioned homes to numerous potions and pills. But, as Mitman shows, despite the quest for a magic bullet, none of the attempted solutions has succeeded. Until we address how our changing environment--physical, biological, social, and economic--has helped to create America's allergic landscape, that hoped-for success will continue to elude us. Clean copy.

Softcover. NY, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger. Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings. productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.

Softcover. NY, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger. Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings. productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.

Hardcover. London, T.C. & E.C. Jack, 1st, 1910, Book: Very Good, Dust Jacket: None, 376 pages. Hardcover. Three-color decorated cloth cover boards. Gilt top edge. Some light fraying to top and bottom of spine. Pages offset, and some untrimmed. 9 full-page color illustrations, over 100 b/w illustrations, also 459 in-text illustrations. Some very light foxing and slight tanning to pages. History of English fashion through19th Centuries, including clergy, etc. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Skira Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in shrink wrap. Full color, full page photographs throughout. Dust jacket designed to look torn with trash underneath. Tight copy. The work of counterculture artists Tim Noble and Sue Webster, whose art is a complex punk-rock take on modern consumer culture. Enormous neon signs, intricate silhouette portraits constructed of trash heaps, and a work titled Instant Gratification: British artists Tim Noble and Sue Webster thrive on the thrills of illumination, love, language, shadows, garbage, and cash. British Rubbish showcases their work in all its splashy glory. Their art evokes both gaudy Vegas culture and down-and-dirty punk rock: a combination of cynical extravagance and a defiant, rebellious sensibility. Extravagant, irreverent, sometimes coarse, and always sharply clever, British Rubbish is both a paean to and sly denunciation of conspicuous consumption.

Softcover. NY, W. W. Norton , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover. Color photos throughout. What do the Bari Pork Store (King of the Sausage), the Los Doctores Tires Shop, the Great Eagle Photo Company, and the St. Jude Religious Articles shops have in common? If you were Paul Lacy, they would be among the hundreds of storefronts you photographed on bicycle trips throughout Brooklyn. Over the years Lacy has managed to capture every conceivable type of shop, decorated with spectacular and wildly varied signs and displays and representing countless ethnic groups. A more colorful array of graphics, both amateur and professional, is unimaginable. Brooklyn's storefronts are a vibrant canvas that reflects the changing trends and distinct character of this dynamic community. You don't have to be from Brooklyn to enjoy this book-playful while documenting a fast-changing scene, it transcends geography to speak to anyone with an interest in urban culture. Clean copy.

Hardcover. Neshannock PA, Hermes Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Included in this volume are two more years of the strip, from 1934 to 1936 and features five complete adventures. Volume Four also features a special 16-page introductory essay by noted science-fiction writer and pop culture historian Ron Goulart, and an afterword detailing interesting details about the history of the strip and its impact on science fiction.

Hardcover. NY, Russell Sage Foundation, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages, b&w illustrations. Little over a century ago, New York and Budapest were both flourishing cities engaging in spectacular modernization. By 1930, New York had emerged as an innovating cosmopolitan metropolis, while Budapest languished under the conditions that would foster fascism. Budapest and New York explores the increasingly divergent trajectories of these once-similar cities through the perspectives of both Hungarian and American experts in the fields of political, cultural, social and art history. Their original essays illuminate key aspects of urban life that most reveal the turn-of-the-century evolution of New York and Budapest: democratic participation, use of public space, neighborhood ethnicity, and culture high and low. What comes across most strikingly in these essays is New York's cultivation of social and political pluralism, a trend not found in Budapest. Nationalist ideology exerted tremendous pressure on Budapest's ethnic groups to assimilate to a single Hungarian language and culture. In contrast, New York's ethnic diversity was transmitted through a mass culture that celebrated ethnicity while muting distinct ethnic traditions, making them accessible to a national audience. Mild fade to spine of dust jacket, otherwise clean.

Softcover. Syracuse, NY, Willis N Bugbee Co, 1st, 1932, Book: Very Good, Dust Jacket: None, 16 pages. Softcover booklet. Green paper wrappers with softened edges. Light soil to paper wrappers. tight copy. Lightly faded on rear.

Hardcover. NY, St. Martin's Press, 1st US, 1985, Book: Very Good, Dust Jacket: None, Hardcover, olive green boards, gilt lettering on spine. Illustrated with B&W plates and maps; Large 8vo 9' - 10' tall; 686 pages; 'Allen's work deals primarily with the human elements of the forgotten war waged between the doomed empires of Great Britain and Japan in Southeast Asia between 1941 and 1945. The author's familiarity with Japanese sources enables him to strike a balance unusual in Western accounts. Allen's Japanese are as much prisoners of their culture as the British are of theirs. They are victims of incompetent command and inadequate logistics. They do not want to die, but their ready acceptance of death lends a special horror to Allen's descriptions of some of the century's most vicious fighting.' Clean bright copy, no dust jacket.

Softcover. Wien, mumok/ICA/Dancing Foxes Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 60 pages. Softcover. Previous owners name and date on title page. Illustrated with full color photography. Light wear. Clean, unmarked text. In the oeuvre of New York artist Moyra Davey (born 1958), literature and writing are as significant as photography, film and video. In her latest text, Burn the Diaries, Davey considers the work of French playwright and political activist Jean Genet, while examining fugitive moments from her own life. An essay by her childhood friend and reading companion Alison Strayer, written in response, reflects on Davey's themes. The publication is part of a group of new works--also including photographs, a film and an installation of her signature mailers, which Davey sends to family, friends and acquaintances--that illuminate the relationship between image and language. This volume can be read both as an artist's book and a catalogue to accompany the exhibition at Mumok, Vienna, and the ICA, Philadelphia, in 2014.

Hardcover. NY, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages. Color photographs by Ethan Hoffman and text by Mark Holborn, Tatsumi Hijikata and Yukio Mishima and Kazuo Ohno. Includes a 12 page section on Ohno with numerous color photographs. Color cover photograph is of Ohno. Features work of several other Butohchoreographers/dancers.