culture

Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Columbia University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY THE AUTHOR on the red front fly leaf. With penetrating insight Combs-Schilling illuminates the remarkable survival of one of the world's oldest monarchies, still ruling after 1200 years. The author unravels the paradox of this ancient yet progressive institution that has weathered invasion, economic collapse, and colonial assault. The pillars of stability for which political analysts typically search -- military strength, bureaucratic control, and commercial prosperity -- have often been absent in Morocco, sometimes for centuries. How then has the monarchy stood firm? In this remarkable book, Combs-Schilling argues that the answer is to be found in the distinctive forms of ritual practice developed during times of great crises. Unique among Islamic governments, the Moroccan monarchy became cnetral to the popular celebrations of the most sacred rituals of Islam, cloaking itself in their sanctity. Combs-Schilling breaks new ground in thinking about ritual. The author explores the consequences of the replication and reinforcement of Morocco's national ceremonies in villages and homes and the metaphorical equivalence thereby built. The author outlines how ritual metaphors simultaneously fuse the monarchy with the hallowed prophets of Islam and the mundane structures of family life.

Hardcover. New York, Simon & Schuster, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JOAN DIDION on front flyleaf. 108 pages. Hardcover with dust jacket. Clean, unmarked copy with some slight shelfwear. Corner fold on dust jacket front inside flap.Otherwise tight copy. Salvador is a 1983 book-length essay by Joan Didion on American involvement in El Salvador.

Hardcover. NY, Little, Brown and Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 763 pages, b&w illustrations. From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandily steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

Softcover. University of Chicago Press, 1st pbk, 1999, Softcover, 327 pages. Few cultures have received as much attention in the study of erotic desire, sexuality, and gender as the Sambia of Papua New Guinea. Here, for the first time, is a collection of groundbreaking essays and a new introduction on the Sambia's sexual culture by the renowned anthropologist Gilbert Herdt. Over the course of 20 years, Herdt made 13 field trips to live with the Sambia in order to understand sexuality and ritual in the context of warfare and gender segregation. Herdt's essays examine Sambia fetish and fantasy, ritual nose-bleeding, the role of homoerotic insemination, the role of the father and mother in the process of identity formation, and the creation of a "third sex" in nature and culture. He also discusses the representation of homosexuality in cross-cultural literature on premodern societies, arguing that scholars have long viewed desires through the tropes of negative western models. Mild shelf wear, clean copy.

Hardcover. London, Laurence King, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

Hardcover. New York, Broadway Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Minor foxing to top edge of text block. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Softcover. UK , Cambridge University Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 231 pages. Schleiermacher's On Religion: Speeches to its Cultured Despisers is a classic of modern Protestant religious thought that powerfully displays the tensions between the Romantic and Enlightenment accounts of religion. This edition presents the original 1799 text in English for the first time. Richard Crouter's introduction places the work in the milieu of early German Romanticism, Kant criticism, the revival of Spinoza and Plato studies, and theories of literary criticism and of the physical sciences. This fully annotated edition also contains a chronology and notes on further reading. Name on front fly leaf, otherwise clean.

Hardcover. New York, Harper, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 672 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Princeton NJ, Princeton University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 490 pages. By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines. Clean copy.

Softcover. Calcutta/Chicago, Seagull/University of Chicago, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Softcover, flexible cloth in a bright dust jacket. An elaborate catalog published by Seagull Books, a venture begun in Kolkata in 1982 by Naveen Kishore, a theater practitioner. They focus on world and Indian literature in English translation, serious non-fiction, culture studies, performance studies, art and cinema. 372 pages illustrated in color. Clean copy.

Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Mohr Siebeck, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 654 pages, b&w illustrations. Light shelf-wear to dust jacket, previous owner's stamp on front end paper. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. New York, Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover in a bright dust jacket. Clean, tight copy.

Softcover. Port Moresby AU, University of Papua and New Guinea, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, 675 pages. Papers delivered at a seminar sponsored jointly by the University of Papua and New Guinea, the Australian ... at Port Moresby from 30 May to 5 June 1968. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Athens GA, University of Georgia Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages. This work tells how the first generation of Protestant fundamentalists embraced the modern business and entertainment techniques of marketing, advertising, drama, film, radio, and publishing to spread the gospel. Clean copy.

Softcover. NY, Burns Archive Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 106 pages, color plates throughout. SIGNED/INSCRIBED BY STANLEY BURNS on the title page. Japan, an island nation isolated until the mid-nineteenth century, opened its doors to foreign photographers in the 1860s. These photographers presented a visual cultural kaleidoscope of Japanese life to an eager outside world. The 160 photographs in this volume are curated from tourist albums and presented in the typical sequence. The modern reader will experience Meiji Japan in the way of a nineteenth century armchair traveler. While photographers in other countries were marketing sepia-toned prints, photographers in Japan took advantage of local artists and had their prints exquisitely painted. As with all hand-rendered artworks, quality varied; many photographs were executed so well as to challenge modern color photography. Photographers were limited by government restrictions and many scenes were set in studios rather than in real life. Despite the limitations, tourists visiting the country could purchase albums filled with colorful renditions of Japan's peoples and places. The carefully staged and approved photographs promoted an idealized and romanticized vision of Meiji Japan. Modernization and industrialization changed the country dramatically and the last vestiges of the disappearing feudal culture are captured by the camera. These intriguing photographs are beautiful multi-media artworks representing a vanished world. Clean copy.

Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 188 pages. Marjorie Becker reconstructs the cultural encounters which led to Mexico's post-revolutionary government. She sets aside the mythology surrounding president Lazaro Cardenas to reveal his dilemma: until he and his followers understood peasant culture, they could not govern. This dilemma is vividly illustrated in Michoacan. There, peasants were passionately engaged in a Catholic culture focusing on the Virgin Mary. The Cardenistas, inspired by revolutionary ideas of equality and modernity, were oblivious to the peasants' spirituality and determined to transform them. A series of dramatic conflicts forced Cardenas to develop a government that embodied some of the peasants' complex culture. Clean copy

Hardcover. NY, Pantheon, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. As political change sweeps the streets and squares, the parliaments and presidential palaces of the Arab world, Shereen El Feki has been looking at an upheaval a little closer to home--in the sexual lives of men and women in Egypt and across the region. The result is an informative, insightful, and engaging account of a highly sensitive and still largely secret aspect of Arab society. Sex is entwined in religion, tradition, politics, economics, and culture, so it is the perfect lens through which to examine the complex social landscape of the Arab world. From pregnant virgins to desperate housewives, from fearless activists to religious firebrands, from sex work to same-sex relations, Sex and the Citadel takes a fresh look at the sexual history of the region and brings new voices to the debate over its future. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 2011, Book: Very Good, Dust Jacket: None, Softcover, 308 pages. One evening, while watching the news, Roger N. Lancaster was startled by a report that a friend, a gay male school teacher, had been arrested for a sexually based crime. The resulting hysteria threatened to ruin the life of an innocent man. In this passionate and provocative book, Lancaster blends astute analysis, robust polemic, ethnography, and personal narrative to delve into the complicated relationship between sexuality and punishment in our society. Drawing on classical social science, critical legal studies, and queer theory, he tracks the rise of a modern suburban culture of fear and develops new insights into the punitive logic that has put down deep roots in everyday American life. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. This book uncovers a persistent struggle between moral authority and the widespread expression of popular customs and individual urges. It details a fundamental shift in sexual culture and the acceptance of a more individualistic concept of sexual desire and fulfillment. Sex, marriage, was it "sinful". What was the influence of the Puritans? What was the power of the Planters of the South had over their Slaves? 75 pages of notes and an Index. This is both very interesting and scholarly. Clean copy.

Hardcover. Philadelphia, J.B. Lippincott, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, red and blue cloth with black stamping, 334 pages. Clean copy. Portraying the dark, authoritarian side of the utopian dream, this classic novel tells the story of the Reverend Harmston, a man devoted to building a microsociety in which there is a balance between the order that is necessary to produce livelihood and the freedom to fully explore sexuality. Setting up a commune in the remote Guyanese forest with the creed, "Hard work, frank love, and wholesome play," the reverend attempts to construct an ideal society that opens up cross-cultural dialogue between the spirit of European enlightenment and the culture of the native Amerindians. Underneath its generally comic tone, however, there are notes of a darker spirit at play--such as Harmston's unquestioned authority and the brutal punishments he hands out--that eerily foreshadow the actual 1978 Jonestown Massacre, a violent event that occurred 27 years after the novel's initial publication.

Hardcover. San Francisco, Chronicle Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 177 pages. From the controlled beauty of classical ballet to the vivacity of salsa, dance can be found in nearly every culture on Earth. Shall We Dance is the result of Pulitzer Prize-winning photographer Brian Lanker's year of travel across the United States, documenting the huge variety of styles (from tap to tango, salsa to swing) and dancers he encountered. What began as a photo-essay for National Geographic soon expanded into a vast documentary project, which includes interviews with dancers from all corners of the globe. Shall We Dance celebrates dance's diversity of culture and capacity to express every emotion imaginable. Featuring a foreword by legendary writer, and former dancer, Maya Angelou, this volume is a treasure trove of dance from around the world.