culture

Hardcover. NY, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. b&w photos throughout. During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafes, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.

Hardcover. US, Schiffer Publishing, Ltd., 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. Roy Kemp's previously unpublished burlesque portfolio presents thirty-nine dancers performing in authentic clubs and backstage settings in 1950s New York. This nostalgic collection includes nearly 250 never-before-seen black and white and color photographs of well-known dancers, including Tempest Storm, Liz O'Leyar, Murine, Rita Gable, and Princess Domay, as well as other sultry performers, quite famous in their heyday. Kemp's talents as a photojournalist provide a fresh perspective on the lives of burlesque performers in this golden era. An artist as well as an investigator, Kemp created striptease photo montages and composed biographies for several dancers, giving the reader an intimate feel for the campy burlesque culture. This time capsule depicts live performances and peeps into club dressing rooms, and offers unedited material from pin-up photo sessions. It is a must-have for aspiring dancers, aficionados, or any modern-day guy or gal who appreciates the style and grit of this fabulous art form.

Hardcover. NY, Scheidegger and Spiess, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 560 pages. New York is a global icon--the quintessential metropolis. Over three centuries it has morphed from the colonial fur trading hub of New Amsterdam into one of the most vibrant and exciting cities on earth. The history of the Big Apple has been documented many times over in many diverse ways, including books, photographs, and songs. But in this lavish, beautiful volume, Thomas Kramer offers a new perspective, telling the story of New York through Andreas Adam's vast collection of rare picture postcards that recount the city's changing identity and culture over the last century.

Hardcover. Toronto, Skyline Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 88 pages. Hardcover with dust jacket. Extensive color photography throughout. Gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. An insightful and unbiased account of a much-maligned and rapidly growing culture around the world, taken in perhaps the one place in the world where all manifestations of religious adherents live and work: New York City. The book features photographs, essays, and interviews documenting the mosques that New York's Muslim communities have built at their center, revealing the ways these buildings reflect and create identities for Muslims within a dense and diverse urban fabric. "... Mr. Grazda's penetrating black-and-white photographs and Ms. Dodd's insightful commentaries reveal the range of the city's Islamic houses of worship and their ethnic congregations...."--The New York Times

Hardcover. NY, Parkstone Press, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 256 pages. Never opened, still in original shrink wrap. Spotless copy. A collection of black and white images from New York's disco era. In the late 1970s, with only her Hasselblad and a telephoto lens, Veretta visited many of New York City's infamous nightclubs and captured the erotic energy of the peak disco era. Culled from over one thousand images, this collection of black and white photos is an entertaining, often breathtaking documentary of a unique moment in our history.

Hardcover. NY, Distributed by E.P. Dutton, 1st, 1982, Book: Good, Dust Jacket: Good, Large format hardcover, 423 pages, illustrated throughout in b&w. Light edgewear, rubbing and sun-fade to price clipped dust jacket. Light staining to end papers from red flaps, else a clean, tight copy.

Hardcover. Chicago, University Of Chicago Press , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 330 pages with index. At the close of the nineteenth century, new printing and paper technologies fueled an expansion of the newspaper business and publishers were soon reeling off as many copies as Americans could be convinced to buy. Newspapers quickly saturated the United States, especially its cities, which were often home to more than a dozen daily papers apiece. Using New York, Philadelphia, Milwaukee, and Chicago as case studies, Julia Guarneri shows how city dailies became active agents in creating metropolitan spaces and distinctive urban cultures. Newsprint Metropolis offers a vivid tour of these papers, from the front to the back pages. Paying attention to much-loved features, including comic strips, sports pages, advice columns, and Sunday magazines, she tells the linked histories of newspapers and the cities they served. Themed sections for women, businessmen, sports fans, and suburbanites illustrated entire ways of life built around consumer products. Guarneri also argues that while papers provided a guide to individual upward mobility, they also fostered a climate of civic concern and responsibility. Charity campaigns and metropolitan sections painted portraits of distinctive, cohesive urban communities. Real estate sections and classified ads boosted the profile of the suburbs, expanding metropolitan areas while maintaining cities' roles as economic and information hubs. Clean, like new.

Hardcover. Charta, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 112 pages. Electroclash, eighties retro, tiaras, tartan and makeup: it's all there in Nicole Trevillian's photo-record of London's new music clubs and the birth of Electroclash, from 2000 to 2010. At clubs such as the famous Trash, Nag Nag Nag, Electric Stew, Jacked, Return to New York, Drama, Computer Blue, DURRR and Smash and Grab, Trevillian captures the energy flash of this moment.

Softcover. Chicago, University of Chicago Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 253 pages. Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.

Hardcover. NY, Cambridge University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This pioneering study documents the extent and diversity of the impact of Nietzschean ideas on Soviet literature and culture. It shows for the first time how these ideas, unacknowledged and reworked, entered and shaped that culture and stimulated the imagination of both supporters and detractors of the regime. 421 pages, a bright, clean copy.

Softcover. New York , powerHouse Books, 1st, 2010, Book: Near Fine, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Features photographs of female impersonators who have performed in the gay district of Osaka, Japan, from the '90s to the present, along with an essay discussing the photographer's work and the country's gay culture. Text by Eric Shiner and Simone Fukayuki.

Softcover. Heidelberg, Kehrer Verlag, 1st, 2003, Book: Very Good, Dust Jacket: None, Flexi-softcover. Illustrated with full color photographs by Sandra Mann. Clean, bright copy.

Softcover. Heidelberg, Kehrer Verlag, 1st, 2003-09-01, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Sandra Mann, a young photographer, portrays moments in nightlife not only through the lens of her camera, but as a member of the scene itself. She provides the viewer with intimate, sometimes erotic sights of artists, musicians, dancers, and common people who form the so-called "nightslife". Mann's infallible feeling for the unique situation and formal composition make the book in his special design and conception as a so-called "street book" an extraordinary document.

Softcover. Heidelberg GR, Kehrer Verlag, 1st, 2003-09-01, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Sandra Mann, a young photographer, portrays moments in nightlife not only through the lens of her camera, but as a member of the scene itself. She provides the viewer with intimate, sometimes erotic sights of artists, musicians, dancers, and common people who form the so-called "nightslife". Mann's infallible feeling for the unique situation and formal composition make the book in his special design and conception as a so-called "street book" an extraordinary document.

Softcover. Montreal, Drawn and Quarterly, 1st, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Doug Wright's pantomime strip about the life of a suburban family moves into the mid-1960s, and the pop culture of the time begins to seep in. Wright showcases the domestic mayhem that parents and their kids experience throughout the year. The endless play of kids is prevalent, from skateboarding to snowball fights, from the guilty pleasure of making prank phone calls to the daily roughhousing of siblings.

Softcover. Arlington Heights, IL, AHM Publishing, 4th pr., 1969, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b&w illustrations. This is a study in cultural ecology involving the adaptive processes and relations of four groups: Plains Cree, cattle ranchers, wheat farmers, and Hutterites of southwestern Saskatchewan over a sixty year period.... Bennett has aptly demonstrated the falsity of the belief that anthropologists can learn nothing from a study of their own culture. The book merits reading by all those who are interested in ecology, economic anthropology, and culture change and is a significant addition to the relatively meager amount of anthropological information on Western culture. Sunning to covers. Clean copy.

Hardcover. New York, Pantheon, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR. 343 pages. Brown and white cloth cover, gilt design, very light foxing. Dust jacket has minor wear to edges. Slight foxing on edges, but inside is clean and unmarked, with b&w illustrations throughout. A nice, bright copy. Gathering tales from the tribal peoples of Greenland, Canada, Russia, Alaska, and the polar region, which were told and retold through months of long winter night, "Northern Tales", reflects a rich diversity of traditions and cultures, spanning the Way-Back Time through the coming of the first white explorers.

Hardcover. Norwich, Norwich University, First Edition, 1920, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover. Red pebbled cloth covers with gilt titles to cover. Toning throughout. Pages untrimmed, and many unopened. Frontis illustration, Captain Alden Partridge, Founder. Black & white illustrations throughout. Clean & unmarked copy.

Hardcover. NY, Rizzoli, 1st, 2011, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.

Hardcover. NY, Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.

Hardcover. NY, Rizzoli, 1st, 2011, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.

Softcover. Ithaca NY, Cornell University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 204 pages. "Not of woman born," "the Fortunate," "the Unborn" - the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. In antiquity, children fortunate enough to have survived a Caesarean birth were believed to be marked for a special destiny. Vividly tracing the evolution of Caesarean birth from the early 1300s (when the operation was performed almost exclusively by midwives) through the Renaissance period (when midwives were considered witches and male surgeons took control), Blumenfeld-Kosinski . . . does more than provide [an] engrossingly accessible, historical account of the now-commonplace procedure--she unveils the roots of a medical misogyny that still prevails today. A richly cross-disciplined study utilizing depictions of Caesarean delivery in art, literature, and medical texts and illuminations (illustrations), [this book] is a captivating and revealing work that will be relished by readers of medical and cultural history, as well as by those who are interested in the subject of male dominance over women. Clean copy.

Hardcover. London, Fuel, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. 192 pages. Plutser-Sarno has been collecting Russian street messages, usually hand-written and posted on walls, for two decades; this book is a sampling from his Museuam of Ads and Announcements. The notes are of a great variety: seeking recruits for cults or prostitution, offering items, some of them bizzare ones, for barter, warning miscreants of dire harm should they, for example, continue to steal light bulbs from a common corridor, prohibiting--predictably--a wide range of activities, and occasionally pleading in tones of insanity.Many of the messages are shown in illustrations, and Pluter-Sarno offers brief comments, sometimes necessary ones: Without them I shouldn't have known, for example, that 'artificial rock' was a euphemism for a concrete slab. (I'm sorry though that he didn't explain what curious Slavic behaviors created the need for notices in public lavoratories asking users to abstain from standing on toilet bowls.) Given the range of notes here, it's possible for the reader to get a hint of Soviet and post-Soviet customs and beliefs, the daily struggling with poverty and paucity, and the impact of the political upon the individual.Because Fuel, the publisher, is a design company it's small wonder that as an object this is a wonderful book. It's a small hardback with a cover done in relief, and sewn in signatures. The outer 2/3 of the pages are a kraft-paper brown and the inner 1/3, with colour illustrations, a cream color.