dance

Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Hardcover. College Station, Texas A&M University , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 318 pages. In their own vivid words, the women members of the Soviet air force recount their dramatic efforts against the German forces in World War II. These brave women, the first ever to fly in combat, proved that women could be among the best of warriors, withstanding the rigors of combat and downing the enemy. B&w illustrations. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st US, 1935, Book: Very Good, Dust Jacket: None, Hardcover, 337 pages, Index. Black & white photographic illustrations. Cream cloth with red & black illustration and lettering. The exciting story of the author's travels by car with Paris Benga, the famous Negro dancer, on a tour which zigzagged through the French colonies, the French and British mandates, and the Gold Coast to study the native dances in the districts most remote from civilization. This is also a study of the government and religion, the sex-life and marriage ritual, habits and customs, and the emotional and mental character of these West African Negroes. Mild stain to corners of front cover, not affecting the interior. Otherwise clean and tight copy.

Softcover. San Francisco, Chronicle Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. B&w photographs. Collaborating with some of the world's finest dancers from such illustrious dance companies as the Martha Graham Dance Company, Pilobolus, San Francisco Ballet, the Parsons Dance Company, and Ballet Tech, she captures moments of startling grace and power. In 90 duotone images, Greenfield's dancers defy gravity and push the limits of the possible. A preface takes us behind the scenes in her studio, and the photographer's own captions illuminate the challenges of making pictures that recreate the seeming effortlessness of dance. As inspiring as it is technically remarkable, this collection of incomparable images is sure to captivate dance lovers, photographers, and all who admire the beauty and strength of the human body.

Softcover. San Francisco, Chronicle Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. B&w photographs. Collaborating with some of the world's finest dancers from such illustrious dance companies as the Martha Graham Dance Company, Pilobolus, San Francisco Ballet, the Parsons Dance Company, and Ballet Tech, she captures moments of startling grace and power. In 90 duotone images, Greenfield's dancers defy gravity and push the limits of the possible. A preface takes us behind the scenes in her studio, and the photographer's own captions illuminate the challenges of making pictures that recreate the seeming effortlessness of dance. As inspiring as it is technically remarkable, this collection of incomparable images is sure to captivate dance lovers, photographers, and all who admire the beauty and strength of the human body.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. B&w photos, 185 pages. Twenty years after his death, George Balanchine still dominates the world of ballet. Not only have his works been danced by the New York City Ballet continuously since 1948, but they also have been performed by more than two dozen other companies throughout the world. In clear and elegant writing, Terry Teachout brings to life the dramatic story of George Balanchine, a Russian emigre who fell in love with American culture, married four times and kept a mistress on the side, and transformed the art of ballet forever. Clean copy.

Hardcover. Boston, Little, Brown, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY STONE WITH A SKETCH OF A FISH JUMPING OVER THE MOON on the front fly leaf. Unable to afford dance lessons, Fiona struggles to develop her skills while caring for her emotionally detached sister and longing for her family to heal from a past tragedy. Clean copy.

Hardcover. Boston, Little, Brown, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY STONE WITH A SKETCH OF A BIRD IN FLIGHT on the front fly leaf. Unable to afford dance lessons, Fiona struggles to develop her skills while caring for her emotionally detached sister and longing for her family to heal from a past tragedy. Clean copy.

Hardcover. New York, Hyperion, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, unclipped dust jacket. Non-paginated. SIGNED BY ANDREA DAVIS PINKNEY AND BRIAN PINKNEY ON TITLE PAGE. Full color illustrations. Clean, bright copy.

Softcover. NY, Archipelago Books, 1st Transl., 2021, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 215 pages. Reaching back into a world before she was born, Christine Angot describes the inevitable encounter of two young people at a dance in the early 1950s: Rachel and Pierre, her mother and father. Their love is acute. It twists around Pierre's decisive judgments about class, nationalism, and beauty, and winds its way towards dissolution and Christine's own birth. Though it's Pierre whose ideas are most often voiced, it's Rachel who slowly comes into view, her determination and patience forming a radiant, enigmatic disposition. Equal parts subtle and suspenseful, An Impossible Love is an unwavering advance toward a brutal sequence of events that mars both Christine's and Rachel's lives.

NY, North-South Books, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Christa Unzner-Fischer. Dust jacket with slight wear at top of spine. A little girl loves to dance, and sometimes when she dances she forgets about everything else, including how to find the way home.

Hardcover. New York, Scribners, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Etchings by Barbara Garrison. Not Ex-library. A bright, clean copy. Boris the bear receives dancing lessons from his friend Max, a dancing bear with the Moscow Circus.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 143 pages. An unprecedented look at a moving photographic series that chronicles the gay communities of Los Angeles and San Francisco from 1969 to 1972. For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it. 1969 witnessed the Stonewall riots in New York City and was a turning point in the history of community building and organized political activism among homosexuals in the United States. The Gay Essay provides a singular, intimate record of this crucial moment. Friedkin's portraits, taken in streets, hotels, bars, and dancehalls, demonstrate a sensitivity and an understanding that has imbued the photographs with an enduring resonance. This handsome book features seventy-five full-page plates and is accompanied by engaging essays and a poem by Eileen Myles.

Hardcover. London, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 192 pages. Arcadia Britannica is the product of photographer Henry Bourne's repeated trips to some of Britain's greatest folk events: striking color portraits capture an eccentric collection of individuals in inventive outfits, including arboreal costumes, pagan-inspired creations, and historical garb. These were captured at events like the annual Jack in the Green festival held in Hastings in May, for which the town and its people are decked in green to welcome summer, and the Easter Sunday celebration in Bacup, Lancashire, where fiercely proud Britannia Coconut Dancers (or "Nutters") perform their traditional seven dances. An accompanying text by Simon Costin provides the historical backstory and explains the folklore behind this wacky, inspiring collection of images. 125 color photographs. Clean copy.

Hardcover. New York, Playbill/ Applause Thetre& Cinama Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 357 pages. Hardcover with dust jacket. Clean, tight copy. Minor wear to dust jacket. Minor rubbing to top spine. Light soil on rear. This is the ultimate backstage tour of Broadway! AT THIS THEATRE tells the complete history of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated, revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active Broadway theatres in New York. From the conception and design of the buildings, to their original creators, and on to the theatres' transformation, often under duress, from legitimate houses to vaudeville and Burlesque, to movie houses and then back to their original purpose, this book captures the magical world of Broadway. It is a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable 116-year-old archives, can tell.

Hardcover. London, Bodley Head, reprint, 1989, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Wonderful watercolor illustrations by Cox tell the story of a Balinese girl performing her first Legong dance. Clean copy.

Hardcover. New York, Greystone Press, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, 64 pages, 56 b&w illustrations by Gard. Introduction by Walter Terry. Collection of 56 full page caricatures of prominent ballet figures including dancers, choreographers, composers and producers. Illustrated boards with faded color, light soil. Interior clean, with bright plates.

Hardcover. NY, Abrams, 1st U.S., 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages. With 264 illustrations, 145 in color. Oversized. Silver cloth cover, very little wear. Dust jacket has minor wear to corners and edges. White cardboard slipcase. Inside is bright and clean. A beautiful copy. Lavish look at Swedish Ballet, 1920-25, with ballet-by-ballet analysis.Glossary of names, list of illustrations, numerous b/w and color illustrations, b/w decorated endpapers; gray boards/silver decoration.

Hardcover. NY, Abrams, 1st U.S., 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages. With 264 illustrations, 145 in color. Oversized. Silver cloth cover, very little wear. Dust jacket has minor wear to corners and edges. White cardboard slipcase. Inside is bright and clean. A beautiful copy. Lavish look at Swedish Ballet, 1920-25, with ballet-by-ballet analysis.Glossary of names, list of illustrations, numerous b/w and color illustrations, b/w decorated endpapers; gray boards/silver decoration.

Hardcover. New York, Ginee Seo Books/Antheneum Books for Young Readers, 1st, 2007, Book: Fine, Dust Jacket: Fine, SIGNED BY BARYSHNIKOV AND RADUNSKY ON TITLE PAGE. Glossy dust jacket and covers completely illustrated in color, beautiful full page color illustrations by Vladimir Radunsky. No wear to book or dust jacket; a gorgeous children's book in excellent condition.

Hardcover. New York, Ginee Seo Books/Antheneum Books for Young Readers, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, SIGNED BY BARYSHNIKOV AND RADUNSKY ON TITLE PAGE. Glossy dust jacket and covers completely illustrated in color, beautiful full page color illustrations by Vladimir Radunsky. No wear to book or dust jacket; a gorgeous children's book in excellent condition.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.