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Hardcover. Washington DC, Goverment Printing Office, 1st, 1950, Hardccover, olive green cloth with gilt title on spine. 715 pages, Illustrated with b/w photos, drawings, portraits, tables, maps, fold-in maps & color map in rear pocket. Smithsonian Institution Bureau of American Ethnology Bulletin 143. Small ownership sticker inside front cover, otherwise clean, tight copy.

Softcover. Washington DC, United States Air Force, 1959, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, approximately 300 stapled pages. A guide to the SAC's worldwide bases, circa 1959. 8 1/2 X 11", three hole punched. Profusely illustrated with b&w photos of airfields, barracks, NCO clubs, housing for airmen and other facilities covering bases in the states, England, Guam, Germany, etc. Also maps showing locations. Not classified in the early days of the Cold War. Front fly leaf with and introduction by Thomas Power, Commanding General.

Hardcover. Washington DC, Smithsonian, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Washington. DC, Smithsonian, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 75 portraits of artists in black & white and color by Namuth. 166 pages. Accompanied by a biographical essay by Carolyn Kinder Carr, this collection of seventy-five of Hans Namuth's photographic portraits, taken between 1950 and 1989, shows how his friendships with his often reclusive subjects and his determination to capture the essence of each artist's style resulted in revealing portraits of such notable painters as Willem and Elaine de Kooning, Mark Rothko, Roy Lichtenstein, Jasper Johns, Andrew Wyeth, Helen Frankenthaler, and Andy Warhol. Although Namuth identified most closely with the Abstract Expressionists who became famous in the 1950s and early 1960s, his repertoire included a new generation of 1980s artists, among them Julian Schnabel and David Salle. In both his black-and-white and color photographs, Namuth used subtle but telling poses, settings, and details: John Steinbeck appears with his famous dog Charley; Philip Johnson stands jauntily on a staircase in the Museum of Modern Art beside a painting that he donated; Louise Nevelson wears jewelry that echoes the sweeping lines of her wood sculpture.

Hardcover. Washington DC, Brassey's , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, b&w illustrations, 293 pages. The 369th became one of the few U.S. units that American commanding general John J. Pershing agreed to let serve under French command. Donning French uniforms and taking up French rifles, the men of the 369th fought valiantly alongside French Moroccans and held one of the widest sectors on the Western Front. The entire regiment was awarded the Croix de Guerre, the French government's highest military honor. Clean copy.

Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Harry N. Abrams, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 230 pages, published to accompany exhibition show in London, Paris, and Washington. Shows how Rousseau's captivating jungle paintings are best understood in relation to his work in other genres such as portraiture and landscapes. Beautiful color illustrations throughout. Deep green boards with lighter green tiger on front. In publisher's shrinkwrap.

Softcover. Washington DC, United States Department of Agriculture, 1929, Book: Very Good, Dust Jacket: None, Softcover Original black and white stapled wrapper with black lettering and a black and white photograph on the front cover. 5 3/4 X 9 inches. 84 pages. Copy contains 65 black and white photographs. Contents in this issue, Hardy perennial plants, use of herbaceous perennials, arrangement, culture, propagation, kinds to use, regions with similar growing conditions, adaptability of different kinds of plants, index of common names.

Hardcover. Seattle WA, University of Washington Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 259 pages, b&w illustrations. The homestead field method of farming. Clean copy.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.

Hardcover. NY, Knopf, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. These twelve stories further Joy Williamss utterly singular achievement, described by the Washington Post as poetic, disturbing, yet very funny. Her landscapes reach from Maine and Nantucket to the Southwest and into Mexico and Guatemala, while the events cover a range of human travail, from children confronting the death of a parent to parents instead burying their own young, and the various ways-comic, tragic, unnerving-we seek to accommodate diminishment and loss.

Hardcover. NY, Dial Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 254 pages, b&w photos by Maggi Castelloe. In the early seventies, when the press and the President were at war, Washington journalists became superstars. A profile of the era. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Hardcover, 384 pages. When George Washington embarked on his presidential tours of 1789-91, the rudimentary inns and taverns of the day suddenly seemed dismally inadequate. But within a decade, Americans had built the first hotels--large and elegant structures that boasted private bedchambers and grand public ballrooms. This book recounts the enthralling history of the hotel in America--a saga in which politicians and prostitutes, tourists and tramps, conventioneers and confidence men, celebrities and salesmen all rub elbows. Hotel explores why the hotel was invented, how its architecture developed, and the many ways it influenced the course of United States history. The volume also presents a beautiful collection of more than 120 illustrations, many in full color, of hotel life in every era.

New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 375 pages including index, color and b&w illustrations. When George Washington embarked on his presidential tours of 1789?-91, the rudimentary inns and taverns of the day suddenly seemed dismally inadequate. But within a decade, Americans had built the first hotels?, large and elegant structures that boasted private bedchambers and grand public ballrooms. This book recounts the enthralling history of the hotel in America?a saga in which politicians and prostitutes, tourists and tramps, conventioneers and confidence men, celebrities and salesmen all rub elbows. Hotel explores why the hotel was invented, how its architecture developed, and the many ways it influenced the course of United States history. The volume also presents a beautiful collection of more than 120 illustrations, many in full color, of hotel life in every era. Clean, bright copy.

Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008-09-15, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.

Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.

Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 319 pages. Softcover with paper wrappers. Tape repair on top spine. Previous owner's bokplate on inside front wrapper. Tight copy. Black and white pictures throughout.

Hardcover. Seattle, University of Washington Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition. Introduction by Margery Mann. Small quarto. Illustrated with 94 photographs. Clean copy.

Hardcover. Washingtonb, DC, Philip Wilson, 1st , 1998, Book: Very Good, Dust Jacket: Very Good, A hardcover exhibition catalog. 75 color, 70 black & white illustrations, 240 pages. Clean, bright copy in a similar dust jacket.

Softcover. Washington, DC, National Portrait Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Exhibiton catalog.176 pages. Over 175 B&W illustrations throughout. Black pictorial cover with very slight wear. Price tag on bottom right corner of back cover. Overall, a clean, tight copy.

Hardcover. Washington, DC, National Gallery of Art, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Exhibition catalog. Hardcover, 331 pages, illustrated throughout in color and b&w. Remainder mark on bottom edge, otherwise like new.

Softcover. Washington, DC, National Gallery of Art, 2nd, 1995, Book: Very Good, Dust Jacket: None, Exhibition catalog. 331 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minimal wear to covers, else like new.

Hardcover. Wahington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover,. Published to accompany an exhibition held at the National Gallery in Washington (and later at the Kunstmuseum Basel, Switzerland) and concentrating on the pivotal decade 1955-1965 when Johns produced his most famous works, this catalogue is filled with well-produced reproductions. Jasper Johns (born 1930) is an important American painter who is variously said to belong to the Minimalist, Pop Art or Neo-Dadaist schools. This catalogue presents paintings from the first decade of his creative output.