england history

Hardcover. US, Soul Jazz Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated cover boards. Color and black and white pictures throughout. The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity. A melting pot of races born of the 400-year slave trade--Africans, indigenous Americans and their French, Spanish, German, Dutch and English colonizers--the identity of the Caribbean stands at the intersection of tourism, colonialism and tropicality. This deluxe large-format volume features hundreds of fascinating and unique photographs that span 100 years of Caribbean history, culture, industry and more, as well as the subsequent diaspora of its people to America, England and elsewhere. The photographs show the many ways in which the region has been portrayed, from tropical backdrop of tourism and hedonism to colonial outpost and revolutionary threat in North America's own backyard.

Hardcover. Cambridge UK, Cambridge University Press, reprint, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 368 pages. Red cloth with gilt lettering. This volume concerns the economic life of Britain from 1750 to the beginning of the war of 1939. Front fly leaf with stamping, Harvard Book Store sticker. Otherwise a clean, tight copy.

Hardcover. London, Cassell , 1st, 1896, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt title on spine, 488 pages. Frontis. of Lord Randolph Churchill. Ex-library with minimal traces: Bookplate inside front cover, stamp to title page, residue to rear paste-down. Interior bright and clean, top edge gilt.

Hardcover. London, Cassell and Company, 2nd Ed., 1885, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering on spine, 520 pages plus publisher's ads. Frontispiece portrait of Disraeli. The author was one of the most famous English political journalists of the Victorian era. Small ink name on title page, otherwise tight and clean copy.

Softcover. Wesleyan University Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. "A Glimpse of Sion's Glory" signals an important new direction in the study of American Puritanism. The presence of dissenters in the colonies was not unknown, but never before have they been seen as a major shaping force for seventeenth-century American Puritanism. Gura displays a thorough knowledge of New England dissent from 1620 to 1660. This is a ground-braking study. Clean copy.

Softcover. Boston, New England Historic Genealogical Society, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 272 pages. Pages have clear, concise listings of cemetery locations and are in excellent condition as well. This one-of-a-kind guidebook provides genealogists and historians with a valuable reference for Massachusetts research. For the first time ever, a researcher can quickly gain information on: * cemetery names *year of consecration or the oldest known gravestone or burial * location of cemetery * printed and manuscript sources for the cemetery * contact information for the office affiliated with the cemetery. This book contains many previously undocumented burial grounds as well as citations to published transcriptions of gravestone listings in places such as the New England Historic Genealogical Society, the National Society Daughters of the American Revolution, and the official Massachusetts Vital Records to the end of 1850 series. Clean copy.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages.This substantial and unusual volume is not an encyclopedic summary of names, dates, and images but a roughly chronological series of scholarly, sometimes provocative essays by specialists in various aspects of the medium's history. Contributors (identified only in the table of contents) are from France, Italy, Germany, Switzerland, England, and the United States. The chapters on photo-journalism, the illustrated press, and photography between the world wars are particularly informative, while high-quality illustrations from public and private collections worldwide convey photography's technical and aesthetic development and its ubiquity.

Hardcover. New Castle DE, Oak Knoll, 1st, 2004, Hardcover in a bright dust jacket. A History of the Eragny Press, 1894-1914, is a full and exceptionally well-researched account of the Press. It begins with a brief survey of Lucien Pissarro's early career in France in order to establish the influences and motivations for his book designs and proceeds to examine Lucien's association with Charles Ricketts, the establishment of the Eragny Press, and the Press' relationship to the publishers Hacon & Ricketts. Eragny was not a commercial publisher, yet profits was an important motivation for the Pissarros. Included here is the first major account for a private press of the costs of production, profits, and marketing and distribution practices. Eragny Press books were promoted and sold in England, the Continent, and the United States. Two of the Eragny Press books were the results of commissions from French bibliophile clubs. This history of the Eragny Press includes a discussion of the influences and artistic theories that are the basis for the Pissarros' books and provides a critical reassessment of their significance within the history of the English Arts and Crafts Private Press movement. About half the book is devoted to an exhaustive and detailed bibliography of all the Eragny Press publications, with critical commentary on each. Accompanying the text and the descriptive bibliography are more than seventy-five reproductions of rare Eragny wood engravings ( by Lucien Pissarro, T. Sturge Moore, and others), title pages, borders and decorated initials, binding papers, and book covers. A History of the Eragny Press, 1894-1914, is an important book for anyone interested in the history of printing, the Arts and Crafts movement, Impressionism, private presses, the art of wood engraving, and illustrated and fine books.

Hardcover. UK, Printed by Cox, Sons and Co., 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 140 pages plus bibliography and index. A study of a little West Somerset town. 8 b&w plates. Privately printed, SIGNED BY THE AUTHOR on the title page. Mild soil to dj, otherwise clean.

Hardcover. NY, Da Capo Press, reprint, 1971, Book: Very Good, Dust Jacket: None, Original publisher's red cloth, lettered gilt on spine and front cover, 64 pages. English experience, no. 354. A facsimile reprint made from a copy in the library of King's College Cambridge. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 485 pages, b&w illust. How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another?In A Social History of Truth, Shapin engages these universal questions through an elegant recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in seventeenth-century England. Steven Shapin paints a vivid picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honor, and integrity. These codes formed, and arguably still form, an important basis for securing reliable knowledge about the natural world.

Hardcover. NY, Macmillan, reprint, 1921, Book: Very Good, Dust Jacket: None, Hardcover. Early reprint. Red cloth with title plate on spine and front board, 287 pages. A look at America's international political scene as of 1920, and the second in a series of three books, begun with the Pentecost of Calamity, and ending with Neighbors Henceforth. Clean copy.

Softcover. London, Cassell, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. This book unravels the secrets and workings of the English parish and its effect on English society. There are 13,000 parishes in England, each with its parish church, covering the country in a network which gives identities to local communities. Two-thirds of English parishes are ancient, probably a thousand years old; one-third have been founded in the last 150 years, largely to meet the enormously increased numbers of people in big towns. One of the major themes of the book is the changing social fabric. Clean copy.

Hardcover. Chicago, The Lakeside Press, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 137 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. Illustrated with two portraits of the author. So many pioneer stories were written at the request of a child or grandchild. What makes Christiana Tillson's humorous memoir different was her background. Tillson's story records the reactions produced upon a refined New England woman by an environment at once predominantly southern and wholly frontier. Her youth in 1822 and her parting from all that she had known in the East were common of many later Western migrants. But when she and her husband went out to try their fortunes, the "West" was what we today call the Midwest. It was still a wild, dangerous, and uncertain place to try to make a future. Clean, bright copy.

Hardcover. London, England, Gret Western Railway, 1st edition, 1925, Book: Very Good, Dust Jacket: None, 154 pages. Hardcover. Color illustrated frontispiece, color and b/w illustrations, including several fold out blueprint diagrams, throughout. Previous owner's ID stamp on front flyleaf. Red cover boards (some fading), black quarter cloth, gilt title on spine and front cover board. Pages unmarked, some light tanning from age. Binding good, spine straight. With additional chapter on "Monastic Life and Buildings" by A. Hamilton Thompson, M.A., D.LITT., F.S.A. Professor of Mediaeval History in the University of Leeds. With One Hundred Illustrations by Photographic Reproduction, fifty-six drawings, thirteen plans, seven color plates and map (in pocket on back endpapers).

Hardcover. Philadelphia, The American Philosophical Society, reprint, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 579 pages. B&w photographs. Previous owner's inscription on front flyleaf. Light foxing to top edge. Wear, chipping to dust jacket. A nice, clean copy.

Hardcover. London, Heinemann, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 24 illustrations. Genealogical chart of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha. These letters were only discovered in the 1970's at Broadlands, the home of Princess Victoria's younger son, the Earl Mountbatten of Burma. These letters bring new light to bear on major world and minor domestic events, from the crisis with the Prussian court in 1888 to the Queen's agonized concern for her haemophilic children and grandchildren, from the assassination of the Tsar of Russia to her stalwart but fruitless efforts to persuade Princess's Victoria's sister to marry the eldest son of the Prince of Wales. Lord Mountbatten's elder daughter, Lady Brabourne, has provided a fascinating introduction. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 609 pages, b&w illustrations. Clean copy.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Roger Fenton (1819-1869) was England's most celebrated and influential photographer during the 1850s, the "golden age" of this radically new medium. Fenton's majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain's power. But Fenton's choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members' works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book--the first comprehensive publication on Fenton in almost twenty years--presents eighty-five of the artist's finest photographs and discusses every aspect of his work and his remarkable career.

Hardcover. London, The Fine Arts Society, 1st, 1907, Book: Very Good, Dust Jacket: None, 376 pages, hardcover. Decorated boards with gilted top text block. Illustrated by Elizabeth M. Chettle. Homes and memorials of the founders of Virginia, the New England states, and Pennsylvania. Also includes the universities of Harvard and Yale, the first president of the United States and other illustrious Americans. Fading and edgewear to spine. Light bumping to corners with mild fraying. Moderate spotting to text block edges. Weak spine at front endpapers. Unmarked. A clean copy.

Hardcover. Hanover NH, University Press of New England, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright duct jacket, 251 pages, b&w illustrations. For years, designers, educators, and community administrators have clamored for a book that will highlight the problems with contemporary playgrounds, tender sorely needed strategies with which to redress them, and stimulate national debate about today's crisis of undervalued public space. Susan Solomon's groundbreaking and marvelously illustrated American Playgrounds is that book. Since the 1970s, Solomon maintains, American playgrounds have degenerated into irrelevance as cultural artifacts and educational tools. Imbedded in Solomon's text is a frank indictment of American attitudes that are stunted by a heavy-handed emphasis on safety that limits the nature of play and the vitality of places for public assembly. During the past decade an elite few American architects, landscape architects, and sculptors, including Stanley Saitowitz, Walter Hood, and Mary Miss, have pioneered the restoration of aesthetic and developmental values to play areas for young people. Solomon appraises these success stories and proposes fresh and urgent remedies that blend excellent design principles, innovative planning, and affordability-a vision for the future of the playground in America. Supplementing her impeccable command of primary and secondary sources with hundreds of hours of interviews with designers and clients, the author confronts a seriously under-developed topic with powerful and complex arguments rich in social history, law, theories of play and childhood, and urbanism. Readers will be inspired-and equipped-to take up the gauntlet of advocacy for superior American playgrounds. Clean copy.

Hardcover. Amsterdam, Theatrvm Orbis Terrarvm, reprint, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 77 pages, red cloth binding with blue and gilt stamping. A facsimile reprint of the London 1613 printing. Tight, clean copy.

Softcover. Elibron Classics, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 472 pages plus 35 page Notes to the Mission. A facsimile reprint of a title first publishe in 1834 in London. VOLUME 1 ONLY.