europe

Hardcover. Florence, Flor & Findel, 3rd, 1907, Book: Good, Dust Jacket: None, 254 pages. Tipped in illustrations and photographs. Age discoloration to pages, beveled brown leather over covers with three bands on spine continued on front and back cover ending in flor de lis decoration. Rubbing all edges. front and rear hinge cracked.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.

Hardcover. Berkeley, University of California Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages. Although he is referred to as a "genius" more often than any other scholar of his period, Edward Sapir has received no full-scale biography since his death in 1939. At long last, Regna Darnell provides a comprehensive assessment of the life, ideas, and wide-ranging interests of this remarkable man. Sapir, the foremost linguist and anthropologist of his generation, contributed substantially to the professionalization of linguistics as an independent discipline. He was the first to apply comparative Indo-European methods to the study of American Indian languages, on which he conducted extensive fieldwork. His theoretical work on the relationship of the individual personality to culture remains fundamental to culture theory in anthropology, as does his insistence on the symbolic nature of culture and the importance of culture as understood by its members, in their own words.Sapir became the first professional anthropologist in Canada and teacher of a whole generation of linguists and anthropologists at Chicago and Yale. Holding to a humanistic view of anthropology (his own work included poetry and literary criticism), he was the most articulate spokesman for the interdisciplinary social science of the late 1920s and 1930s. In both linguistics and anthropology Sapir is a revered master whose ideas continue to inspire discussion and research. A sixteen-volume Collected Works is now in progress. Clean copy.

Hardcover. Munich/NY, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 296 pages, color illustrations and portraits throughout. Issued in conjunction with a 2014-2015 exhibition of portraiture rendered by Austrian painter Egon Schiele (1890-1918). "Despite a career that lasted less than a decade, Schiele is considered one of the most important artists of the twentieth century. A protege of Gustav Klimt, Schiele is celebrated for his singular style of draftsmanship, unusual use of color, and physically raw, often sexually provocative depictions of his sitters. Schiele's expressive style and controversial subject matter played an important role in the advancement of modernism in Europe. ... Both the catalogue and the exhibition are divided into six groupings of the artist's work: Family and Academy; Fellow Artists; Sitters and Patrons; Eros; Lovers; and Self-Portraits and Allegorical Self-Portraits. In addition, there is a section highlighting a traumatic and pivotal period in Schiele's life: his arrest and imprisonment during the spring of 1912. The color plates document the evolution of the artist's style, both pre- and post-imprisonment. Schiele's untimely death at the age of 28 adds a mythic quality to his abbreviated career." (dj) With five thematic and illustrated essays, and many illustrations. Clean copy.

Softcover. UK, Cambridge University Press, 1st pbk., 1984, Book: Very Good, Dust Jacket: None, Softcover, 300 pages. This account of Egyptian society in the reign of Muhammad Ali traces the beginnings of the nation state in Egypt. It considers Muhammad Ali as part of a social group whose economic interests led them in the direction of trade with Europe as a means of raising money for further investments. They attempted to increase agricultural exports and to use the profits to create industry; then, following the logic of imperialists, their next step was to seek to conquer the surrounding areas to find markets for their industries and sources of raw materials. These policies brought them into conflict with their suzerain, the Ottoman sultan, and with England, since England needed markets in the Middle East. England sought to destroy the new regime in Egypt as a means of exerting influence on the region. In carrying out these economic changes, the country underwent a series of internal developments that were to revolutionize the structure and shape of Egyptian society. The rules of landownership were altered and large estates were formed, Egyptian fallahin were drafted into the army, and the administration was Egyptianized, establishing the groundwork for a nation state. Small embossed stamp on title page, otherwise clean.

Hardcover. NY, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust dacket with minor wear, unclipped. Durkheim was a turn of the century French sociologist who argued that society is largely responsible for shaping an individual's moral values. He was largely critical of laissez-faire capitalism, arguing that society needed to be morally reconstructed. Lukes' comprehensive biography tells the story of Durkheim's life: how he responded to his critics, and how he tried to make his way in the academic world of pre-WWI Europe. Lukes examines Durkheim's work in its historical context, and offers a critical examination of it as well. Clean copy.

Hardcover. Paris, Flammarion, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover. Text in French only. Illustrated in full color and black & white. Dust jacket with wear to edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 546 pages. This epic history compares the empires built by Spain and Britain in the Americas, from Columbus's arrival in the New World to the end of Spanish colonial rule in the early nineteenth century. J. H. Elliott, one of the most distinguished and versatile historians working today, offers us history on a grand scale, contrasting the worlds built by Britain and by Spain on the ruins of the civilizations they encountered and destroyed in North and South America. Elliott identifies and explains both the similarities and differences in the two empires, processes of colonization, the character of their colonial societies, their distinctive styles of imperial government, and the independence movements mounted against them. Based on wide reading in the history of the two great Atlantic civilizations, the book sets the Spanish and British colonial empires in the context of their own times and offers us insights into aspects of this dual history that still influence the Americas. Color illustrations. Clean copy.

Hardcover. Seattle, WA, University of Washington Press, 1st, 2016, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Contemporary portraits of key personalities aboard the ship, scale models and plans of the ship itself, scientific instruments taken on the voyage, commemorative medals and sketches, the objects (over 140) featured in this book tell the story of the Endeavour voyage and its impact ahead of the 250th anniversary in 2018 of the launch of this seminal mission. Artwork made both during and after the voyage will be seen alongside actual specimens. By comparing the voyage originals with the often stylized engravings later produced in London for the official account, Endeavouring Banks investigates how knowledge gained on the mission was gathered, revised, and later received in Europe. Items that had been separated in some cases for more than two centuries are brought together to reveal their fascinating history not only during but since that mission. Original voyage specimens are featured together with illustrations and descriptions of them, showing a rich diversity of newly discovered species and how Banks organized this material, planning but ultimately failing to publish it. In fact, many of the objects in the book have never been published before.

Hardcover. Boston, Bulfinch Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, introduction by Jim Hughes. 144 pages; 114 duo-toned plates plus text illustrations; 10 x 11.25 inches. Bibliography of b&w work. Best known for his masterful color work, this volume presents for the first time Ernst Haas' b&w work including street work from around the world, portraiture, abstractions and Europe after World War II. Minor chips to top of dust jacket, clean copy.

Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Erwin Blumenfeld (1897-1969) was born into a Jewish family in Berlin. In 1941, after being interned in a concentration camp, he left Europe for the United States, where he eventually became a citizen; during the 40s and 50s, he was to make his name here as one of the most sought-after fashion photographers in the world. But most people are unfamiliar with Blumenfeld's early work, the often bitingly satiric Dada photomontages and collages he produced between 1916 and 1933. This book, put together by Helen Adkins, renowned expert on the Berlin Dada movement, is the first to provide a study and a survey of these early works. Blumenfeld did not intend for these works to be shown publicly, as they were primarily personal gifts to his friends and acquaintance, or were enclosed in love letters to his fiancee. Nonetheless, they were conceived in the Dada spirit (Blumenfeld established the Dutch branch of Dada in 1918) and belong to its story. Approximately 100 works--including many previously unpublished, which Adkins discovered in the artist's family archives and in other public and private collections--are examined within the context of Blumenfeld's life, photographs, drawings and literary works.

Hardcover. UK, Oxford University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 284 pages. Thirteen original essays by leading scholars explore aspects of Spinoza's ethical theory and, in doing so, deepen our understanding of the richly rewarding core of his system. Given its importance to his philosophical ambitions, it is surprising that his ethics has, until recently, received relatively little scholarly attention. Anglophone philosophy has tended to focus on Spinoza's contribution to metaphysics and epistemology, while philosophy in continental Europe has tended to show greater interest in his political philosophy. This tendency is problematic not only because it overlooks a central part of Spinoza's project, but also because it threatens to present a distorted picture of his philosophy. Moreover, Spinoza's ethics, like other branches of his philosophy, is complex, difficult, and, at times, paradoxical. The essays in this volume advance our understanding of his ethics and also help us to appreciate it as the centerpiece of his system. Clean copy.

Softcover. Princeton, NJ, Markus Weiner Publishers, 1st English Translation, 2001, Book: Very Good, Dust Jacket: None, 327 pages. Softcover. B/w illustrations throughout. Decorated wrapper, excellent. Pages clean and bright. Binding good. Like new copy. This fascinating study of eunuchs guides readers as they travel through various lands and periods, familiarizing themselves with the duties and responsibilities, the unspeakable torments, and the passions and joys of these individuals.

Hardcover. Chicago, Rand McNally, 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with illustrated pastedown and gilt stamping. 227 pages, illustrated with b&w photographs. Endpapers map. Clean, bright copy.

Softcover. Cambridge MA, Harvard University Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 291 pages with index. A social history of Europe in all its aspects: economic, political, diplomatic military, colonial-expansionist. Crisply and succinctly written, it describes Europe not through a history of individual countries, but in a common context during the three quarters of a century between the death of Louis XIV and the industrial revolution in England and the social and political revolution in France. It presents the development of government, institutions, cities, economies, wars, and the circulation of ideas in terms of social pressures and needs, and stresses growth, interrelationships, and conflict of social classes as agents of historical change, paying particular attention to the role of popular, as well as upper- and middle-class, protest as a factor in that change. Clean, bright copy.

Hardcover. NY, Holt, Rinehart and Winston, 1st US, 1968, Book: Very Good, Dust Jacket: None, Hardcover, maroon stamping. 399 pages. Clean, bright copy.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 211 pages, hardcover, 186 illustrations, 23 in color. A well illustrated detailed study of the 21 European clocks (19 French, 2 German) in the Getty Museum with detailed biographies of their makers.

Hardcover. Chicago, Quadrangle Books, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a rubbed, worn dust jacket, 277 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 387 pages. These essays originated in a series of lectures and seminars held by the Graduate School of Contemporary European Studies and the Centre for the Advanced Study of Italian Society of the University of Reading in 1966-1967. The countries covered include Italy, Germany, Austria, Hungary, Rumania, Poland, Finland, Norway, Great Britain, France, Spain, and Portugal. Name on front fly leaf otherwise clean.

Hardcover. NY, Rizzoli, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. Entertainingly idiosyncratic in its selection of material, this historical compendium of facts and fascinating lore takes off on a visual romp through the history of gardens. Rather than adhere to a conventional narrative format, Vercelloni--an Italian architect, city planner and landscape gardener--arranges his material as though it were a slide show, devoting each page to an image and accompanying text. Beginning with the "landscape" of the Ice Ages, forging ahead to the Renaissance and finally reaching contemporary times, the author presents a captivating grab-bag of information, covering such topics as the significance of flowers in Renaissance painting, the reasoning behind the 17th-century craze for tulips and the role of contemporary urban parks in society. With its strong visual orientation and pungent text, Vercelloni's "historical atlas" looks deftly and light-heartedly at humanity's ongoing love of gardens. Clean copy.

Hardcover. Boston, Charles C. Little and James Brown, 1st, 1849, Book: Very Good, Dust Jacket: None, Hardcover, embossed brown cloth covers with gilt lettering on spine. How respectable members of society communicated by letter with examples of mannered correspndence of the mid-19th century. Clean copy.

Softcover. New Directions, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, These poems on European themes by the author of Her (his Paris novel) and the enduring A Coney Island of the Mind were mostly written during the last seven years and, in the poet's words, are "transformations and transitions looking westward to America and beyond." Flowing from France to Italy to the Netherlands, on to Germany, back to France, and finally toward America, they follow Ferlinghetti's own recent journeying. The poems progress geographically and chronologically with a cohesive development of ideas and themes. Clean, like new.

Softcover. London, V & A Publications, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Containing over 100 masterpieces from a major collection, this volume traces the history of European sculpture, from the early-Christian period through to the beginning of the 20th century. Highlights include the medieval ivories, works by many of the Italian Renaissance masters, English 18th-century pieces, such as Roubillac's statue of Handel and sculptures by Rodin. Clean, bright copy.

Hardcover. Boston, Houghton Osgood and Company, 1st US, 1879, Book: Very Good, Dust Jacket: None, Hardcover, 281 pages, bright green cloth, beveled edges. First American Edition with 1879 on title page. Bright green cloth with gilt titles to spine. Previous owner's signature and date (June 27th 1879) in pencil on blank page preceeding title. There is a light water stain to bottom corner of pages, limited to the margin. It's more pronounced at back of book. Small chip to front endpaper at top corner. Pages slightly wavy. Two 4" stains on several pages where 4 leaf clover was laid in. Over all a tight, attractive copy despite the minor flaws.