europe

Hardcover. NY, HarperCollins, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 436 pages. A great historian crowns a lifetime of thought and research by answering a question that has haunted us for more than 50 years: How did one of the most industrially and culturally advanced nations in the world embark on and continue along the path leading to one of the most enormous criminal enterprises in history, the extermination of Europe's Jews? Giving considerable emphasis to a wealth of new archival findings, Saul Friedlander restores the voices of Jews who, after the 1933 Nazi accession to power, were engulfed in an increasingly horrifying reality. We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence. Clean copy.

Softcover. NY, Archipelago Books, 1st, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 259 pages. Written in a pared-down, direct language, and filled with allusions to everything from philosophy to TV talk shows, the poetry of Tadeusz Rozewicz encompasses the complexity of human experience in the early 21st century. Rozewicz's unique voice, formed during his experiences as a member of the Polish resistance in World War II, and honed by decades living under communist rule, holds a merciless mirror up to the crimes and excesses of the poet's lifetime. In his eighties now, Rozewicz continues to be a prolific writer and an acerbic commentator on his life and times. This collection combines his latest three volumes: professor's knife, gray zone, and exit. These are extraordinary poems from an acknowledged European master. Clean copy.

Hardcover. NY, Acanthus Press , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, color plates. Volume I, Inventors of Tradition, highlights the careers and showcases the work of the designers who translated and then transformed European period styles into a new vocabulary for America. In addition to the work of celebrated taste-makers Billy Baldwin, Mario Buatta, and Albert Hadley Gura uncovers the interiors of once-influential, now-obscure designers whose work played an important role in the development of the New York look. Among these practitioners are William Pahlmann, the pioneer of contemporary eclecticism; the glamorous Melanie Kahane, with a fondness for shocking pink and tasteful pizzaz; and the epitome of the southern civility, Joseph Braswell, who believed that a beautiful environment could make its occupants into better people.

Softcover. Heidelberg, Kehrer Verlag, 1st, 2003, Book: Very Good, Dust Jacket: None, Flexi-softcover. Illustrated with full color photographs by Sandra Mann. Clean, bright copy.

Softcover. New York, Oxford University Press, 1st paperback, 1968, Book: Very Good, Dust Jacket: None, 355 pages. Softcover. Light pencil underlining in a few places. Wrapper good, with a touch of agewear, no tears, some slight moisture damage at the bottom of the back cover.

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

Hardcover. Baltimore, The Johns Hopkins University Press, 2nd printing, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 348 pages, illustrated throughout in b&w. Light shelf-wear to dust jacket. Overall, a tight clean copy. "In this original and authoritative work, Vance argues that the railroad in North America is a distinct indigenous creation and not an importation from Britain and Europe. His combined familiarity with railroading, routes and cities, facilities, and North American geography is unsurpassed and the result is quite unlike anything in the historical or specialist literature."--Donald Meinig, Syracuse University"No previous book has presented the over-all picture of the development of the North American railroad network with Vance's emphasis on the reciprocal relationships among the economic and technological conditions on the one hand and the geographic aspects of development on the other. The scope of the presentation is virtually encyclopedic -- and there is no doubt that the book will quickly become a standard reference on the subject." -- Harold M. Mayer, University of Wisconsin, Milwaukee

Softcover. Ithaca NY, Cornell University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 204 pages. "Not of woman born," "the Fortunate," "the Unborn" - the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. In antiquity, children fortunate enough to have survived a Caesarean birth were believed to be marked for a special destiny. Vividly tracing the evolution of Caesarean birth from the early 1300s (when the operation was performed almost exclusively by midwives) through the Renaissance period (when midwives were considered witches and male surgeons took control), Blumenfeld-Kosinski . . . does more than provide [an] engrossingly accessible, historical account of the now-commonplace procedure--she unveils the roots of a medical misogyny that still prevails today. A richly cross-disciplined study utilizing depictions of Caesarean delivery in art, literature, and medical texts and illuminations (illustrations), [this book] is a captivating and revealing work that will be relished by readers of medical and cultural history, as well as by those who are interested in the subject of male dominance over women. Clean copy.

Softcover. Slovenia, FOTOFO , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, color photos.

Softcover. Albuquerque NM, University of New Mexico Press, 1st pbk., 1998, Book: Very Good, Dust Jacket: None, Softcover, 399 pages, b&w illustrations. Explores the myths and preconceptions early European explorers brought with them to the New World and the ways in which such ideas have shaped misperceptions about American Indians to the present. Thinking he was in the Far East, Christopher Columbus labeled native inhabitants "Indians" in 1492, and so fixed a misnomer that carries with it a whole host of medieval and Renaissance European beliefs and legends. The authors find in both graphic and literary sources evidence of evolving attitudes about the legends of paradise on earth and the invention of the notion of the noble savage. They reveal that long before Columbus's discovery, Europeans used the same imagery to convey subcultural traits belonging to a non-European "Primitive Other." Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Lorenzo Valla (1407-1457) was the most important theorist of the humanist movement. He wrote a major work on Latin style, On Elegance in the Latin Language, which became a battle-standard in the struggle for the reform of Latin across Europe, and Dialectical Disputations, a wide-ranging attack on scholastic logic. His most famous work is On the Donation of Constantine, an oration in which Valla uses new philological methods to attack the authenticity of the most important document justifying the papacy's claims to temporal rule. It appears here in a new translation with introduction and notes by G. W. Bowersock, based on the critical text of Wolfram Setz (1976). This volume also includes a text and translation of the Constitutum Constantini, commonly known as the Donation of Constantine.

Hardcover. London, Scriptum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 335 pages illustrated in color. The story of this flower, from the hunt for new varieties in the wild in the 1800s to the development of the more than 100,000 hybrids that exist today, is related in fascinating detail in "Orchids". This beautiful book features text by one of the world's foremost orchid authorities alongside spectacular watercolor portraits of prize-winning orchids from the Royal Horticultural Society in London, which spearheaded orchid cultivation in Western Europe beginning in the 19th century. This exquisite collection of paintings commissioned by the RHS every year since 1897 represents the ultimate orchid pictorial history. "Orchids" is an indispensable sourcebook for those captivated by the beauty and infinite variety of this glamorous flower.

1917, Book: Very Good, WW1 European soldier giving embarassed American soldier a hug. Two-color art by J. C. Leyendecker. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Sussex, Denham House, 1st, 1974, Book: Very Good, Dust Jacket: None, 57 pages. Hardcover. Previous owners stamp on front endpaper. Clean, unmarked text. Light wear.

Hardcover. New York , Phaidon Press, 1st us, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Wonderful color illustrations by the master Ungerer. An old teddy bear recalls his life, beginning as a birthday present, later shared by two boys separated under European bombardment, companion to the daughter of an American soldier whose life he had saved, battered by nasty boys, trashed, and restored as a collector's item displayed in an antique shop. The moving denouement re-unites the two men, who as boys were separated by war's travails.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 404 pages. The Napoleonic wars did not end with Waterloo. That famous battle was just the beginning of a long, complex transition to peace. After a massive invasion of France by more than a million soldiers from across Europe, the Allied powers insisted on a long-term occupation of the country to guarantee that the defeated nation rebuild itself and pay substantial reparations to its conquerors. Our Friends the Enemies provides the first comprehensive history of the post-Napoleonic occupation of France and its innovative approach to peacemaking. From 1815 to 1818, a multinational force of 150,000 men under the command of the Duke of Wellington occupied northeastern France. From military, political, and cultural perspectives, Christine Haynes reconstructs the experience of the occupiers and the occupied in Paris and across the French countryside. The occupation involved some violence, but it also promoted considerable exchange and reconciliation between the French and their former enemies. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 354 pages. From the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book identifies and examines for the first time. How could the wisdom and virtue of the great thinkers of antiquity be reconciled with the fact that they were pagans and, many thought, damned? Related questions were raised by encounters with contemporary pagans in northern Europe, Mongolia, and, later, America and China. Pagans and Philosophers explores how writers-philosophers and theologians, but also poets such as Dante, Chaucer, and Langland, and travelers such as Las Casas and Ricci-tackled the Problem of Paganism. Augustine and Boethius set its terms, while Peter Abelard and John of Salisbury were important early advocates of pagan wisdom and virtue. University theologians such as Aquinas, Scotus, Ockham, and Bradwardine, and later thinkers such as Ficino, Valla, More, Bayle, and Leibniz, explored the difficulty in depth. Meanwhile, Albert the Great inspired Boethius of Dacia and others to create a relativist conception of scientific knowledge that allowed Christian teachers to remain faithful Aristotelians. At the same time, early anthropologists such as John of Piano Carpini, John Mandeville, and Montaigne developed other sorts of relativism in response to the issue. Clean copy.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. 378 color and 10 black & white illustrations. Tight copy. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it-mestizo, hybrid, creole, indo-hispanic, tequitqui-testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time.

Hardcover. New York , Oxford University Press , 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover. brown cloth stamped in gilt, 120 pages. INSCRIBED BY LEACH on the front fly leaf. Originally published by Caxton in 1485, Paris & Vienne marked a change in the style of Literature being written in Europe at the time. Instead of tales of Knightly Romance & Chivalry a move was made towards more realistic down to Earth tales, closer to actual life. Clean, bright copy, no dust jacket.

Softcover. Steidl, 2008, 2008, Book: Very Good, Dust Jacket: Very Good, Softcover. Like new in publisher's shrink-wrap. The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

Hardcover. London, Art/Books, reprint, 2019, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with black decoration, 186 pages. A beautiful facsimile of the earliest English translation of Gauguin's frank and entertaining memoir, written just before he died, in which he reveals his most inner thoughts on art, life and love Unappreciated in his own lifetime, Paul Gauguin is now recognized as one of the giants of French post-Impressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the 'hypocrisy of civilization' and in search of a primitive idyll, he left his wife and children behind in Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty and revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later. As his son Emile wrote in the preface, 'These journals are an illuminating self-portrait of a unique personality. They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham.' Wide-ranging and elliptical, these candid reflections reveal Gauguin's inner thoughts about many subjects, including frank views on his fellow artists back in Paris, his turbulent relationship with Van Gogh, and the charms of Polynesian women, while providing glimpses into his often far-from-idyllic life in the islands. This beautiful facsimile reproduces the first American translation of the journals, a rare limited edition privately published in New York in 1921 for a select group of subscribers. With full-page sketches by the artist, these entertaining and enlightening musings give us a unique insight into Gauguin the man and the artist. Clean copy.

Softcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Paul Graham's intense color photographs map a social and cultural landscape. This work brings together portraits, landscapes and interiors from his British, European and Japanese series. Graham has exhibited worldwide, including the Museum of Modern Art, New York and the Tate Gallery, London.

Softcover. London, Phaidon Press, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 255 pages, b&w and color photographs throughout. Light fading to dust jacket spine. Else a very clean, tight copy. "Paul Rand (1914-96) was a pioneering figure in American graphic design. Adopting what he called a 'problem solving' approach to design, he drew on the ideas of European avant-garde art movements, such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language."