europe

Hardcover. Chicago, University of Chicago Press, 1st, 1970, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, b&w illustrations, 257 pages. Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. This is the second volume in a series that traces, century by century, the role of Asia in the making of Europe. The rise to world dominance of the Western nations in modern times and the rapid industrial growth of the West, which outpaced the East in technical and military achievements, have led to a historical eclipse of the ancient and brilliant cultures of Asia. Light foxing to dust jacket, edge of text block. No markings.

Hardcover. Somogy Editions D'Art , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work, the first in Europe since 1900. Venues include the Muse des Augustins, in Toulouse (February 2-May 30, 1999), and the Muse national de la Cooperation Franco-Americaine, at Blrencourt (June 26-October 18, 1999). The artwork covers Saint-Gaudens' entire career, from the cameos done during his youth, to sophisticated portrait reliefs, public monuments and coins. The essays contribute new scholarship on the sculptor's career and art, including his decorative art designs for Tiffany's, personalized pencil caricatures for friends, and the development of the monument to Charles Stewart Parnell in Dublin, the last public monument Saint-Gaudens saw to completion.

Hardcover. NY, Archipelago Books, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. First published in 1957 in Poland, Bacacay(a nod to his street in Buenos Aires) is a collection of 12 short stories by Witold Gombrowicz (1904-1968), one of the major European literary figures of the 20th century. Stunningly original in both style and content, these stories are often hilarious yet have an undercurrent of profound moral disquiet and horror when the respectable turns slowly but inexorably into the outrageous, conveying both the horrors of upper-class life and the deepest anguish of the human condition. Gombrowicz has perfect pitch for language; he revels in linguistic play, combining words in extraordinary ways. The commonplace and the everyday are juxtaposed with the bizarre and unsettling to make a world in which unspeakable subconscious urges have a habit of poking through the surface of ordinary life, leaving permanent scars. Bacacayis a brilliant series of satires on the limitations, quirks and phobias of the upper class. In Gombrowicz's hands, words create worlds. Clean, bright copy.

Softcover. NY, Atlantic Monthly, Uncorr. Proof wraps, 2002, Book: Very Good, Dust Jacket: None, Paperback. Uncorrected proof. Like new.The book opens with the disappearance of a man named Franko Bradovich in Kosovo. Franko, a native Montanan posing as a local, was a spy of sorts, an operative who was helping the Lucani (a loose affiliation of DEA, FBI, CIA, etc. agents operating outside the law) bust a drug trafficking scheme from Bulgaria through Kosovo and Serbia to Europe. Franko was living with the family of a farmer named Daliljaj (and was in love with the farmer's daughter Fedima) and an apparently helpful American-raised Slav (Bozi Bazok), who's become part of the Serb army's shock troops, has warned Franko that the army was headed toward them with bloodshed in mind. Later, though, Franko, who's been posing as a drug trafficker, is brought in by local police for questioning and is beaten--making Bazok's helpfulness questionable at best. Either way, Franko can't really afford to stick around. Bazok agrees to help him and, reluctantly, Daliljaj, Fedima, and their relatives, escape the sweep, in exchange for the massive quantities of drugs he believes Franko is hiding. But Bazok betrays him and slaughters Daliljaj and all of Fedima's other family while they wait for Franko to return with transport. When Franko returns, Bazok has disappeared, taking Fedima with him.

Hardcover. London, Thames & Hudson, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 194 pages. This is the first book to document the short yet prolific artistic career of fashion photographer and filmmaker Tom Kublin, and a celebration of his creative union with Cristobal Balenciaga during the fashion house's postwar heyday in Paris. More than 140 photographs and film stills by Kublin capture the golden age of Balenciaga couture in the 1950s and 1960s, from the impeccable elegance of the collection shoots - including exclusive film footage of Balenciaga himself at work - to striking covers and editorials for high-profile magazines. The book begins with a foreword by the photographer's daughter, Maria Kublin, and continues with a biography by Ana Balda, charting Kublin's career, his place in the artistic milieu of the European avant-garde, and his working relationship with Cristobal Balenciaga. Miren Vives, head of the Cristobal Balenciaga Museum, also contributes. Clean copy in publisher's shrinkwrap. Remainder line to bottom edge.

Hardcover. NY, Saturday Review Press, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a chipped, worn dust jacket, 252 pages. An account of the glitzy New York charity ball that attracts over 1000 debutantes, society dowagers, European aristocrats, oil-rich Texans and other assorted social climbers - all for a good cause. Clean copy, large chip from rear dj panel.

Hardcover. Brussels, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth stamped in dark blue, 58 pages. An illustrated history of the Belgian financial institution. Tipped in color frontis of founder Samuel Lambert, b&w photos and illustrations. Text in English. A promotional piece. Clean copy.

Middlesex, Baltimore, Victoria, Penguin Books, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, burgundy cloth covers in an edgeworn dust jacket. 370 pages, 200 black-and-white illustrations, 32 figures as drawings (floor plans, sectional and frontal views, etc), maps. Translated from the German by Elisabeth Hempel and Marguerite Kay. Clean. No slipcase.

Hardcover. London, Peter Owen , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. An acclaimed and most unusual biography of Baudelaire, showing him ensnared by his passions for poetry, prostitutes, and drugs.A crucial link between romanticism and modernism, Charles Baudelaire is a pivotal figure in European literature and thought. His influence on modern poetry is immense. In the English language, where his literary reputation is less well known, it is his link with drug culture that gives him contemporary resonance. It is commonly known that Baudelaire used opium. Many writers have described him as being addicted to the drug, but none of his biographers, Frank Hilton argues, has fully understood the effect of opiate addiction on the personality and, in the case of Baudelaire, the extent to which it damaged his life and work. In this original contribution to Baudelaire studies Hilton contends that the drug is at the root of all Baudelaire's problems and in particular--something that constantly tormented him--his chronic inability to apply himself to any prolonged creative work. Unquestionably, there is significantly more to Baudelaire than his opium addiction. But a proper awareness of what it did to the poet helps to illuminate those puzzling aspects of his life and behavior that were not previously understood. Written with the general reader in mind, Baudelaire in Chains will give those who know little or nothing about him a comprehensive picture of his life. To those who know a great deal it will present him in an unexpected light.

Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Gray Malin is the artist of the moment for the Hollywood and fashion elite. His awe-inspiring aerial photographs of beaches around the world are shot from doorless helicopters, creating playful and stunning celebrations of light, shape, and perspective, as well as summer bliss. Beaches features more than twenty cities across six continents: Australia: Sydney/North America: Santa Monica, Miami, San Francisco, Kaua'i, Chicago, the Hamptons, and Cancun / South America: Rio de Janeiro / Europe: Capri, Rimini, Forte dei Marmi, Viareggio, Amalfi Coast, Barcelona, Lisbon, and Saint-Tropez / Africa: Cape Town / Asia: Dubai. Clean, bright copy.

Hardcover. NY, Penguin Studio, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 120 pages, color plates throughout. A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs, accompanied by a meditation on the death of his own parents by Dean Koontz. Bright, clean copy.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. profusely illustrated in color and b&w. This book assembles key works by leading artists such as Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin, and artists less familiar to audiences in the United States including Friedl Dicker-Brandeis, Albert Paris GA 1/4 tersloh, Karl Hubbuch, Richard Oelze, Franz Sedlacek, Josef Scharl, and Rudolf Wacker, who will each be represented by small groups of significant works. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, b&w illustrations, index. He was, according to Pauline Kael, "the greatest American screenwriter." Jean-Luc Godard called him "a genius" who "invented 80 percent of what is used in Hollywood movies today." Besides tossing off dozens of now-classic scripts--including Scarface,Twentieth Century, and Notorious--Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine's Jewish terrorist underground. Whatever the outrage he stirred, this self-declared "child of the century" came to embody much that defined America--especially Jewish America--in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman's vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman--critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics--is uniquely suited to capture him in all his modes.

Hardcover. Boston, Davis Godine, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket with only light wear. Clean tight copy. Color pictures throughout. Fine art and fine bookmaking meet in this full color selection of 77 books from Europe and the Americas. The authors select, and comment upon, the "best of both worlds": books whose pages reveal the best graphic work of the past century; artwork from the hands of masters as diverse as Braque, Calder, Dine, Hockney, Mapplethorpe, Matisse, Maillol, Picasso, Oldenburg and Rivers-coupled with memorable texts orchestrated by the best designers, printers, and binders.

Hardcover. London, Macmillan & Co., reprint, 1942, Book: Good, Dust Jacket: None, Hardcovers, two-volume set, green cloth with gilt lettering on spine. Rebecca West, 1892-1983, wrote Black Lamb & Grey Falcon after spending 6 weeks in Yugoslavia. Publication occurred at the same time as the Nazi invasion of the state. West pays tribute in the book's epigram to the thousands of civilians who lost their lives in the horrific events that followed; "To my friends in Yugoslavia, who are now all dead or enslaved." 32 black and white photographic plates, map endpapers to both volumes. Clean, tight bindings. Tattered dust jackets laid in. No markings. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 360 pages. Charles Clover, award-winning journalist and former Moscow bureau chief for the Financial Times, here analyzes the idea of "Eurasianism," a theory of Russian national identity based on ethnicity and geography. Clover traces Eurasianism's origins in the writings of white Russian exiles in 1920s Europe, through Siberia's Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite around Vladimir Putin. This eye-opening analysis pieces together the evidence for Eurasianism's place at the heart of Kremlin thinking today and explores its impact on recent events, the annexation of Crimea, and the rise in Russia of anti-Western paranoia and imperialist rhetoric, as well as Putin's sometimes perplexing political actions and ambitions. Clean copy.

Softcover. UK, Cambridge University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 141 pages. This volume contains the essential points of Jean Bodin's theory of sovereignty, a landmark in legal theory and royalist ideology. The four chapters presented form the core of Bodin's classic work, Six Livres de la Republique. Bodin was primarily responsible for introducing the seductive but erroneous notion that sovereignty is indivisible, that the entire power of the state had to be vested in a single individual or group. This thesis, combined with the prevailing crisis of authority during the French religious wars, led Bodin to a systematically absolutist interpretation of the French and other European monarchies. This is the first complete translation of this material into English since 1606, and is accompanied by a lucid introduction, chronology, and bibliography. Clean copy.

Hardcover. NY, Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, chipped dust jacket with minor soil, 240 pages. Explores the medieval peasants movement and the 1381 Wat Tyler uprising and the ensuing actions of the very young King Richard II. Hilton's account remains the classic authoritative text on the 'English Rising'. Hilton views the revolt in the context of a general European pattern of class conflict. He demonstrates that the peasant movements that disturbed the Middle Ages were not mere unrelated outbreaks of violence but had their roots in common economic and political conditions and in a recurring conflict of interest between peasants and landowners. No markings.

Hardcover. London, A. & C. Black, 1st, Book: Very Good, Dust Jacket: None, Hardcover, red cloth decorated in two-colors and gilt. 20 color plates by Amedee Forestier with captions on tissue guards. 127 pages. Top edge gilt. The tissue guard on Waterloo has a pencil notation, light foxing to pages otherwise clean.

Hardcover. Berlin, Brasch & Rothenstein, 1st, 1892, Book: Very Good, Dust Jacket: None, 206 pages. Hardcover. Includes 2 of 3 fold-out maps. Note: Rear fold-out map is missing. Previous owners name in pencil at top of title page. Light wear. Clean, tight copy.

Hardcover. US, British Library, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated in color. Clean, unmarked copy in excellent condition. Breaking the Rules draws upon the British Library's unrivalled collection of artists' books, manifestos, little magazines, literary manuscripts, sound recordings, and posters from across Europe in order to explore the rapid exchange of ideas through printed matter that marked the avant-garde movement--and led to its presence in cities as diverse as London, Brussels, Munich, Zurich, Florence, Rome, Barcelona, Copenhagen, Warsaw, Prague, Tbilisi, Budapest, and Belgrade, among others.

Hardcover. Zaltbommel NL, European Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, green cloth boards with black lettering to spine and front board, no dustwrapper. Old Photograph inlaid into front cover. Introduction followed by 108 old photographs (one to a page) with short caption notes. Bookplate on inside front cover, small name stamp on front fly leaf.

Hardcover. Oxford UK, Oxford University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. Sarah Hutton presents a rich historical study of one of the most fertile periods in modern philosophy. It was in the seventeenth century that Britain's first philosophers of international stature and lasting influence emerged. Its most famous names, Hobbes and Locke, rank alongside the greatest names in the European philosophical canon. Bacon too belongs with this constellation of great thinkers, although his status as a philosopher tends to be obscured by his statusas father of modern science. The seventeenth century is normally regarded as the dawn of modernity following the breakdown of the Aristotelian synthesis which had dominated intellectual life since the middle ages. In this period of transformational change, Bacon, Hobbes, Locke are acknowledged tohave contributed significantly to the shape of European philosophy from their own time to the present day. But these figures did not work in isolation. Sarah Hutton places them in their intellectual context, including the social, political and religious conditions in which philosophy was practised. She treats seventeenth-century philosophy as an ongoing like all conversations, some voices will dominate, some will be more persuasive than others and there will be enormous variationsin tone from the polite to polemical, matter-of-fact, intemperate. The conversation model allows voices to be heard which would otherwise be discounted. Hutton shows the importance of figures normally regarded as 'minor' players in philosophy (e.g. Herbert of Cherbury, Cudworth, More, Burthogge,Norris, Toland) as well as others who have been completely overlooked, notably female philosophers. Crucially, instead of emphasizing the break between seventeenth-century philosophy and its past, the conversation model makes it possible to trace continuities between the Renaissance and seventeenth century, across the seventeenth century and into the eighteenth century, while at the same time acknowledging the major changes which occurred.

Hardcover. London, A. & C. Black, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, olive-green cloth decorated in two-colors and gilt. 37 color plates by Amedee Forestier with captions on tissue guards. 187 pages. Top edge gilt. Small ink notation on Preface page otherwise clean, very good.