film

Hardcover. Prestel Publishing/ Montreal Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, color illustrations. This catalogue reveals the myriad ways Warhol immersed himself in the music of his time. Tracing back to Warhol's introduction to music through the musical comedies. songs and soundtracks of his youth. this book opens with Warhol's portraits of the great films stars of his childhood. As the fascinating essays collected in this volume discuss. Warhol's renowned portraits of pop music icons such as Mick Jagger. Debbie Harry and Grace Jones are just one manifestation of his interest in music. Warhol collaborated with choreographer Merce Cunningham. served as producer for the Velvet Underground. incorporated music into his films. produced video-clips. designed dozens of record albums. filmed live concerts and created multimedia spectacles. Although never a musician himself. Warhol appropriated the imagery of a pop icon for some of his most arresting and haunting self portraits.

Softcover. Washington DC, National Gallery of Art, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Headline-making in every sense, the myriad works of art in which Andy Warhol used or referenced tabloids throughout his career are explored in this book as a coherent body for the first time. Obsessed with contemporary culture, Warhol celebrated the sensational as well as the mundane in every facet of society. His headline works, which were realized in a range of formats--from two-dimensional to time-based media such as film, video, and television--chart in real time the great shift in the technological means employed to deliver the news from the 1950s until the artist's death in 1987. This companion volume to a riveting exhibition brings together more than 80 works, from Warhol's earliest drawings and paintings of newspaper headlines, to his screen-printed canvases, photographs, and electronic media, and concluding with collaborative works he produced with Keith Haring and Jean-Michel Basquiat. Featuring illuminating essays and abundant reproductions of the headline works, as well as source materials and examples of Warhol's private scrapbooks of clippings, this unique and powerful volume demonstrates the rich intersection of mainstream media and fine art.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 218 pages, b&w illustrations. SIGNED BY DUNNE on title page. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker on front panel.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages, b&w illustrations. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker residue on rear panel.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages, b&w illustrations. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker residue on rear panel.

Softcover. New York, Abbeville Press, 1st US, 1984, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout in b&w. Previous owner's sticker on front end paper, light edgewear and soil to wrappers. Clean, tight copy. The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images--photographs, paintings, drawings, collages, books, and film stills--evokes the period with shocking vividness.

Hardcover. NY, Abbeville Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 408 pages, b&w illustrations. This remarkable collection of stories, hand-picked from the archive of legendary New York Post columnist Leonard Lyons by his son, film critic Jeffrey Lyons, will transport readers back to the sparkling peak of New York City nightlife. This was the time when notables of every sort--film producers and stars, writers, politicians, comedians, athletes, and artists--gathered nightly at such famed restaurants and nightclubs as Sardi's, the Stork Club, and the Copacabana. From 1934 to 1974, Leonard Lyons was a fixture at these clubs, befriending celebrities of all stripes and gathering exclusive tidbits for his syndicated newspaper column, The Lyons Den. What a Time It Was! offers candid portraits of stars and statesmen at work and at play--especially at play--but still, effortlessly, larger than life. Illustrated with snapshots and glamour shots, it offers a unique window onto the lives of iconic figures from Ethel Barrymore and Muhammad Ali to Tennessee Williams and Jackie Kennedy, as well as their favorite haunts. Here are four decades of popular culture seen from the front row, by a man who said, "Give me lights and sound and people, and music into the night. Late into the night!"

Hardcover. London, Robert Hale, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket.. Introductions by Bob Hope and Charlton Heston. Black & white photos. 220 pages. A selection of publicity photos from Hollywood's Golden Age.

Hardcover. Franklin Center PA, Franklin Library, 1st, 2000, Book: Very Good, Dust Jacket: None, This is a memoir from the acclaimed author of "The Princess Bride" and numerous other books and screenplays. Includes a special message from Goldman not present in the trade edition. A fine copy in decorated full leather binding with all page edges gilt and a bound in silk book marker. SIGNED BY GOLDMAN. Something odd, if predictable, became of screenwriter William Goldman after he wrote the touchstone tell-all book on filmmaking, Adventures in the Screen Trade (1983), he became a Hollywood leper. Goldman opens his long-awaited sequel by writing about his years of exile before he found himself--again--as a valuable writer in Hollywood. Fans of the two-time Oscar-winning writer ( Butch Cassidy and the Sundance Kid , All the President's Men ) have anxiously waited for this follow-up since his career serpentined into a variety of big hits and critical bombs in the '80s and '90s. Here Goldman scoops on The Princess Bride (his own favorite), Misery , Maverick , Absolute Power , and others. Goldman's conversational style makes him easy to read for the film novice but meaty enough for the detail-oriented pro. His tendency to ramble into other subjects may be maddening (he suddenly switches from being on set with Eastwood to anecdotes about Newman and Garbo), but we can excuse him because of one fact he is so darn entertaining. An as new copy and still in the publisher's shrinkwrap.

Softcover. Hollywood CA, Paramount Pictures, N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, 117 pages plus additional revised pages in pink and blue at rear. Three-hole punched with two brads, plain yellow wrappers. Title page date is March 20, 1981, the revised pages dated 3/24/81 and 4/13/81. Print shop requisition for script dated 4/15/81 and signed for approval by Jeff Katzenberg. Light soil to wrappers otherwise clean, very good. The film was completed in 1981 and only had limited exposure in the U.S. because of it's controversial nature but was distributed in 1983 in Europe. Criterion released the DVD in 2008 in it's original uncut version.

Hardcover. NY, Atlantic Monthly Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations-from Felix the Cat to Bugs Bunny to feature films such as Fantasia-which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.

Hardcover. New York , Pantheon, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.110 pages, illustrated throughout in b&w by Spiegelman. Clean, tight copy. The quintessential hardboiled twenties poem, basis for two stage musicals and a 1975 film directed by James Ivory and starring James Coco and Raquel Welch. Remainder dot to top edge.

Hardcover. New York , Pantheon, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 110 pages, illustrated throughout in b&w by Spiegelman. Clean, tight copy. The quintessential hardboiled twenties poem, basis for two stage musicals and a 1975 film directed by James Ivory and starring James Coco and Raquel Welch.

Softcover. San Francisco, Pomegranate Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, color photos. "Art cars" are vehicles transformed by their creative owners into elaborately decorated statements of individual mobility. Blank, an independent filmmaker and art car aficionado, spent two years traveling the highways and byways of America in search of people who shared his unusual passion for artistically personalized transportation. The result was an independent documentary film (also entitled Wild Wheels ) and this book: a zany testament to the far reaches of the creative spirit enlivened by more than 100 color photographs and descriptions of 42 attention-grabbing autos with humorous names like the Beaded Bug, the Hippomobile, and the Grass Car. The book also contains brief stories about the artists who created them, providing insight into the ideas and emotions that sparked this novel pop art form.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2008, Hardcover, oblong format, 48 pages. William Eggleston's pioneering video work, Stranded In Canton, has been restored and is finally available, almost thirty-five years after it was made. The book contains forty frame enlargements from the digital remaster, an appreciation by Gus Van Sant, and a DVD of the seventy-seven-minute film itself, along with more than thirty minutes of bonus footage and an interview with Mr. Eggleston conducted at the 2005 Toronto Film Festival. Still in publisher's shrinkwrap.

Softcover. NY, Applause Books, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 492 pages, each with an accompanying essay by Goldman. Bright, clean copy.

Softcover. NY, Applause, 1st thus, 1997, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. Marathon Man, Butch Cassidy and the Sundance Kid, The Princess Bride, Misery. Sticker residue on back cover otherwise clean.

Hardcover. Prestel, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly colored grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic color frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo." 140 pages, b&w and color. Still in publisher's shrinkwrap.

Hardcover. NY, Thames & Hudson , 1st, 2023, Book: Good, Dust Jacket: Very Good, Hardcover in partial red dust jacket. The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond. Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers. With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking. Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. Minor wear to cover, a small gouge to the top front edge, remainder line on bottom edge. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Scribner, 2nd pr., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 475 pages, b&w photos, in a bright, unclipped dust jacket. Remainder line on bottom edge. A biography of Frances Marion, one of the earliest--and for many years the most successful--screenwriters in Hollywood. Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s.

Hardcover. New York, Warner Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages. Illustrated with full color and black & white photographs. Clean, tight copy. A commemorative volume offers the definitive pictorial history of one of the most popular movies of all time.

Hardcover. Atglen PA, Schiffer Publishing , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 256 pages illustrated in color. Value Guide (for 1992) laid in. All the excitement and enchantment of over ninety years' worth of wonderful Wizard of Oz memorabilia awaits you on every page of this deluxe, full-color tribute to the collectibles and merchandise inspired by America's foremost fairy tale and everyone's favorite film! Oz experts Jay Scarfone and William Stillman have--for the first time ever!--compiled an astounding assemblage of over one thousand "Ozzy" artifacts documented and categorized for convenient reference in sixteen different sections. Autographs, books, buttons, dolls, games, puzzles, figurines, drinking glasses, postcards, novelties, publicity and promotion, posters and lobby cards, records, sheet music--it's all here AND SO MUCH MORE! You'll be amazed at the wealth of offerings to be found along that Yellow Brick Road of "Oz and ends." Supplemented by a timely value guide, this comprehensive volume is an absolute must for collectors of movie memorabilia, dolls, toys, Judy Garland, or anyone devoted to magical mementos of Ozmania! Like new, clean.

Hardcover. NY, Harpercollins , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 509 pages, color photos. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television, and to this day continues to be one of the most binged shows of all time. Michael and Steve tell all the incredible stories that The Sopranos fans have been waiting to hear for over twenty years. The book covers the entire history of The Sopranos series from the original concept pitch and casting to the infamous cut to black. Clean copy.

Hardcover. NY, Harpercollins , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 509 pages, color photos. Woke Up This Morning is the definitive behind-the-scenes history of the groundbreaking HBO series that became a worldwide cultural phenomenon, ushered in a new Golden Age of Television, and to this day continues to be one of the most binged shows of all time. Michael and Steve tell all the incredible stories that The Sopranos fans have been waiting to hear for over twenty years. The book covers the entire history of The Sopranos series from the original concept pitch and casting to the infamous cut to black. Clean copy.