france history

Hardcover. NY, Macmillan Company, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 461 pages. Laval began his career as a socialist, but over time drifted far to the right. Following France's defeat and armistice with Germany in 1940, he served in prominent roles in Philippe Petain's Vichy Regime, first as the vice-president of the Council of Ministers from 11 July 1940 to 13 December 1940, and later as the head of government from 18 April 1942 to 20 August 1944. After the liberation of France in 1944, Laval was arrested by the French government under General Charles de Gaulle. In what was widely regarded as a flawed trial, Laval was found guilty of plotting against the security of the State and collaboration with the enemy, and after a thwarted suicide attempt, he was executed by firing squad. His manifold political activities left a complicated and controversial legacy, resulting in more than a dozen conflicting biographies of him. Name on front fly leaf, otherwise a bright, clean copy.

Softcover. London, Imperial War Museums, 1st, 2014, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Posters of the First World War collects more than one hundred posters from America, Britain, France, Germany, and Italy that showcase renewed concern among the warring nations with national character and conduct.

Softcover. Paris, Les Editions De L'illustration, 1st, 1946, Book: Very Good, Dust Jacket: None, Softcover, oblong, 112 tipped-in color illustrations, tall 4to, printed tan boards. French art from the Middle Ages to the the 1940's. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Garden City, Doubleday & Co., 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, 570 pages, b&w illustrations and frontispiece. Black cloth covers w/ edgewear, chipping. Previous owner's signature inside front cover. Else clean and tight.

Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.

Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 425 pages. A facsimile reprint of the 1904 edition. Volume 1 ONLY. The present-day New York City neighborhood of Harlem was founded in the mid-17th century by Dutch Protestants, whose numbers included Huguenots (or their descendants) who had fled the counter-Reformation in France and the Walloon provinces of Artois, Cambresis, and Hainalt. Riker's Harlem is an extremely detailed historical and genealogical account of Harlem from its establishment by Kuyter and Stuyvesant between 1656 and 1660 to the end of the 17th century. Following several preliminary chapters on the Dutch and French context for the settlement of "New Haerlem," the author treats us to what seem like minute-by-minute accounts of its colonial development, including early efforts to settle the territory that became Harlem, the original land patents and their subsequent rearrangement, Indian wars, displacement of Dutch rule by the British in 1663 (and the brief reoccupation by Dutch forces in 1673), 17th-century village life, migrations to New Jersey, influx of Swedes, difficulties in assimilating English ways, and much, much more.

Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, Pages 426-908 . A facsimile reprint of the 1904 edition. Volume 2 ONLY. The present-day New York City neighborhood of Harlem was founded in the mid-17th century by Dutch Protestants, whose numbers included Huguenots (or their descendants) who had fled the counter-Reformation in France and the Walloon provinces of Artois, Cambresis, and Hainalt. Riker's Harlem is an extremely detailed historical and genealogical account of Harlem from its establishment by Kuyter and Stuyvesant between 1656 and 1660 to the end of the 17th century. Following several preliminary chapters on the Dutch and French context for the settlement of "New Haerlem," the author treats us to what seem like minute-by-minute accounts of its colonial development, including early efforts to settle the territory that became Harlem, the original land patents and their subsequent rearrangement, Indian wars, displacement of Dutch rule by the British in 1663 (and the brief reoccupation by Dutch forces in 1673), 17th-century village life, migrations to New Jersey, influx of Swedes, difficulties in assimilating English ways, and much, much more.

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. Casemate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 264 pages. Following the Allied breakout from the Normandy beachhead in July 1944, the vaunted German Army seemed on the verge of collapse. As British and US forces fanned out across northwestern France, enemy resistance unexpectedly dissolved into a headlong retreat to the German and Belgian borders. In early September an elated Allied High Command had every expectation of continuing their momentum to cripple the enemy's warmaking capability, by capturing the Ruhr industrial complex and plunging into the heart of Germany. After a brief pause to allow for resupply, Courtney Hodge's First Army prepared to punch through the ominous but largely outdated Westwall (Siegfried Line) surrounding Aachen. Drawing on primary Wehrmacht and US sources, including battle analysis and daily situation and after-action reports, The Roer River Battles provides insight into the desperate German efforts to keep a conquering enemy at the borders of their homeland. Tactical maps down to battalion level help clarify the very fluid nature of the combat. Combined, they serve to explain not just how, but why decisions were made and events unfolded, and how reality often differed from doctrine in one of the longest US campaigns of World War II.

Hardcover. Berkeley CA, University of California Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish shtetlekh of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened-not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of Children of a Vanished World, seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children.

Hardcover. London, Raphael Tuck & Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover. 94 pages. Brown cloth covers, beveled edges, gilt titles to spine and front cover, lovely gilt pictorial to front, patterned endpapers, all edges gilt, 10 full-page color plates (1 plate torn in half) and numerous b&w illustrated figures, by Frances Brundage and M. Bowley. Previous owner's bookplate to front endpaper, light edgewear to covers, endpapers lightly discolored with age, chipping and tear to first plate, half of 9th color plate torn off, a few pages separate from page block.

Hardcover. New York, Historical Committee Second Division Association/HIllman Press, 1st Edition, 1937, Book: Very Good, Dust Jacket: None, 412 pages. Hardcover. B/w illustrations/maps throughout. Blue cloth cover boards, gilt title on spine (faded) and front cover board, some agewear. Some light tanning to pages. Binding good. Spine straight. The story of the "American Regulars" in WWI.

Paperback. Albany, NY, Education Department, Albany Institute of History and Art., revised, 1984, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Very little wear to cover. Inside is bright and clean with many b&w illustrations throughout.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Shadows of War presents an astonishing collection of previously unpublished, unknown photographs of life at the front lines in the German war machine during World War II, taken by a common foot soldier. The work of a gifted amateur, Willi Rose's images present a powerful vision of a largely suppressed aspect of the war. These fractured glimpses of the world at war, from quotidian tasks and moments of leisure to scenes of death and destruction, reveal one man's experience of the epic flow of history. A miller in the years before World War II, Rose was drafted into the German army in October 1939 and served as a motorbike messenger on the front, first in France and then in Russia. He was wounded twice and was later captured by the Polish army, eventually returning home in June 1946. Throughout his military service, Rose sent home photographs that he took of the action, mostly along the Eastern Front. Discovered by his widow after his death, these images form a unique photographic document of one soldier's war.

Hardcover. NY, Prestel, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. This book features the vintage archaeological photography of John Beasley Greene, one of the first photographers in Egypt and Algeria. Few figures in 19th-century photography remain as elusive and intriguing as John Beasley Greene (1832-1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to Egypt in 1853, where he photographed ancient Egyptian monuments and is thought to be the first archaeologist to use photography. In these photographs, he positioned his horizon lines with precision, at times placing them so low in the frame that the photograph is nearly all blank sky, or so high that the monuments are almost swallowed up by vast seas of sand. Some of his Egyptian landscapes are so visually spare they appear to be of nothing at all. Greene also traveled to Algeria where he photographed the ancient cliff-top city of Constantine and the seaport town, Cherchell. By contrast, Greene's photographs from Algeria frequently present a densely layered abundance of visual detail. Breathtakingly beautiful, Greene's photographs construct a visual record of archaeological monuments and landscapes. Featuring some 100 vintage prints, this comprehensive book aims to introduce Greene's work to a new audience and to reconsider his place in the history of photography. Clean copy in shrinkwrap.

Hardcover. US, 5 Continents, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. French photographer Olivier Mriel (b. 1955) has practiced photography for over 26 years. His work focuses on landscapes with a taste for the obscure. The son of a chemist, he lives and works in France in the small seaside town of Saint Aubin-sur-Mer, just as his ancestors did before him. His photographs perfectly capture the feeling of history this region is steeped in. Mriel's landscapes, while dark and moody, ultimately document his search for light. This light is reflected off the land and as surfaces act as mirrors, they exude a subtle glow that seeps into even the darkest corners. A human presence that is felt but not seen subtly leads us to explore and to contemplate the secrets of these magical places and the profound meaning of existence.

Softcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 279 pages, b&w photos. Clean, unmarked copy with only minor wear to wrappers. This book exposes Chanel's anti-Semitism and her long affair with 'Spatz' Baron von Dincklage, a Nazi spy who ran an intelligence ring and reported to Goebbels. It explains how she became a German intelligence operative, how she lived in exile, how Winston Churchill supported her and how she reinvented herself in the early 1950s.

Hardcover. New Haven, Yale University Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This beautifully illustrated book highlights the unique history of The Societe Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877-1952), Marcel Duchamp (1887-1968), and Man Ray (1890-1976). As America's first "experimental museum" for modern art, the Societe Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Societe Anonyme now belongs to the Yale University Art Gallery, a gift from the Societe and Dreier. It features the work of more than one hundred artists, many of whom are among the century's most renowned--including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella--as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.

Softcover. London, Frank Cass, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 526 pages, b&w illustrations. An Account of the Work of the British Special Operations Executive in France 1940-1944. Maps, appends., sources, index, Updated edition of the HMSO Official History Volume. Originally withdrawn shortly after publication due to threats of legal action by Peter Churchill, then re-released with emendations, Clean copy.

Softcover. New Lebanon NY, Omega Publications, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, b&w photos. Everything about Noor Inayat Khan was extraordinary. A great-great-great granddaughter of Tipu Sultan, the Tiger of Mysore, she was born in Moscow to an American mother and an Indian Sufi Muslim father. Due to the unrest in Russia the family moved to London and from there to France where she spent the happiest years of her life studying music, child psychology and writing children's books. In 1940, her father having deserted the family and died in India years before, the family moved once again to England where Noor was trained as a wireless operator with the aim of sending her to German-occupied France to join up with the resistance. Noor was small and delicate, emotional, imaginative, shy, easily flustered and distracted. On the other hand there was her steely determination to serve her country, the desperate need for wireless operators and her perfect French. She was sent on her mission in June 1943. Her biography contains all the elements of an exciting spy novel but it was horrific and deadly reality. Clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.