france history

Hardcover. New York, Harper & Brothers, 1st, 1888, Book: Very Good, Dust Jacket: None, 176 pages. Illustrated with drawings by R. F. Zogbaum celebrating military life in France, Germany, Great Britain, and United States. Title in gilt on cover with drum and rifle illustration. Cloth missing from top 3/8" of spine. Corners of front and back covers bumped and rubbed. Previous owners name on front endpaper. Clean, tight copy.

Hardcover. Chiselbury, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 356 pages. An amazing real-life story of espionage, of courage and resistance, and of friendship and love. It pulls back the veil on the hidden history of the struggle for the identity of the Resistance in France. The life of 'André' Joseph Scheinmann is more intriguing and compelling than any work of fiction. His true-life story of derring-do starts as a Jewish youth in Munich, whose family moves to France in 1933 to escape the Nazi tide. He joins the French army at the outbreak of WW2 and escapes from a prisoner-of war camp after the bitterly brief fight for France in the summer of 1940. André becomes a spy and saboteur for the British and Free French whilst working undercover as translator and liaison with the German high command at the Brittany headquarters of the French National Railroads. Summoned by the British, he clandestinely crosses the Channel for initiation and training as an MI6 agent in England. His network betrayed during his absence, he is arrested on his return to France. André then begins an even more perilous journey with interrogation in Gestapo prisons and the little-known Natzweiler concentration camp in Alsace, before being transferred to Dachau and Allach, ahead of the advancing Allies. Illustrated with over 120 vintage and color photographs and letters. Clean copy.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1899, Book: Good, Dust Jacket: None, 330 pages. Hardcover. Blue cloth bound cover boards, gilt title on spine and front cover board with design. Some age wear to covers (see image). Some fingerprint smudges (see image) and tanning throughout. Original author's name written on title page (see image). In very good shape for its age, no pages missing. True and fictional shortstories about French culture.

Hardcover. NY, Penguin Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket., 310 pages, color and b&w illustrations. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dali's Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafes of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dali. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary--and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse.

Hardcover. NY, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In contemporary France, Charles de Gaulle has become a figure of legend, consistently acclaimed as the nation's pre-eminent "historical" figure. But paradoxes abound. For one, his personal popularity sits oddly with his social origins and professional background. Neither the nobility, nor the Catholic Church, nor the Army is particularly well-regarded in France today, as they are seen to represent antiquated traditions and values. So why, then, do the French nonetheless identify with, celebrate, and even revere this austere and devout nobleman, who remained closely wedded to military values throughout his life? In the Shadow of the General resolves this mystery and explains how de Gaulle has come to occupy such a privileged position in the French imagination. Sudhir Hazareesingh's story of how an individual life was transformed into national myth also tells a great deal about the French collective self in the twenty-first century: its fractured memory, its aspirations to greatness, and its manifold anxieties. Indeed, alongside the tale of de Gaulle's legacy, the author unfolds a much broader narrative: the story of modern France. Clean copy.

Hardcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Hardcover. Chicago, Henry Regnery Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. Map endpapers, 176 pages, b&w photos. The first book by a German general published in America after the war, a German account of the D-Day & Normandy 'invasion' by Allied forces; the author was Rommel's Chief-of-Staff and therefore had an inside view of Rommel's efforts to get Hitler to negotiate a peace in the face of overwhelming Allied superiority. Speidel was a career military officer and trained historian; a German nationalist, he disagreed with racist Nazi policies, was involved in the 20 July plot to kill Hitler, and was important in rebuilding Germany's army after the war. Clean copy.

Hardcover. Cambridge MA, MIT, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. The story of how hysterics were "invented" in 19th-century Paris is a fascinating one. All the more so because the staged performances that Freud witnessed at the famous Salpetriere asylum were to form the basis of his theory of hysteria, a theory which had a lasting impact on both psychiatry and medicine. Photography played an important role in the way doctors learned about so-called hysteria, often under the guise of objectivity.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 289 pages, b&w illustrations. The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Emile Zola's La Bete Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Clean copy.

Softcover. Philadelphia, Ratpac/Running Press, 1st US, 2016, Book: Very Good, Dust Jacket: None, Softcover, 942 pages, b&w photos. Clean, bright copy. Renoir made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Previously unknown information including Renoir's close affiliation with Communism in the '30s is detailed in this definitive biography.

Hardcover. Paris, France, E. Plon, Nourrit , unk, nd, Book: Good, Dust Jacket: None, Hardcover. 47 pages. Color illustrations by the author. Red top edge. Yellow covers with green and gold decoration. Corners and spine rubbed. Light soiling to covers. Spine a bit loose.

New York, Grosset & Dunlap, 1st, 1933, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial boards, 60 pages, illustrated in color by O.D.V. Guillonnet. Large format in a edgeworn, lightly chipped dust jacket.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 767 pages. 'This book is a major new intellectual and cultural history of intolerance and toleration in early modern and early Enlightenment Europe. John Marshall offers an extensive study of late seventeenth-century practices of religious intolerance and toleration in England, Ireland, France, Piedmont and the Netherlands and of the arguments which John Locke and his associates made in defence of 'universal religious toleration'. He analyses early modern and early Enlightenment discussions of toleration; debates over toleration for Jews and Muslims as well as for Christians; the limits of toleration for the intolerant, atheists, 'libertines' and 'sodomites'; and the complex relationships between intolerance and resistance theories including Locke's own Treatises. This study is a significant contribution to the history of the 'republic of letters' of the 1680s and the development of early Enlightenment culture and will be essential reading for scholars of early modern European history, religion, political science, and philosophy.' Clean copy.

Softcover. Athens GA, University of Georgia Press, reprint, 2001, Softcover, clean, unmarked pages. 415 pages, followed by a short Index. Fanny Kemble offers a gripping, first-hand account of life on a Southern plantation before the Civil War. Combining a keen observational style with a candid narrative voice, Kemble lays bare the complexities of plantation life, including the stark realities of slavery and the socio-economic hierarchies of antebellum Georgia. The journal entries provide an intimate glimpse into the daily lives of both the enslaved and the plantation owners, reflecting her deep moral convictions and growing abolitionist sentiments against a backdrop of genteel Southern culture. Fanny Kemble, a British actress and writer, was thrust into the world of the Southern elite through her marriage to a plantation owner, which provided her with unprecedented access to the intricacies of plantation management and its social fabric.

Hardcover. NY, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 264 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. "A lavish, information-packed look at the people and places of an important, exciting era in art history. "?Publishers Weekly.From 1900 to 1930, Montparnasse was the center of artistic life for the whole world. A major contribution to the social and cultural history of the period? with its informative text and hundreds of photographs?. As The Washington Post said, Kiki's Paris "celebrates the people who made the modern movement in art, music and literature, most of whom were friends or lovers of Kiki, the woman Hemingway called 'The Queen of Montparnasse.'"

Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages. No dj issued. An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City. With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art.

Hardcover. Jersey FR, Charles Le Feuvre, 1st thus, 1881, Book: Very Good, Dust Jacket: None, 420 pages, Green cloth binding with black stamping. Reimpression editee avec de legeres annotations. French text. Previous owner's bookplate, otherwise clean and tight copy.

Hardcover. London, Chapman & Hall, 1st, 1912, Book: Fair, Dust Jacket: None, Hardcover, 312 pages. 16 B&W illustrations. Brown cover with gilt title to spine. Sun-fading and spotting. Unfinished front edge. Heavy foxing to all edges. Ex-Lib sticker on front end page. Tissue-protected frontispiece. Soiling to end pages. Overall, a clean, tight copy. A biography of Agnes Sorel, known by the sobriquet Dame de beaute, was a favorite and chief mistress of King Charles VII of France, by whom she bore four daughters. She is considered the first officially recognized royal mistress of a French king.

Softcover. NY, John Wiley & Sons, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover,452 pages, b&w illustrations. Harlow Unger's Lafayette is a remarkable and dramatic account of a life as fully lived as it is possible to imagine, that of Gilbert de Motier, marquis de Lafayette. To American readers Unger's biography will provide a stark reminder of just how near run a thing was our War of Independence and the degree to which our forefathers' victory hinged on the help of our French allies, marshaled for George Washington by his 'adopted' son, Lafayette. But even more absorbing and much less well known to the general reader will be Unger's account of Lafayette's idealistic but naive efforts to plant the fruits of the American democracy he so admired in the unreceptive soil of his homeland. Short inscription to half-title page, otherwise a clean, bright copy.

Hardcover. Montreal, Poirier, Bessette & Co., unk., 1893, Book: Good, Dust Jacket: None, 546 pages, many b&w illustrations including maps and fold-outs. Binding is shaken and both covers loose with cracked hinges, front fly leaf loose. Internally good. Leather spine and corners with pink pebbled cloth covers, marled end papers.

Hardcover. London, Sampson Low, Marston, Searle Rivington, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 328 pages, frontispiece engraving of Napoleon. Chronicles the political intrigue that propelled Napoleon from military leader to Emperor. Bound in three-quarter black leather over blue cloth, raised bands on spine, gilt decorations and lettering on spine. Top edge gilt, light corner wear.

Softcover. Paris FR, Centre National de la Photo Graphie, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 96 unnumbered pages, 40 b&w plates. FRENCH TEXT. The panoramic photography of Jacques-Henri Lartigue, taken between 1922 and 1929; the catalogue for an exhibition. Wonderful work. Text by Michel Frizot. Unpaginated, 40 full-page duo-toned b&w plates; 11 x 10.25 inches. Bibliography, chronology, exhibitions list.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 395 pages, Like new in publishers shrink-wrap. Lewis Morley - I to Eye will illuminate and crystallise this body of work in a career retrospective, incorporating literally hundreds of photographs covering all aspects of Morley's work, from England, france and the united States, also the fashion beginnings in the 1950s through the personality portraits of the 60s to his work of the 70's, 80s and 90s. In a career that has spanned some 50 years, Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960's London, is highly recognised, and with his famous photo of Christine keeler naked upon a chair, Morley produced an image that is probably one of the most memorable (and most copied) of any photographs of any time.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011-11-15, Book: Very Good, Dust Jacket: Very Good, Hardcover, 395 pages, Like new in publishers shrink-wrap. Lewis Morley - I to Eye will illuminate and crystallize this body of work in a career retrospective, incorporating literally hundreds of photographs covering all aspects of Morley's work, from England, france and the united States, also the fashion beginnings in the 1950s through the personality portraits of the 60s to his work of the 70's, 80s and 90s. In a career that has spanned some 50 years, Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960's London, is highly recognised, and with his famous photo of Christine keeler naked upon a chair, Morley produced an image that is probably one of the most memorable (and most copied) of any photographs of any time.