history

Hardcover. Auburn NY, Knapp, Peck and Thomson, 1st, 1887, Book: Fair, Dust Jacket: None, Hardcover, original red cloth, gilt titles and rules, blind-stamped double border. 581 pages including Errata leaf. Includes several fold-out maps, plus pockets inside the front and rear boards containing maps and plans. Engraved frontispiece of Sullivan, engraved portraits in text of Brigadier General James Clinton, Colonel Peter Gansevoort (from a portrait by Gilbert Stuart, famous for his portrait of George Washington), and Colonel Philip Van Cortlandt. John Sullivan was an American general in the Revolutionary War and a delegate in the Continental Congress. Sullivan served as a major general in the Continental Army and as Governor (or 'President') of New Hampshire. He is most famous for leading the Sullivan Expedition in 1779, a scorched earth campaign against the Iroquois towns that had taken up arms against the American revolutionaries. This volume contains journals by 27 officers present during the campaign, and has become the authoritative primary source of the event. Both front and rear hinges cracked with spine cloth loose, battlefield map at page 288 has a tear but no loss, front signature with title page loose but whole. All other maps present in envelopes and in very good condition. Covers worn.

Hardcover. New York, Argosy-Antiquarian Ltd., Reprint, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. limited edition (#10 of 750 copies). A diary of the late Emil Teichmann, edited and with an introduction by his son Oskar. Foreword by Ernest Gruening. Illustrated with b/w drawings and maps. Frontis portrait of author. Top edge stained blue. Blue cloth with gilt pictorial front and gilt lettering on spine. Light wear to top and bottom of spine.

Hardcover. London, Faber and Faber Limited, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket, 334 pages. The editor has chosen excerpts from de Tocquville's 14 notebooks he kept on his visit to America 1831-32. The detailed notes were the raw material that became his classic Democracy In America. Many of these observations never made into the final work. Clean copy.

Hardcover. London, Seven Dials , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 427 pages, color illustrations. From Gavin Thurston, the award-winning Blue Planet II and Planet Earth II cameraman with a foreword by Sir David Attenborough comes extraordinary and adventurous true stories of what it takes to track down and film our planet's most captivating creatures. Gavin has been a wildlife photographer for over thirty years. Against a backdrop of modern world history, he's lurked in the shadows of some of the world's remotest places in order to capture footage of the animal kingdom's finest: prides of lions, silverback gorillas, capuchin monkeys, brown bears, grey whales, penguins, mosquitoes - you name it-he's filmed it. No dj issued.

Hardcover. NY, New York University Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 200 pages. Joyce Cary long a popular author among discriminating readers, is gaining a wider audience for his novels every year. This critical study of his work considers the developing relationship between his matter and his manner. It especially emphasizes his growth as artist and thinker. Looking closely at the language and structure of Cary's books, the author examines all the novels- the African ones, the historical ones, and the two trilogies most of them in detail. To gain an overall view he also considers Cary's nonfiction and some as yet unpublished material. While this study is essentially non-biographical, it does analyze Cary's interpretations of history, sociology and politics as they are gathered from the actions and words of his colorful characters. One of the most intriguing features of Dr. Wolkenfeld's book is the dialogue between characters of the various novels, where likenesses as well as dissimilarities, which reveal so much about Cary as a writer, become evident. Clean copy.

Softcover. Lincoln NE, University Of Nebraska Press , 1st pbk, 1995, Book: Very Good, Dust Jacket: None, Softcover, 432 pages. Collects letters and essays that are published during the 1850s and 1860s. This title highlights the notorious 1850 article "Judaism in Music". It includes prose pieces such as "On the Performing of Tannhauser"; "On Musical Criticism"; and, "Music of the Future". It offers suggestions for the reform of opera houses in Vienna, Paris, and Zurich. Clean copy.

Softcover. Jefferson NC, McFarland & Company, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 157 pages. In late 1922, Judge Emil Fuchs purchased the woebegone Boston Braves--primarily to bring his ailing friend, Christy Mathewson, back into the game he loved so much. A true fan, Judge Fuchs poured his fortune into the team, intent on giving Boston's long-suffering National League fans a winner. He introduced Ladies' Days, contracted to have Braves games broadcast on radio, and successfully campaigned to allow Sunday baseball in Boston. Moreover, he gave the fans a competitive team, climaxed by the Braves' dramatic pennant race with the New York Giants in 1933.

Hardcover. New York , Thomas Y. Crowell Company, 7th printing, 1950, Book: Very Good, Dust Jacket: Good, Hardcover, 306 pages, b&w photos. Light wear, rubbing and sunning to dust jacket. Book itself is very good.

Hardcover. NY, St. Martin's Minotaur, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean, like new. While most travel to Concord, Massachusetts to relive America's Revolutionary past, Harvard professor Sweeney St. George has come looking for a different sort of history. An expert on funerary art, she roams the local cemeteries, fascinated by the macabre carvings of a celebrated stonecutter and hero of the Revolution--a project that takes a strange turn when a man dressed in a uniform of 1775 is found.

Hardcover. Chicago, University of Chicago Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 178 pages. A new perspective on the Supreme Court during the Reconstruction period. Name on front fly leaf, otherwise clean.

Softcover. NY, MFA Publications, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. Julien Levy opened his New York gallery in 1931, and the following year assembled the first Surrealist show ever held in that city. Over the next two decades he exhibited works by Dali, Ernst, Joseph Cornell, Calder, Eugene Berman, Tchelitchew, Giacometti, Arshile Gorky and many other luminaries of twentieth-century art, giving a number of them their first shows. But Levy was more than a gifted dealer: he also had a gift for friendship, and in this charming, anecdotal memoir he recounts his intimate dealings with some of the most innovative figures of his generation. He crossed the Atlantic with Duchamp and introduced Tanguy to New York. He conceived the idea for Dali's Birth of Venus pavilion at the World's Fair, shared a summer house with Ernst and fished with Andre Breton (yielding a memorable description of the Surrealist leader's run-in with a blowfish). And he was with Gorky in the final, tragic days before the painter's suicide. Memoir of an Art Gallery is the story of prescient vision and lifelong devotion. By turns humorous and moving, and back in print after many years, it is also one of the most enjoyable works ever written about the pivotal time when Manhattan became the art capital of the world. This edition features a new introduction by Ingrid Schaffner, senior curator at the Institute of Contemporary Art in Philadelphia.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Softcover. Kansas City, Andrews McMeel Publishing, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 120 pages, profusely illustrated. The Kansas City Jazz Museum traces the evolution of jazz music in America, from the early 1920s to the present day, focusing on the contributions of such Kansas City-based musicians as Count Basie, Charlie Parker, Lester Young, and other jazz greats. Clean, bright copy.

Softcover. Princeton NJ, Princeton University Press, 1st, November 1989, Book: Very Good, Dust Jacket: None, Softcover, 325 pages. Clean, unmarked copy with only minor edgewear to wrappers.

Hardcover. Minneapolis MN, Walker Art Center, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, publisher's light-brown cloth over boards, stamped lettering, and illustration to the spine, and boards. Richly illustrated in black-and-white and color throughout. "Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography." Clean copy.

Hardcover. NY, Random House, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 233 pages, b&w photos. The greatest basketball player in history tells the dramatic story of his final seasons in the game. A revealing self-portrait by one of the most intriguing sports heroes. This richly detailed book describes the 1988-89 NBA season (his last).

Softcover. Amsterdam, Amsterdam Scheltema en Holkema's Boekhandel, First Edition, 1912, Book: Very Good, Dust Jacket: None, Hardcover, large folio size, in Dutch text. 40 pages text followed by 470 plates in black & white. Brown cloth covered boards with embossed illustration in black & gilt. Moderate rubbing, scuff marks to covers. Fraying to head & heel of spine. Gilt titles to cover & spine. Tender front board with crack to top quarter hinge. Toning to edges throughout. Striking, full page black & white illustrations detailing castles, gardens, mansions, intricate woodwork throughout. Previous owner's signature & stamp to front flyleaf. Otherwise clean & unmarked.

NY, Viking Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright, unclipped dust jacket. Color and black & white illustrations by Kate Greenaway. Clean copy. A new era in the history of children's books began in 1878 when Kate Greenaway's first book of pictures and verse, Under the Window, was published. This was followed by her Birthday Book, A Day in a Child's Life, Mother Goose, Little Ann, Language of Flowers, and Marigold Garden. These and the many other enchanting volumes she illustrated, gained her a devoted worldwide audience of all ages. Today's great revival of interest in Kate Greenaway's work is understandable; as an illustrator of childhood she had no equal in her day, nor has she had since. The Kate Greenaway Book contains a short biography and selections from her best-known as well as little-known works: a collection of texts and pictures, some never even published before, charmingly arranged for readers of all ages to enjoy.

Softcover. Art Gallery of Ontario, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 72 pages, exhibition catalog. Essay by Jay Clarke. Kathe Kollwitz (1867-1945) was a leading 20th century German artist. Kollwitz's art was rooted in socialism and naturalism, and focused on the lives of the common people, usually working class women. Through her involvement in the sufferings of the poor in the slums of Berlin, her exposure to the horrors of two world wars, and the experience of living through several personal tragedies, she came to see herself as the "voice of suffering" and "an advocate" for the people. Among her preferred themes were motherhood, sacrifice, separation, oppression and death. She also created many moving self-portraits. Includes 45 reproductions (15 colour, and 30 b&w). Contents of the catalogue include: a brief history of the Stuttgart Kollwitz collection by the former curator Dr. Gunther Thiem.

Hardcover. Glens Falls, Champlain Publishing, 1st, 1914, Book: Very Good, Dust Jacket: None, 255 pages. Blue cloth covers with title rubbed from spine and some rubbing to gilt title on cover. Book has slight damp smell. Clean, tight copy.

Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Hardcover. UK, Oxford University Press, 2nd pr., 1926, Book: Good, Dust Jacket: None, Hardcover, pale orange cloth with title on spine label. Former copy belonging to COUNTEE CULLEN (1903-1946), with his signature on the front fly leaf. Cullen was an American poet, novelist, children's writer, and playwright, particularly well known during the Harlem Renaissance. 248 pages, b&w frontis. Small paper scars to front endpapers, otherwise clean.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages, b&w illustrations. "For, Lo! We live in an Iron Age--In the age of Steam and Fire!" wrote a poet mesmerized by the engines that were transforming American transportation, agriculture, and industry during his lifetime. Indeed, by the nineteenth century fire had become America's leitmotif--for good and for ill. "Keeping the flame" was deadly serious: even the slightest lapse of attention could convert a fire from friendly ally to ravaging destroyer. To examine the cultural context of fire in "combustible America," Margaret Hazen and Robert Hazen gather more than a hundred illustrations, most never before published, together with anecdotes and information from hundreds of original sources, including newspapers, diaries, company records, popular fiction, art, and music. What results is an immensely entertaining and encyclopedic history that ranges from stories of the tragic "great fires" of the century to fire imagery in folktales and popular literature. Dealing more with technology than with fire in nature, the book provides a vast amount of information on fire manipulation and prevention in urban life. Hazen and Hazen discuss the people who worked with fire--or against it. Founders, gaffers, blacksmiths, boilers at saltworks, and housewives knew how to "read" a fire and employ it for their purposes. A few dedicated investigators inquired about the scientific nature of heat and flame. And firefighters gradually progressed from "bucket brigades" to "using fire to fight fire" with the newly invented steam engine. The colorful stories of these Americans--the risks they took and the rewards they received--will fascinate not only social historians but also a broad audience of general readers. Clean copy.