Hardcover. Bloomington, Indiana University Press, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, 237 pages, b&w illustrations. Small tears to the edges of several pages. Dust jacket w/rubbing, light edgewear. Else clean and tight.
Hardcover. NY, Henry Z. Walck, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering, 125 pages, b&w illustrations by Harper Johnson. Children's story of a boy and his horse, living on a New Mexico ranch. When the Spanish cavalry needs horses for fighting the Indians, the horse is comandeered, and later captured by a Comanche warrior. Covers with light soil, clean internally, no markings.
Hardcover. New York , Thames & Hudson, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 255 pages, clean hardcover in a bright, unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen (New Vision), the surrealism of Man Ray, and the documentary tradition of photojournalism. From the 1940s through the early 1950s, he covered World War II, the bombing of Hiroshima, and the Korean War for Life , Paris-Match , and other publications; his most famous series, "Famine in India," appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text, a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history. Dust jacket with minor edgewear, short closed tear to rear panel.
Hardcover. New York , Thames & Hudson, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 255 pages, clean hardcover in a bright, unclipped dust jacket. B&w photographs throughout by Bischof. His images were influenced by the major photo-movements of his time: the formal concepts of Das Neues Sehen (New Vision), the surrealism of Man Ray, and the documentary tradition of photojournalism. From the 1940s through the early 1950s, he covered World War II, the bombing of Hiroshima, and the Korean War for Life , Paris-Match , and other publications; his most famous series, "Famine in India," appeared in Life in 1951. This first major compilation of Bischof's work is nicely complemented by the text, a joint effort by son Marco and Swiss art historian Magnaguagno that vividly integrates biography and history.
Softcover. Chapel Hill, University of North Carolina, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 378 pages. Namias shows that visual, literary, and historical accounts of the capture of Euro-Americans by Indians are commentaries on the uncertain boundaries of gender, race, and culture during the colonial Indian Wars, the American Revolution, and the Civil War. She compares the experiences and representations of male and female captives over time and on successive frontiers and examines the narratives of captives Jane McCrea, Mary Jemison, and Sarah Wakefield. Clean copy.
Hardcover. Indianapolis, IN, Indianapolis Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Volume devoted to the work of painter and portraitist William McGregor Paxton. Includes 30 black/white and 52 color plates, many full-page. Includes essay on Impressionism and biographical information on the artist. Very good condition; dust jacket shows some wear on the edges, but cloth bound book has no internal flaws. 165 pages, essay by R.H. Ives Gammel.
Softcover. Bloomington, IN, Indiana University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 232 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white photographs throughout. The center of the art world before the war, Paris fired the Nazis' greed. The discovery of more than 1,500 prized paintings and drawings in a private Munich residence, as well as a recent movie about Allied attempts to recover European works of art, have brought Nazi plundering back into the headlines, but the thievery was far from being limited to works of art. From 1942 onwards, ordinary Parisian Jews-mostly poor families and recent immigrants from Eastern Europe-were robbed, not of sculptures or paintings, but of toys, saucepans, furniture, and sheets. Witnessing the Robbing of the Jews tells how this vast enterprise of plunder was implemented in the streets of Paris by analyzing images from an album of photographs found in the Federal Archives of Koblenz. Brought from Paris in 1945, the photographs were cataloged by the staff of the Munich Central Collecting Point. Beyond bearing witness to the petty acts of larceny, these images provide crucial information on how the Germans saw their work. They enable us to grasp the "Nazi gaze" and to confront the issue of the relation between greed and mass destruction.
Softcover. Norman OK, University of Oklahoma Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 656 pages. In mythic sagas of the American West, the wide western range offered boundless opportunity to a limited cast of white men. Buffalo roamed, deer and antelope played, and women's voices were never heard. Writing the Range allows us to hear many long-silenced women: Spanish-Mexican settlers and American Indians on New Spain's northern frontiers; Chinese, Basque, Japanese, Korean, Vietnamese, Slavic, and Irish immigrants; film stars Dolores del Rio and Lupe Velez; Navajos and African Americans who moved to western cities during World War II; and the activist Mothers of East Los Angeles, who organized to resist environmental dangers to their community. A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting is essays and placing them in analytic and historical perspective. Clean copy.
Softcover. Caldwell ID, Caxton Press, reprint, Book: Very Good, Dust Jacket: None, Softcover, 328 pages. illustrated frontispiece. Extensive b&w photographs throughout. The Nez Perce campaign is among the most famous in the brief and bloody history of the Indian wars of the West. Yellow Wolf was a contemporary of Chief Joseph and a leader among his own men. His story is one that had never been told and will never be told again. A first person account, through author L.V. McWhorter of the Nez Perce's ill-fated battle for land and freedom. Clean copy.