literature poet

Hardcover. Gloucester, MA, Peter Smith, Reprint, 1959, Book: Very Good, Dust Jacket: None, 321 pages. Hardcover with no dust jacket. Green cloth covered boards with light wear to edges & black titles to spine. Faint soil to top edge. Otherwise clean inside and out. Tight copy.

Softcover. US, Damiani, 1st, 2014, Book: Very Good, Dust Jacket: None, 110 pages, softcover. Like new in publisher's shrink-wrap. Absence of Subject and Two Crowns of the Egg are Somoroff's most intriguing books of photography. In this edition of Two Crowns, the still life art work is as stunning as the female nudes. Of note, the rare combinations of objects (such. books of literature, high polished knives, exquisite dishes) and life matter (such pomegranates, honey, eggs, human skulls) set one's imagination in fire. These strange image compositions are as odd as the pairing of words by Postmodern poet Giannina Braschi who writes love poems to objects, animals, beings. The scholarly introduction by art historian Donald Kuspit is respectable but a bit dry. Regardless the imagery and poetry tower over any essay that one could write about them.

Softcover. Stanford CA, Stanford University Press, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, 530 pages. Books about thinkers require a kind of unity that their thought may not possess. This cautionary statement is especially applicable to Mikhail Bakhtin, whose intellectual development displays a diversity of insights that cannot be easily integrated or accurately described in terms of a single overriding concern. Clean, bright copy, as new.

Hardcover. London, John Lane, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, polished blue calf with ornate gilt rule to edges of both covers, spine with brown calf label with gilt lettering. Top edge gilt, blue and gray pattern endpapers. Decorative gilt design overall on spine. 107 pages, 6 etchings by E. Philip Pimlott. Edited by R.H. Case. A fine anthology of angling poetry, compiled by Buchan and published while he was still a student at Oxford. Sources include William Shakespeare, John Dennys, Phineas Fletcher, WilliamBrowne, Edmund Waller, John Floud, Sir Henry Wotton, Christopher Marlowe, Sir Walter Raleigh, William Basse, Izaak Walton, John Donne, John Chalkhill, Charles Cotton, John Bunyan, Alexander Pope, John Gay, James Thomson, John Armstrong, and others. Mild sunning to top edge of covers, ink name and short inscription dated '96 on first blank page. Otherwise clean and tight.

Hardcover. Philadelphia, Chilton Book Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, 383 pages. Hardcover. 8 pages of black & white photographs. Foxing to top edge. Light wear to dust jacket edges. Clean, unmarked pages.

Boston, Houghton Mifflin, 1st, 1885, Book: Very Good, Dust Jacket: None, White buckam spine and bevelled card board covers, gilt decorated spine. Previous owner's inscription on front fly leaf otherwise clean.

Softcover. Leopard Publishing Ventures, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated. Built in the cottage orne style from a plan by the Regency architect John Nash (1752-1835), Old Came Rectory is the historic home of the poet philologist, William Barnes (1801-1886), Thomas Hardy's mentor. Amid gatherings of poets, writers and historical figures, how many discussions around the fire of this homely home have gone on to shape the world we know today? INSCRIBED BY AUTHOR on Dedication page.

Softcover. Dublin NH, William L Bauhan, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 163 pages. An unconventional family idyll in pastoral Bucks County, Pennsylvania of the 1930?s is suddenly broken to pieces by the arrival of a band of writers led by poets Robert Graves and especially Laura Riding. Told from the perspective of her 12-year-old self, the author paints an evocative portrait of a family, friends, childhood adventures and events against the background of a countryside still threaded with dirt roads winding past meadows and woodland, not a shopping mall in sight.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. INSCRIBED BY PAYNE on the half-title page and also SIGNED on the title page. In Orion on the Dunes, the first biography of Beston, scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 391 pages, b&w illustrations. INSCRIBED BY PAYNE on half title page and SIGNED again on title page. The first biography of the writer/naturalist, and one of the leading founders of the modern environmental movement, Henry Beston. Scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Hardcover. Syracuse University Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 493 pages. Remainder line and foxing to top edge, light edgewear to dust jacket, else a clean, tight copy.

Hardcover. NY, Harper Collins, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 233 pages. Authors, illustrators, and poets describe their childhoods, approaches to creating children's books, and career paths.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, 338 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Author Theodore Morrison's copy with his signature on front fly leaf. Minor corner wear.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages, several b&w woodcut illustrations. Black cloth spine with marbled boards, top edge gilt. Minor corner wear.

Hardcover. NY, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages, profusely illustrated in color and b&w. This thought-provoking volume transports readers to France of the eighteenth, nineteenth, and twentieth centuries, beginning with Napoleon's love of perfume and the erotic importance he attached to it, through the lore and symbolism fragrance enjoyed in eighteenth and nineteenth-century Europe. By the early twentieth century, perfume's place as one of France's most important luxury industries was recognized and celebrated, and timeless fragrances--such as Chanel No. 5, Shalimar, Arpeges, and Joy--were launched. The distinctive bottles for these new essences and the art movements that inspired their design are detailed throughout the book, as are paintings, poetry, and literature that reveal the power of perfume and its ability to recall the past and evoke sensuality. According to nineteenth-century perfumer Eugene Rimmel, "the history of perfume is, in some manner, the history of civilization." Through fascinating text accompanied by gorgeous imagery, including packaging, labels, and advertisements, Perfume: Joy, Scandal, Sin explores perfume's impact on history, culture, society, art, and attitudes.

Hardcover. NY, Viking Press, 1st, 1933, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 111 pages. A comprehensive analysis of the works of the famous British author, D. H. Lawrence. The book delves deep into Lawrence's literary career, examining his novels, poems, and essays, and exploring the themes that are central to his writing. Horace Gregory, a renowned literary critic and poet, provides a detailed analysis of Lawrence's works, exploring the author's unique style and his use of language, imagery, and symbolism. Clean copy.

Hardcover. New York, Viking, 1st thus, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 135 pages. Previous owners name at top right edge of front endpaper. Minor foxing to preliminary pages. Maroon cloth covers with narrow section of fade at top edge of front cover. Dust jacket with edgewear, light chipping and tiny holes along folds - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. London, Oxford University, 1st, 1912, Book: Very Good, Dust Jacket: Good, Hardcover, 275 pages. Edited from the old editions and numerous manuscripts with introductions & commentary by Herbert J. C. Grierson. Vol. 2 only - introduction and commentary. Discoloration on front flyleaf. Light foxing to endpapers and edges of textblock. Dark blue cloth with embossed design on front cover and gilt lettering on spine. Corners bumped, minor wear to top and bottom of spine. Beige dust jacket with blue writing, price-clipped. Edgewear, age soil, toned spine.

Softcover. Boston, Beacon Press, Reprint, 1971, Book: Good, Dust Jacket: None, 212 pages. Softcover. Light pencil marking to a few pages. Overall clean, tight copy.

Hardcover. London, J.M. Dent, 1st, 1982, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 111 pages, b&w illustrations throughout. The author's revealing photographs of the famous Welsh poet, Dylan Thomas, taken during the last years of his life are combined with reminiscences of her friendship with him. Clean copy.

Hardcover. NY, Arrow Editions, 1st, 1937, Book: Very Good, Dust Jacket: Good, 146 pages. Hardcover. Previous owners bookplate on inside front cover. Light foxing to edges. Dust jacket with darkening, chipping along edges. Jacket now protected with clear plastic cover.