literature

Hardcover. New York, Dodd, Mead and Company, 1st Edition, 1920, Book: Good, Dust Jacket: None, 370 pages. Hardcover. Green cloth covers with gilt titles to cover & spine. Fraying, scuffing to edges. Light sunfade to spine. As is, with light pencil marking throughout. Cracked rear hinge.

Hardcover. NY, Museum of Modern Art, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly soiled, edgeworn dust jacket with $4.95 on flap, 135 pages. Translated into 16 languages, this remarkable book has become an essential document of architectural literature. A "gentle manifesto for a nonstraightforward architecture," Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural illustrations serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards. Robert Charles Venturi Jr. (June 25, 1925-September 18, 2018) was an American architect, founding principal of the firm Venturi, Scott Brown and Associates. Together with his wife and partner, Denise Scott Brown, he helped shape the way that architects, planners and students experience and think about architecture and the built environment. Foreword by Arthur Drexler. Introduction by Vincent Scully. No markings.

Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 248 pages. Errata slip laid in. Name on blank prelim pages. Otherwise clea.

Hardcover. NY, Oxford University Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 493 pages. Truth is one of the most debated topics in philosophy; Wolfgang K?nne presents a comprehensive critical examination of all major theories, from Aristotle to the present day. He argues that it is possible to give a satisfactory 'modest' account of truth without invoking problematic notions like correspondence, fact, or meaning. The clarity of exposition and the wealth of examples will make Conceptions of Truth an invaluable and stimulating guide for advanced students and scholars. Kunne expounds and engages with the ideas of many thinkers, from Aristotle and the Stoics, to Continental analytic philosophers like Bolzano, Brentanoand Kotarbinski, to such leading figures in current debates as Dummett, Putnam, Wright, and Horwich. He explains many important distinctions (between varieties of correspondence, for example, between different conceptions of making true, between various kinds of eternalism and temporalism) which have so far beenneglected in the literature. Kunne argues that it is possible to give a satisfactory 'modest' account of truth without invoking problematic notions like correspondence, fact, or meaning. And he offers a novel argument to support the realist claim that truth outruns justifiability. Clean, bright copy.

Hardcover. NY, Dial Press, 1960, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, price-clipped. In this masterwork of confessional literature, a man approaching middle age recalls his impetuous youth with fondness, remorse, and astonishment. Vance Bourjaily's memoir is a frank and introspective look into his early years as an alcoholic and drug addict. The book chronicles Bourjaily's struggles with sobriety and his journey back to self-respect and confidence. Bourjaily provides readers with a candid look into the depths of addiction and the lengths to which people will go to escape from their problems. No edition or printing indicated. Clean copy.

Hardcover. NY, New Directions, 1st, 1951, Book: Very Good, Dust Jacket: Fair, Hardcover in a yellow dust jacket with chipping, soiling. 187 pages. Black cloth binding with titling on the spine in gilt; with Chinese ideogram on the front cover. Illustrated with rubbings by William Hawley; and a Note on the Stone Classics by Achilles Fang. Previous owner's name and address on front fly leaf, otherwise clean.

Softcover. NY, Harcourt Brace Jovanovich, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, 472 pages with index. The editor, Joanne Trautmann Banks, previously was co-editor of the six volume 'Letters of Virginia Woolf.' For this volume, Ms. Banks selected 'jewels' from the earlier compilation, and has provided explanatory footnotes throughout. Clean copy.

Hardcover. NY, Barnes & Noble Books, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages. Light edge wear, fading to dust jacket. Foxing to edges and end papers. Else a clean, tight copy.

Softcover. Advance Music, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 534 pages. The understanding of the musical techniques of composition cannot be reduced to a handbook of simplified rules. Music is complex and ever changing. It is the purpose of this book to trace the path of musical growth from the late Romantic period to the serial techniques of the contemporary composer. Through the detailed analysis of the musical characteristics that dominate a specific style of writing, a graduated plan is organized and presented here in the form of explanations and exercises. A new analytical method substitutes for the diatonic figured bass and makes exercises and the analysis of non-diatonic literature more manageable. The explanations describing each technique are thorough. They are designed to help the teacher and the student see the many extenuating circumstances that affect a particular analytical decision. More important than a dogmatic decision on a particular key center or a root tone, for example, is the understanding of why such an underdeterminate condition may exist. Minor wear to covers, clean copy.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 238 pages. This collection of reviews and criticism, written from 1962 through 1967, is an example of literary journalism at its best. Ernest Hemingway, Jean-Paul Sartre, Muriel Spark, and Saul Bellow are among the literatti examined. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket with short closed tears. 14 original and thoughtful interviews - Burroughs discusses Paris in the 50s, the Olympia Press and the issue of obscenity, Norman Mailer on the Jack Abbott issue, Paul Theroux on Americans abroad, Scott Spencer on the experience of having a movie made from his book 'Endless Love' and more. Biographical information and photographs of each author. 324 pages. Clean copy.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Still in shrink-wrap. Spine faded. Else very good. As the acclaimed author of The Autobiography of Miss Jane Pittman and A Lesson Before Dying, Ernest J. Gaines (b. 1933) has been publishing stories and novels for more than sixty years. His brilliant portrayals of race, community, and culture in rural south Louisiana have made him one of the most respected and beloved living American writers. Ernest J. Gaines: Conversations brings together the author's own thoughts and words in interviews that range from 1994 to 2017, discussing his life, his work, and his literary legacy. The interviews cover all of Gaines's works, including his two latest books, Mozart and Leadbelly: Stories and Essays (2005) and The Tragedy of Brady Sims (2017). The book provides a retrospective of his work from the viewpoint of a senior writer, now eighty-five years old, and gives an important international perspective on Gaines and his work.

Hardcover. Jackson MS, University of Mississippi, 1st, 1987, Hardcover in a bright dust jacket, 178 pages. Gathers interviews with the Tennessee short story writer in which he discusses his career, writing, character development themes, settings, and growing older. Clean copy.

Softcover. University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 320 pages. Here is a collection of interviews that cover the period from 1967 through 1993. Many are translations of interviews that originally appeared in French, German, Italian, Polish, Spanish, or Swedish periodicals. Several are published here for the first time in any language. Giving attention to Sontag's education and the development of her aesthetic and moral temperament, they cover Sontag's rich career as a distinguished writer, filmmaker, dramatist, and cultural critic. Clean, bright copy.

Hardcover. NY, Oxford University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Marian David defends the correspondence theory of truth against the disquotational theory of truth, its current major rival. The correspondence theory asserts that truth is a philosophically rich and profound notion in need of serious explanation. Disquotationalists offer a radically deflationary account inspired by Tarski and propagated by Quine and others. They reject the correspondence theory, insist truth is anemic, and advance an "anti-theory" of truth that is essentially a collection of platitudes: "Snow is white" is true if and only if snow is white; "Grass is green" is true if and only if grass is green. According to disquotationalists the only profound insight about truth is that it lacks profundity. David contrasts the correspondence theory with disquotationalism and then develops the latter position in rich detail--more than has been available in previous literature--to show its faults. He demonstrates that disquotationalism is not a tenable theory of truth, as it has too many absurd consequences.

Softcover. NY, Semiotext(e)/MIT, 1st transl., 2008, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Letters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement. Debord's letters-published here for the first time in English-provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Clean copy.

Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.

Hardcover. NY, Viking Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This copy has been SIGNED by Shirley Hazzard on the title page. The author, who worked at the United Nations for ten years, and who during Waldheim's tenure raised questions about his hidden past, discloses here the secret history of an institution that is supposed to safeguard the world's most cherished principles. Remainder line on bottom edge, otherwise clean.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Hardcover. London, Faber and Faber, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 171 pages. The author relates her experiences growing up in the Derbyshire countryside of central England during the late nineteenth century. Her `country' books, beginning with The Country Child and continuing with series of essays on country themes, such as Country Hoard were extremely popular, due to her uncanny ability to remember the smallest details of her Derbyshire childhood and express them with beautiful poeticism. This volume collects a number of her best essays. B&w illustrations by C.F. Tunnicliffe. Previous owner's notation on front fly leaf, otherwise clean.

Hardcover. NY, Harcourt, Brace & Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover. 302 pages. Previous owner's signature on front endpaper. Light pencil marginalia to last page. Browning to front endpapers. Red cloth binding with black lettering.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

Hardcover. NY, Shoemaker and Hoard, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 222 pages. INSCRIBED BY CASTRONOVO on the title page. Edmund Wilson, 20th century America's most direct and readable critic of literature and society, was a man of many loves. In his half century as a major force in American letters he had an outsize romantic career that reflected the complex depths of his personality. Each woman whom he came to love was an alluring interpretative problem, an erotic and analytic challenge, a presence that fired his imagination. They came from the Greenwich Village of the 1920s, from his own upper middle class world of privilege, from New York's working class, from the high reaches of literary New York as well as from the workaday world of Talcottville in upper New York State. Who were they? Poet Edna St. Vincent Millay; actress Mary Blair; friends and drinking buddies Dorothy Parker, Louise Bogan, Dawn Powell, and Elinor Wylie; poet Leonie Adams; writer and intellectual Mary McCarthy; Mamaine Paget, later the wife of Arthur Koestler; and screenwriter and journalist Penelope Gilliatt were the best known. They appear here as personalities in their own right as well as in the roles they play in Wilson's biography. His Rabelaisian appetites, ardors and vulnerabilities, and conceptions of love and sex are a story in themselves. Clean copy.

Hardcover. Minneapolis MN, University of Minnesota Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket that has a closed tear to the front panel. 523 pages with index. A collection of significant critical pieces about Kenneth Burke's work. 67 selections by 56 contributors arranged chronologically. Among the selections are reviews, essay-reviews, essays, excerpts from books, and some previously unpublished material. Collectively, they chart Burke's development and assess his achievements as a contemporary American man of letters. Clean copy.