literature

Softcover. Berkeley, University of California Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. Name on front fly leaf whited out, otherwise clean.

Hardcover. NY, Hogarth Press, Book: Very Good, Dust Jacket: None, Hardcover in cloth with dark green buckram spine with gold lettering on the spine, no DJ, deckled edges. 359 pages, 6 full page plates and chapter head drawings by Philip Hagreen. Uncommon edition. Clean, bright copy.

Hardcover. London, Weidenfeld & Nicolson, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 596 pages. Pieces originally published in the magazine Horizon including contributions by Dylan Thomas, Octavio Paz, Randall Jarrell, Bertrand Russell, Paul Eluard, Edith Sitwell, Kenneth Rexroth, Hermann Hesse and many others. A 21 year history attempting to reveal the best of this publication. Clean copy.

NY, Crown, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY MOSHER on the title page. Documents the author's road trip across twenty-first-century America, where he shared personal encounters with homeless people, country performers, and readers and writers from all walks of life. Clean copy.

Hardcover. NY, Crown, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 246 pages. Several months before novelist Howard Frank Mosher turned sixty-five, he learned that he had prostate cancer. Following forty-six intensive radiation treatments, Mosher set out alone in his twenty-year-old Chevy Celebrity on a monumental road trip and book tour across twenty-first-century America. From a chance meeting with an angry moose in northern New England to late-night walks on the wildest sides of America's largest cities, The Great Northern Express chronicles Mosher's escapades with an astonishing array of erudite bibliophiles, homeless hitchhikers, country crooners and strippers, and aspiring writers of all circumstances. Full of high and low comedy and rollicking adventures, this is part travel memoir, part autobiography, and pure, anarchic fun. From coast to coast and border to border, this unforgettable adventure of a top-notch American writer demonstrates that, sometimes, in order to know who we truly are, we must turn the wheel towards home.

Softcover. NY, W. W. Norton & Company, 1st US, Book: Very Good, Dust Jacket: None, Softcover, Advance Reading Copy, 408 pages. The seven-foot Dirk Nowitzki is one of the greatest players in basketball history. The Dallas Maverick's legend revolutionized the sport, redefining the role of the big man in the modern game. Dirk moved differently: flexible and fast, confident and in control. He thought differently, too. On the court, his shots were masterful-none more venerated than his signature one-legged flamingo fadeaway, a move that lives on in the repertoire of today's most skilled NBA players. How did this lanky kid from the German suburbs become an all-time top ten scorer and NBA champion? How can a superstar stay so humble? Award-winning novelist and sportswriter Thomas Pletzinger spent over seven years traveling with Nowitzki. He witnessed Dirk's summer workouts, involving fingertip pushups and the study of the physics, and spent days discussing literature and philosophy with Holger Geschwindner, Dirk's enigmatic mentor and coach. Watching Nowitzki in empty gyms and in packed arenas with 30,000 fans, Pletzinger began to understand how Dirk and Holger's philosophical insights on performance, creativity, and freedom enabled his success and longevity. This proof edition lacks the photo section. Clean copy.

Softcover. Oakville Ontario , Mosaic Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. B&W illustrations. Here is an affectionate look back at the outsized heroes who once occupied the imagination of millions of loyal readers. The Shadow. Tarzan. Doc Savage. Captain Future. The Spider. Zero. They were the original super guys - godfathers and inpsiration to the likes of Superman, Batman, and James Bond. Fascinating and informative, The Great Pulp Heroes is a lively and entertaining history of those fabulous characters, of them gaudy, glorious magazines that spawned them, and of the amazing wordsmiths who churned out their monthly adventures. Bright, clean copy.

Hardcover. NY, Archipelago Books, 1st thus, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 450 pages. The Great Weaver from Kashmir is Laxness' first major novel, the book that propelled Icelandic literature into the modern world. Shortly after World War One, Steinn Ellidi, a young philosopher-poet dandy, leaves the physical and cultural confines of Iceland's shores for mainland Europe, seeking to become "the most perfect man on earth." His journey leads us through a wide range of moral, philosophical, religious, political, and social realms, from hedonism to socialism to aestheticism to Benedictine monasticism. Upon his return to Iceland, Steinn finds himself more conflicted than before, torn between love of the beauty and traditions of his homeland, longing and regret for his great adolescent love, Dilja, and his newfound monastic ideal, forcing him to make choices with fateful consequences. Clean copy.

Hardcover. London, Alcove Press , 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with foxing, tanning. No markings.

Hardcover. Berkeley CA, Bern Porter, 1st, 1945, Book: Fair, Dust Jacket: None, Hardcover. No. 260 out of 750 copies bound for distribution. 157 pages. Tan boards with wear and soiling, gray cloth spine. Shelving information on spine. Front hinge cracked. Ex-library. Printed on various colored paper, with contributions by a lot of well known authors, including Williams, Patchen, Durrell, Lamantia, many others. Edges soiled. Interior very good.

Softcover. Cambridge MA, Harvard University Press, 3rd pr., 1997, Book: Very Good, Dust Jacket: None, Softcover, 541 pages. It wasn't all black or white. It wasn't a vogue. It wasn't a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States. What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas's anthropology, Park's sociology, various strands of pragmatism and cultural nationalism--ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the "New Negroes." This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. Clean copy.

Hardcover. np, Oscar Laighton, 1st, 1935, Hardcover, green cloth stamped in gilt, 177 pages. Many years ago Celia Thaxter wrote a poem adapted from one of the short stories of Count Tolstoy, she called it "The Heavenly Guest". It was later found by her granddaughter, Rosamond Thaxter, in a portfolio which had been loaned to the late Sara Orne Jewett, which was returned after her death. Also found were many unpublished papers of Celia Thaxter's. They are gathered here. This copy INSCRIBED BY ROSAMOND THAXTER on the front fly leaf, Clean copy.

Hardcover. Edinburgh, T & T Clark, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 704 pages. Volume 3/Part 1 ONLY. A New English Edition revised and edited by Geza Vermes, Fergus Millar and Matthew Black. Critical presentation of the whole evidence concerning Jewish history, institutions, and literature from 175 BC to AD 135; with updated bibliographies. Name on front fly leaf, otherwise clean.

Hardcover. Columbus OH, College Printers at The Champlin Press, 1st, 1916, Book: Very Good, Dust Jacket: None, First edition, hardcover in wood-grain paper, gilt lettering on cover, 22 pages, b&w frontis. Signed by Meeker and # 92 of 200 on a limitation page. Bottom corner of front cover worn otherwise a clean, tight copy.

Hardcover. NY, Doubleday and Co., 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth with titles in black and blue on spine, no dust jacket, 317 pages. These are the life and times of Col. John R. Stingo, fabulous figure of track and ring. The Colonel who Was a raconteur In The Grand Tradition; He shares his tales Oo rainmaking, horse racing, newspaper writing; and other exploits of his long and kaleidoscopic career. Paper tanning slightly but a clean copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1906, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, gilt title on spine. 585 pages, 4 b&w plates by Bayard Jones. A novel by the nineteenth-century French detective fiction writer Emile Gaboriau, whom Andre Gide referred to as "the father of all current detective fiction". A captivating mystery novel that delves into the intricate web of honor, betrayal, and justice within the context of French literature. Gaboriau's novel follows a gripping narrative centered around a detective's quest to unravel the secrets and intrigues surrounding a family's honor. Set against the backdrop of France, the story unfolds with meticulous detail, drawing readers into a world of suspense and psychological depth. As the detective delves deeper into the case, he uncovers layers of deception and familial secrets, leading to shocking revelations and unexpected twists. Name on front fly leaf, otherwise clean.

Hardcover. NY, Doubleday & Co., 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 180 pages. The author of the Travis McGee series relates his family's experiences with and high jinx of their pets, two tomcats and a goose. 4 leaves of b&w photo plates. Name on front fly leaf, otherwise tight and clean.

Hardcover. NY, E.P. Dutton & Co., 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, illustrated frontispiece etching of Blenheim. Burgundy cloth with gilt titles and decoration, top edge gilt. The memoirs of the author of "Land of Hope and Glory." Clean, bright copy.

Hardcover. NY, Stewart, Tabori & Chang, 1st thus, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. A special illustrated edition of this travel classic first published in the early 1940s. The author describes growing up in an Africa that no longer exists, training and breeding race horses, flying mail to Sudan, and being the first woman to fly the Atlantic from east to west. This edition with 75 duo tone photographs. Clean copy.

Hardcover. NY, D. Appleton-Century, 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 282 pages. The author (1870-1942) was born in Shelbyville, Kentucky at the home of her grandfather, but lived in Louisville all of her life. Her first novel "Mrs. Wiggs of the Cabbage Patch" was an overnight success, making her immediately famous. It had a remarkable publishing history, remaining on the best seller list for two years, going through more than a hundred printings, was made into a movie four times, and ran on Broadway for seven seasons. THE INKY WAY, her last book, published two years before her death, is her autobiography.

Softcover. Santa Cruz CA, Kayak Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, tan wrappers with paper label on front, 48 pages. Pictures by Douglas McClellan. An uncommon experimental work, 1000 copies printed.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Foreword by Joseph Frank. Erich Kahler sees cultural history as a subtle process in which reality plays upon consciousness and consciousness itself is forever transforming reality. He traces the ebb and flow of this relationship by studying changes in narrative form from its beginnings in the Gilgamesh Cycle to the end of the eighteenth century. The general direction is tow Erich Kahler sees cultural history as a subtle process in which reality plays upon consciousness and consciousness itself is forever transforming reality. He traces the ebb and flow of this relationship by studying changes in narrative form from its beginnings in the Gilgamesh Cycle to the end of the eighteenth century. Clean copy.

Hardcover. Meadville PA, The Chautauqua-Century Press, reprint, 1892, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering and gilt and white decorations on front cover, beveled edges, top edge gilt. Illustrated with a frontispiece of King George I, and other b&w drawings and decorations by George Wharton Edwards. 211 pages, clean copy.

Hardcover. Pinceton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. The Western ideal of individualism had a pervasive influence on the culture of the Meiji period in Japan (1868-1912). Janet Walker argues that this ideal also had an important influence on the development of the modern Japanese novel. Focusing on the work of four late Meiji writers, she analyzes their contribution to the development of a type of novel whose aim was the depiction of the modern Japanese individual. Professor Walker suggests that Meiji novels of the individual provided their readers with mirrors in which to confront their new-found sense of individuality. Her treatment of these novels as confessions allows her to discuss the development of modern Japanese literature and "the modern literary self" both in themselves and as they compare their prototypes and analogues in European literature. The author begins by examining the evolution of a literary concept of the inner self in Futabatei Shimei's novel Ukigumo (The Floating Clouds), Kitamura Tokoku's essays on the inner life, and Tayama Katai's I-novel Futon (The Quilt). She devotes the second half of her book to Shimazaki Toson, the Meiji novelist who was most influenced by the ideal of individualism. Here she traces Toson's development of a personal ideal of selfhood and analyzes in detail two examples of the lengthy confessional novel form that he created as a vehicle for its expression.