literature

Hardcover. NY, Pantheon Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "In 'Shakespeare After All,' Marjorie Garber - professor of English and director of the Humanities Center at Harvard University gives us a magisterial work of criticism, authoritative and engaging, based on her hugely popular lecture courses at Yale and Harvard over the past thirty years. Richly informed by Shakespearean scholarship of the latter half of the twentieth century, this book offers passionate and revealing readings of all thirty-eight of Shakespeare's plays in chronological sequence". 989 pages. Clean copy.

Hardcover. New York, Duffield & Company, reprint, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 557 pages, originally compiled by C. M. Ingleby, L. Toulmin Smith and Dr. F. F. Furnivall. Gilt top edge and title on green cloth board. Minor foxing on fore edge, light edge wear and slight spine cock, otherwise, very clean and bright.

Hardcover. New Haven CT, Yale University Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, tape repaired dust jacket. Maroon cloth with gilt lettering on spine. 266 pages. INSCRIBED BY SIPE on the front fly leaf to fellow professor Roger Mitchell. English majors are used to being told that Shakespeare frequently broke the rules of iambic pentameter, and that as he matured artistically, his usage became bolder and freer. Well, it isn't true. Shakespeare's iambics turn out to be extremely orthodox (which just makes all the more impressive the variations he was able to create within the rules). In 1968 Dorothy Sipe went to the remarkable labor of demonstrating this objectively through a painstaking analysis of over 13,000 lines of verse. She also supplied information I've never found anywhere else on the prosodic rules taught by poets to poets in Shakespeare's day. All this said, including a five star rating for the perfect achievement of its goal, the book is definitely not for everyone interested in Shakespeare's verse and methods. It is devoted to proving a highly specific case by means of many, many examples that non-specialists are likely to find tedious. But if you are deeply interested in some subjects -- Shakespeare's iambics, his coinages, and the history of English iambic technique -- it is well worth your time. Dust jacket tanned, otherwise a clean, tight copy.

Schiffer Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 272 pages illustrated in color. Explore fashion history with legs at center stage--from the dawn of civilization through current-day trends. This book examines society's role in moving hemlines and in shaping "legcentric" traditions throughout history. What has changed or stayed the same in the course of fashion eras? How have legs appeared in dance, sport, performance, pageantry, and conventional or outre outfits? Find out how athletics, depictions in literature and art, and motifs in advertising and films reflect our changing times. Discover the styles, attitudes, customs, sex appeal, socially acceptable postures and walks, and more in this comprehensive view of leg fashions through the ages. Enjoy fashions from the waist down through 319 striking images explained in their historical context.

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.

Softcover. San Francisco, Last Gasp, reprint, 2001-06-01, Book: Near Fine, Dust Jacket: None, Softcover, unpaginated. Like new in publishers shrink-wrap. A first hand account of the 60s and 70s counterculture seen through the eyes of pioneering photographer Charles Gatewood and legendary writer Williams S. Burroughs.

Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: Very Good, Hardcovrt in a lightly worn dust jacket, 141 pages. Frontis photo of Pinero. Sir Arthur Wing Pinero (24 May 1855 - 23 November 1934) was an English actor and later an important dramatist and stage director. He became a prolific and successful playwright, authoring fifty-nine plays. These include serious social dramas, some dealing with social hypocrisy surrounding attitudes to women in second marriages. 'Pinero's talent was stagecraft. He knew how to organize material for effective presentation on the stage. He understood the mass psychology, the emotional reaction of the group in the theater, and thought little of the individual reader. As a result, the dialogue in his plays is right for the actor and the audience, but disconcerting to the readers. But in particular, Pinero was the master of suspense, motivating the turns in his plot sequence with unerring skill. For he understood stage business, the timinng of motion and sound, and, above all, the reactions of an audience to the physical properties on the stage itself. ' Clean copy.

Hardcover. US, Princeton University Press, 1st, 1990, Book: Good, Dust Jacket: Good, 321 pages. Faint smoke (tobacco) smell. Light shelf-wear to dust jacket and light soil to fore edge, else a clean, tight copy.

Hardcover. Philadelphia, PA, J.B. Lippincott & Co., 1st Thus, 1882, Book: Good, Dust Jacket: None, 437 total pages, two volumes. Hardcovers. Domestic shipping only. B/w illustrations throughout (tipped in plates). Gilt top edges. Half leather bound, marble gilt boards, gilt title on leather spine with raised bands (gilt slightly faded). As is with agewear: Volume 1 has front cover board completely detached and cover board of Volume 2 is partially detached, pages unmarked with tanning from age. Previous owner attached (via old style paperclip) a relevant document within. "Edition De Luxe. 500 Copies Printed, of Which This is No. 204". Collection of 34 essays and short stories written by the American author Washington Irving under pseudonym Geoffrey Crayon, Gent. DOMESTIC SHIPPING ONLY.

Hardcover. Leipzig, Bernhard Tauchnitz, 1883, Book: Very Good, Dust Jacket: None, Copyright Edition, Bernhard Tauchnitz, Leipzig, 1883, 312 pages, illuminated vellum binding, with front-edge flaps, leather stitching, 6.5 x 4.5", beautiful binding reminiscent of Medieval manuscripts with latticed cords and illuminated initial. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. London, Geoffrey Bles, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, black cloth with gilt title on spine, 268 pages. In an edgeworn dust jacket with a crease lengthwise. Copy of literary critic and historian Roger Shattuck with his pencil signature and "Mindoro, Philippines 1945" (presumed where he served in WW2) on the front fly leaf. Some pencil markings and notations in text.

Softcover. London, Faber and Faber, Uncorrected proof, 1970, Book: Good, Dust Jacket: None, Softcover, 81 pages, b&w drawings by Karen Usborne, INSCRIBED BY WILSON to Irving and Joyce (Adler) on the title page and dated August 1970. Wilson has also added 3 titles to the list of his previously published books on the opposite page. Joyce Adler wrote several books on Caribbean literature and Harris. She has marked up this book in pencil and pen with underlining and marginal notes. This edition published before the hardcover printing. Peach color wrappers faded..

Softcover. Willamette, Willamette Week, 1st wraps, 1990, Book: Very Good, Dust Jacket: None, Softcover. Columns from her early column in the Willamette Week newspaper. SIGNED BY DUNN.

Hardcover. New York, George H. Doran, 1st US, 1927, Book: Good, Dust Jacket: None, Hardcover, yellow cloth covers, 317 pages. Corner of first page of book torn. Rubbing to extremities.

Hardcover. New York, Abrams, reprint , 2009, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. Extensive b&w and color photographs throughout. INSCRIBED BY VIDAL on title page. Otherwise clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. SIGNED BY MONOD on the tile page, also INSCRIBED on the half-title page. The late seventeenth and eighteenth centuries are known as the Age of Enlightenment, a time of science and reason. But in this illuminating book, Paul Monod reveals the surprising extent to which Newton, Boyle, Locke, and other giants of rational thought and empiricism also embraced the spiritual, the magical, and the occult. Although public acceptance of occult and magical practices waxed and waned during this period they survived underground, experiencing a considerable revival in the mid-eighteenth century with the rise of new antiestablishment religious denominations. The occult spilled over into politics with the radicalism of the French Revolution and into literature in early Romanticism. Even when official disapproval was at its strongest, the evidence points to a growing audience for occult publications as well as to subversive popular enthusiasm. Ultimately, finds Monod, the occult was not discarded in favor of "reason" but was incorporated into new forms of learning. In that sense, the occult is part of the modern world, not simply a relic of an unenlightened past, and is still with us today. Clean copy.

Hardcover. New York , Lyons Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Limited to 250 copies SIGNED by McGuane and publisher Nick Lyons. Slipcased. B&w illustrations by Buckeye Blake.

Hardcover. NY, Alfred A. Knopf, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY RUSSO on the title page. The Pulitzer Prize-winning author of Empire Falls returns to North Bath, in upstate New York, and to the characters that captured the hearts and imaginations of millions of readers in his beloved best sellers Nobody's Fool and Everybody's Fool. Russo, who won the Pulitzer Prize for literature for "Empire Falls", has added this third novel to his stories about life in Bath, New York. It's been about 30 years first novel, "Nobodys fool" that turned into a movie starring Paul Newman and Jessica Tandy (in her final performance) and so a number of the characters are now dead, but their presence echoes through the minds of their children and friends who are now the central characters in "Everybody's Fool." Russo masterfully tells a story about a single weekend in a town that has been consumed by its bigger and more robust town to the north effectively erasing it from maps. His characters are fully developed and by the time we finish the book we know them all well. And we like most of them and even relate to some of them. Clean, bright copy.

Hardcover. New York, Random House, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 255 pages. A very clean, tight copy.

Hardcover. New York, Macmillan, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 467 pages. SIGNED BY AUTHOR - ("SPECIAL AUTOGRAPHED EDITION"). Previous owners notes and related clippings adhered to inside front cover and front endpaper. Illustrations by Alice Barber Stephens. Covers show light wear, with some rubbing to cloth at top and bottom of spine. Clean, unmarked text.

Hardcover. Boston, Le Roy Phillips, 1st, 1912, Book: Very Good, Dust Jacket: None, 652 pages. Hardcover. Brown cloth covers with titles in gilt. Top edge gilt. Illustrated with 46 full color tipped-in plates. Pages featuring illustrations show some age darkening. Clean, tight copy.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering and design. artfully explains the initial spirit and modern understanding of Tamil bhakti poetry. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago. Clean, bright copy.

Softcover. Paris, Sotheby's, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 336 pages, color plates throughout. FRENCH TEXT. Sotheby's catalog for Sale No. PF7014 held in Paris on November 29, 2007. 298 lots. Illustrated in color. Text in French.. The volume is in perfect, pristine condition; unmarked, tight, square, and clean.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 266 pages. In these eloquent essays on recent American, British, and Irish poetry, Helen Vendler shows us contemporary life and culture captured in lyric form by some of our most celebrated poets. An incomparable reader of poetry, Vendler explains its power; it is, she says, more often the voice of the soul than the socially marked self, speaking directly to us through the stylization of verse. 'Souls Says,' the title of a poem by Jorie Graham, is thus the name of this collection. In essays on Seamus Heaney, Donald Davie, Allen Ginsberg, John Ashbery, Rita Dove, Jorie Graham, and others, Vendler makes difficult poetry accessible and explores the force and beauty of contemporary lyric verse. Clean copy.