poetry poets

Softcover. Ann Arbor MI, University of Michigan Press, 2nd pr., 1985, Book: Very Good, Dust Jacket: None, Softcover, 462 pages. Illustrated in b&w. Includes bibliography. From rear cover: "From Kenneth Rexroth to the Czechoslovakian secret police, from Marianne Moore to the F.B.I., from Diana Trillling to Time magazine - Allen Ginsberg's work has always drawn a spirited response. Now, for the first time, these responses - remarks, reviews, and essays - have been collected in a single volume. Beginning with William Carlos Williams's early letters of support and ending with James Breslin's biographical analysis of 'The Origins of Howl and Kaddish', this collection reflects a full thirty years of praise, complaint, debate, and analysis of the work of one of the most innovative poets of our century". Previous owner's name on front fly leaf, otherwise clean.

Softcover. El Paso TX, Cinco Puntos Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. SIGNED ON THE TITLE PAGE BY BYRD. "Byrd sure shoots a mean game with words. His language, his subject matter, his sensibility are there to remind us that 'we really inhabit / the holy body of God,' that we are all 'hungry ghosts / all of us." Ultimately, Byrd's book is about the community Byrd has learned to embrace--his book is a work that pays homage to those who have formed him--his neighbors, his children, his wife, the poets whose voices still urge him to write. This is a book for everybody." --Benjamin Alire Saenz. Small name on front fly leaf, otherwise clean.

Softcover. New York, The Spiral Press, 1st, 1953, Book: Very Good, Dust Jacket: None, 12mo. Printed wrappers. Decorations by Philip Grushkin. First edition of Frost's Christmas poem for the year. INSCRIBED BY FROST on first page: "To Garry Simpson from Robert Frost/At Miami arranging (?) March 4, '57". Light soil to outer wraps, Otherwise very good.

Hardcover. Denver CO, Big Mountain Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. INSCRIBED BY GLAZIER on the front fly leaf and signed "Lyle". The poet's first book. Clean copy.

Hardcover. Ashfield MA, Paris Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 74 pages, clean, bright copy. Unclipped dust jacket also pristine. Previous owner's signature on front fly leaf.

Hardcover. New York, Dutton, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 155 pages. A very clean, tight copy in a bright dust jacket.

Hardcover. London, Channing Press, 1st Ltd Ed., 1933, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers stamped in gilt on front, 29 pages. With frontispiece photograph tipped in of the author with tissue guard. Number 24 of 100 copies SIGNED BY LORING ON TIPPED-IN PAGE. Glassine wrapper.

Hardcover. NY, Norton, 1st, 1000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Poems that deal with experiences of Irish women in love, marriage, motherhood, and modern society. 'Eavan is a marvelous poet, and Outside History is the best possible introduction to her work. Love and anxiety, memories and mysteries-she's woven them all into a rich verse fabric, thrown like a flowered shawl over her shoulders as she stands out under the chilling night sky, no other soul around but (for that haunting moment) the reader's own.' -J. D. McClatchy. Clean copy.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Vivid, passionate, primitive - 113 paintings by the poet Stan Rice. Here, his canvases explore the terrain of his poetry, as he captures the familiar and the mythical, the magical and the everyday. Here are legendary beasts, card players; images inspired by Greek myths, Bible stories, nursery rhymes. Some pay homage to objects - others to living things. They belong to no contemporary school. They are at once childlike, ironic, and darkly humorous - paintings that attest to the original vision of a talented poet and painter.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Softcover. Los Angeles, Red Hen Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 104 pages. Signed and inscribed by author on title page. Book is in excellent condition, text is unmarked and pages are tight.

Hardcover. NY, New Directions, 5th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket ($5.00), 273 pages. If the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence" to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Clean copy.

Softcover. Monterey KY, Frankfort Arts Foundation, Ltd. Ed., 1985, Book: Very Good, Dust Jacket: None, Softcover, Limited to 310 copies, this being #310. The first section of this handsome book publishes eight poems by Hass. The second section presents poems by Eric Trethewey and eight other poets. Designed and printed by Gray Zeitz at the Larkspur Press in Monterey, Kentucky. Japanese style binding. Clean, bright copy.

Hardcover. NY, Norton, 1sr, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America's, and the world's, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls' night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali's conscious objector stance, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives.

Hardcover. Middletown CT, Wesleyan University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 445 pages. Clean.

Softcover. NY, Archipelago Books, 1st transl. thus, 2006, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 235 pages. Poems (1945-1971), now in its eighth edition in Greece, contains the nine volumes Miltos Sachtouris wrote during the most productive period of his poetic career. The collection chronicles the writer's reaction to three decades of intense social and political upheavel in a nation experiencing the successive horrors of occupation, civil war, and military dictatorship. Sachtouris' world is one of primary colors, blindingly bright and slightly surreal; images--of broken glass, of howling dogs, of bloody gauze and people who fly--recurring like totems throughout his work, bind the poems together into a tight unity. Sachtouris's verses build upon one another to an extraordinary degree, creating a kind of cumulative madness, a paralogical perspective that comes at the world--or flies from it--always at an angle, never straight on. CLEAN COPY.

Hardcover. London, Martin Secker, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on the spine, 146 pages plus publisher's ads in rear. Previous owner's bookplate on front flyleaf, otherwise clean. There was no American edition of this book, reportedly 1000 copies printed. Millay won the 1923 Pulitzer Prize for Poetry for her poem "Ballad of the Harp-Weaver"; she was the first woman and second person to win the award. Millay was highly regarded during much of her lifetime, with the prominent literary critic Edmund Wilson calling her "one of the only poets writing in English in our time who have attained to anything like the stature of great literary figures.''

Hardcover. London, Reeves and Turner, 1st, 1891, Book: Good, Dust Jacket: None, Hardcover, 196 pages. Red cloth with gilt lettering to front and spine. No dust jacket issued. Sun-fade to front cover and spine. Previous owner's bookplate and inscription on front end paper.

Hardcover. Franklin Center PA, The Franklin Library , 1st thus, 1986, Book: Very Good, Dust Jacket: None, Hardcover, full genuine brown leather binding, heavily gilt stamped with elaborate decorations and multiple rules. All edges gilt. Sewn in silk bookmark, marbled paper end-sheets and smyth sewn. Illustrated with drawings by Lloyd Bloom. A proven bestseller time and time again, Robert Frost's Poems contains all of Robert Frost's best-known poems-and dozens more-in a portable anthology. Here are "Birches," "Mending Wall," "Stopping by Woods on a Snowy Evening," "Two Tramps at Mudtime," "Choose Something Like a Star," and "The Gift Outright," which Frost read at the inauguration of John F. Kennedy." An essential addition to every home library, Robert Frost's Poems is a celebration of the New England countryside, Frost's appreciation of common folk, and his wonderful understanding of the human condition. Clean, bright copy.

Hardcover. Franklin Center PA, The Franklin Library , 1st thus, 1986, Book: Very Good, Dust Jacket: None, Hardcover, full genuine brown leather binding, heavily gilt stamped with elaborate decorations and multiple rules. All edges gilt. Sewn in silk bookmark, marbled paper end-sheets and smyth sewn. Illustrated with drawings by Lloyd Bloom. A proven bestseller time and time again, Robert Frost's Poems contains all of Robert Frost's best-known poems-and dozens more-in a portable anthology. Here are "Birches," "Mending Wall," "Stopping by Woods on a Snowy Evening," "Two Tramps at Mudtime," "Choose Something Like a Star," and "The Gift Outright," which Frost read at the inauguration of John F. Kennedy." An essential addition to every home library, Robert Frost's Poems is a celebration of the New England countryside, Frost's appreciation of common folk, and his wonderful understanding of the human condition. Clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, chocolate-colored cloth with bright gilt stamping. Introduction and short biography by William Archer. First Edition with "published December, 1916 on copyright page with Scribner device. Small notation on inside rear cover, otherwise clean.

Hardcover. London, Rupert Hart-Davis, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Black and white cloth cover, slight wear to edges and corners. Dust jacket has minor edgewear. Previous owner's stamp on top edge. Illustrated by Jim Dine. Translated by Ron Padgett. Many b&w photographs and illustrations throughout. A bright, clean copy.

Hardcover. NY, Funk & Wagnalls, 5th pr., 1962, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth in a worn, chipped dust jacket. 181 pages plus a List of Poets cited. An alphabetical list of terms related to versification and the composition and reading of poetry.