Hardcover. NY, E.P. Dutton, 1891, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt decoration and lettering, 352 pages. Frontispiece portrait of poet, other b&w illustrations. Previous owner's notation on blank prelim page otherwise clean.
Hardcover. London, Macmillan and Co., 1878, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather over marbled boards, spine with raised bands and ornate gilt design, title in gilt on red leather label. All edges with marble design, marbled endpapers, 625 pages. The Globe Edition of this work. With an introduction by David Masson. Illustrated with a couple of in-text engravings. A collection of the poetry of John Milton, including his best known 'Paradise Lost'.
Softcover. Berkeley CA, University of California Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Softcover, 165 pages. Examining 20 poets and their poetry of the 1940s with relation to the prose of that period. Clean copy. University of California Publication Vol. 19 No. 3.
Softcover. Chicago, University of Chicago Press;, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 123 pages. SIGNED BY AUTHOR on title page and INSCRIBED by him on front fly leaf. Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning--metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Gluck, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means--on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.
Softcover. Madison MN, Seventies Press Spring , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 95 pages. Poems translated mostly by Bly (in two cases with James Wright) of Federico Garcia Lorca, Cesar Vallejo, Blas de Otero, Pablo Neruda, Robert Bly, Tomas Transtromer, Allen Ginsberg, Gary Snyder, John Wieners, Jerome Rothenberg, Philip Lamantia, et al. Name on front fly leaf otherwise clean.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
Hardcover. NY, George Braziller, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 191 pages, 74 pages illustrated in color by Chobunsai Eishi. Exquisite illustrations in color throughout connecting beautifully with the text which includes one poem in English and Japanese by each poet. Historical background for each poet. Mild sunning to bottom edge of dust jacket. Clean copy.
Hardcover. San Francisco, Sierra Club Books, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 51 pages, illustrated with wood engravings by Michael McCurdy. Bly's commentary sheds important new light on the intellectual and spiritual development of a major American literary figure. Mild fade to dj spine. Clean copy.
Hardcover. UK, Oxford University Press, reprint, 2005, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 712 pages. John Wilmot, second Earl of Rochester (1647-80), was a leading member of the group of "court wits" surrounding Charles II and one of the wittiest and most sexually explicit poets in English. In this long-awaited edition, Harold Love, a leading scholar of seventeenth-century manuscript circulation, presents a scholarly text based on detailed examination of Wilmot's manuscripts, with full textual and explanatory notes. This is a reprint of the 1999 first printing. Light notations to about 30 pages, otherwise bright, tight copy.
Hardcover. NY, W.W. Norton & Co., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 299 pages. The author investigate the trauma behind poets Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz. They formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as 'confessional.' But partly as a result of their openness, they have become better known for their tumultuous lives-afflicted by mental illness, alcoholism, and suicide-than for their work. This book reclaims their achievement by offering critical 'biographies of the poetry'-tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. Clean copy.
Hardcover. Chapel Hill, University of North Carolina, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue boards, black cloth spine with gilt lettering. 101 pages, two b&w frontispieces, clean copy. No dust jacket.
Hardcover. Cambridge MA, Harvard University Press,, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 69 pages. Greek and English texts. Translated, with a foreword and notes by Walter Kaiser. Bibliographical references. Dust jacket with upper cover illustration by Maud Morgan. Clean copy.
Hardcover. Seattle, Wave Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 49 pages. She is often obscure, but her allusions are as much a sign of camaraderie as of scholarly pretension, her poems a pert crystallization impossible in more narrative poetry," The New Yorker. Caroline Knox once again demonstrates that she is a master at lyrical billiards, sending all levels of diction in surprising and comedic directions. No subject matter is off-limits for her examination. Her vast range of experiment is exciting, and the ensuing poems are games, dreams, and riddles. This collection is art on the page for the eye and the ear. Clean copy.
Softcover. London, Faber & Gwyer, 1st, 1928, Book: Good, Dust Jacket: None, Pictorial blue paper wrappers with narrow flap folds, 4 pages,stabbed & tied, edges slightly faded and rubbed. Cover separated at spine. Series: Ariel Poems ; No. 14. This poem was first printed, with slightly different text, in Flame, an Independent Labour Party magazine, in December 1925, under the title To An Inconspicuous Friend.
Hardcover. Brooklyn NY, New Rivers / Latitudes Press, 2nd Ed., 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 71 pages. Drawings by Lucas Johnson.
Hardcover. New York, VIKING PRESS, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, 75 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED TO BRET BRITTON WHO WAS THE BOOK BUYER AT THE STRAND IN NEW YORK. Tight copy, with only light edge wwear to cover and dust jacket.
Softcover. Madison WI, Seventies Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Softcover with a dust jacket, 74 pages. A collection of poetry by Rolf Jacobsen, a Norwegian poet, considered to be one of the first modernist writers in Norway. Poems in English and Norwegian. Previous owner's signature on front fly leaf. Clean, bright copy.
Softcover. Madison, MN, The Seventies Press, 1st pbk, 1977, Book: Very Good, Dust Jacket: Very Good, Softcover, 81 pages. Translated. by Lewis Hyde and Robert Bly.Edited by Lewis Hyde. Winner of the 1977 Nobel Prize for Literature. Mild fade to edges of dust jacket.
Hardcover. NY, B.W. Huebsch, Revised Ed., 1925, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with a spine labe.l William Ellery Leonard (1876-1944) was an American poet, playwright, translator and literary scholar. Over his career, Leonard wrote numerous volumes of poetry, this being his most well-known work. It is a cycle of 250 sonnets about his tragic first marriage, which ended with his wife's suicide. Revised from the 1922 privately printed edition with "four scattered verbal changes and . four new stanzas in Part III." Spine label rubbed. Clean copy.
Softcover. Concord NH, William B. Ewert, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, original sewn gray wrappers. Title page wood engraving by Gillian Tyler. Designed by Michael McCurdy. Unpaginated. Edition of 225 copies, of which 175 were hand-sewn into paper wrappers. Signed by Levertov and Tyler at colophon. Contains two poems by Black Mountain lyricist Levertov, 'Gathered at the River,' and 'The Cry.' Clean, like new.
Hardcover. Evanston IL, Northwestern University Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A portrait of Black America in the nineteenth century. Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time. Unshuttered is a vessel for the voices of their incendiary and critical era. Smiths searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives. Clean copy.
 "The Poetical Works of Frances Ridley Havergal by: Frances Ridley Havergal")
 "The Poetical Works of John Milton by: John Milton; David Masson")
 "The Primary Language of Poetry in the 1940's by: Josephine Miles")
 "The Red Leaves of Night by: David St. John")
 "The Resistance to Poetry (SIGNED COPY) by: James Longenbach")
 "The Seventies: Number 1, Spring 1972 by: Bly, Robert (editor)")
 "The Sun Is But a Morning Star: Studies in West Coast Poetry and Poetics by: Lee Bartlett")
 "The Thirty-Six Immortal Women Poets: A Poetry Album by: Pekarik, Andrew J. (Ed.)/Chobunsai Eishi (Illust.)")
 "The Winged Life: The Poetic Voice of Henry David Thoreau by: Thoreau, Henry David, Robert Bly (Editor) and Michael McCurdy (Illustrator)")
 "The Works of John Wilmot, Earl of Rochester by: John Wilmot / Harold Love(Ed.)")
 "The Wounded Surgeon: Confessions and Transformations in Six American Poets by: Kirsch, Adam")
 "The Yemassee Lands: Poems of Beatrice Ravenel by: Ravenel, Beatrice")
 "Three Secret Poems by: Seferis, George")
 "To Drink Boiled Snow by: Caroline Knox")
 "To My Mother by: Sassoon, Siegfried/Tennant, Stephen")
 "Toward Winter. Poems for the Last Decade by: Bonazzi, Robert (editor)")
 "Traveling on Credit: Poems (INSCRIBED/SIGNED) by: Halpern, Daniel")
 "Tuning by: Antin, David")
 "Twenty Poems by: Jacobsen, Rolf. Bly, Robert (translator)")
 "Twenty Poems by: Aleixandre, Vicente")
 "Two Lives: A Poem by: Leonard, William Ellery")
 "Two Poems (SIGNED COPY) by: Levertov, Denise; Tyler, Gillian")
 "Unshuttered: Poems by: Patricia Smith")
 "Untitled Subjects: Poems by: Howard, Richard")