poetry poets

Softcover. NY, Archipelago Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 171 pages. One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish's self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of immortality, the poet looks back at his own existence, intertwined with that of his people. Clean Copy.

Softcover. NY, Archipelago Books, reprint, 2021, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 171 pages. One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish's self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Clean Copy.

Hardcover. US, University Of Chicago Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. INSCRIBED BY AUTHOR on title page. Light edgewear to dust jacket with light soil to rear cover.

Hardcover. New York, Dodd, Mead, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, 158 pages. Color frontispiece. and 23 gorgeous color plates by Byam Shaw. Blue cloth with orange and light blue decoration. Small sticker from previous owner back paste-down. Hinge starting. Beautifully illustrated edition of this wonderful anthology of tragic and erotic poetry written by Nicolson (1865-1904), who created a scandal when these were first published in 1901 when she tried to pass them off as translated from classic erotic Indian poets. Shaw (1872-1919), was considered one of the most important pre-Raphaelite painters, and the Garden of Kama as his best illustrated work.

Softcover. Santa Cruz CA, Kayak Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, original illustrated yellow wrappers. Profusely illustrated in black & white throughout. by Matta. In Spanish (the poet was born in Chile) with English versions on facing pages by Matthew Zion and Lennart Bruce. Printed on blue and pink paper and profusely illustrated. One of 800 copies.

Hardcover. Dublin, Maunsel and Co., reprint, 1917, Book: Very Good, 63 pages. Hardcover, two tone cloth with gilt title on cover. Previous owners bookplate on inside front cover. Interesting, readable poems by Irish poet, first published in 1909. Light wear. Clean, unmarked copy.

Hardcover. NY, Philosophical Library, 1st US, 1948, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 265 pages. B&w frontis. portrait. Previous owner's long inscription on front fly-leaf, otherwise clean.

Softcover. South Orange NJ, Serving House Books, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 432 pages. SIGNED BY SOLONCHE on the title page. A generous offering of his favorite poems from past books, including the two nominated for the Pulitzer Prize, Invisible (2017) and Piano Music (2020) and the 2020 Shelf Unbound Notable Indie Book, The Porch Poems. In her introduction to Selected Poems: 2002-2021, Grace Cavalieri says, 'The absolute best remark I can make about this book is that I would give it to non-readers of poems as a conversion to poetry, for its language is as available as rain; hopeful as sunshine; and fresh as the wind. It's a perfect book to let the reading public know that this is America's poetry. This is a serious book disguised as playfulness, and we are its lucky recipients. 'J.R. Solonche has published poetry in more than 400 magazines, journals, and anthologies since the early 70s. Clean copy.

Softcover. St. Louis, Washington University Libraries, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 32 pages in stapled wrappers. An exhibit of printed materials and manuscripts drawn from the Modern Literature Collection of Washington University. Illustrated. Clean copy.

Softcover. St. Louis, Washington University Libraries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. First edition. From an edition of 1500 copies. Small quarto. illustrated wrappers. 40 pages. With many facsimiles of pages from James Merrill manuscripts, correspondence, etc. Includes short essays on several different aspects of his work as well. Clean copy.

Hardcover. Boston, MA, Houghton Mifflin, 1st, 1898, Book: Very Good, Dust Jacket: None, 303 pages. Hardcover. B/w illustrations throughout (plates). Tissue guard on frontispiece. Deckled edges. Boards bound in dark green, gilt title on spine and front cover with decoration. Top edge gilt. Edges and pages have some tanning. Binding tight. Spine slightly frayed at top and bottom. Clean inside. Beautiful old book.

Softcover. Durango CO, Logbridge-Rhodes, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 150 pages, b&w illustrations. Poems by Wright, with letters, interviews, memoirs, elegies, a chronology, and bibliography. Light fade to spine, otherwise clean copy.

Softcover. West Orange NJ, Warthog Press, 1st, 1980, Book: Very Good, Softcover, 55 pages. B&w illustrations by Susan Micklem. INSCRIBED BY EADY on the title page. In lightly worn tan wrappers.

Hardcover. NY, Norton, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 112 pages. Stern's 12th collection is his first since winning the 1998 National Book Award for the new and selected This Time. The poems still rely on Stern's inimitable blend of coiled anger, love of life and raffish, on-the-outside-looking-in wit. Poem after poem reflects on what it means to have been a Jew, a Pennslyvanian, a nature-and-weather watcher, a world traveler and, for a longer time than many poets of his stature, an unknown writer during the middle of the last century: "If you can stand Strauss then so can I,/ oh filthy Danube, oh filthy Delaware, oh filthy Allegheny.// And anyone who never opened a Murphy bed/ night after night for seven years without ripping/ the sheet and had neither desk nor dresser can't walk/ in my shoes or wear my crocodile t-shirt." Stern's remembrances are not so much nostalgias as attempts to telescope the speaker's world and worldview through verse-talking, to test everyday language's ability to render his experiences to his liking, or at least his satisfaction.

Softcover. NY, Available Press/Ballantine, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Last Words is the first major collection of poems by a Milwaukee poet born soon after World War II who reached maturity during the late 1960s. It contains his highly acclaimed epic "Factory,"described by Allen Ginsberg as "a definitely powerful epic by one of Whitman's 'poets and orators to come.'" Antler was born in Milwaukee and grew up in Wauwatosa, Wisconsin. He "worked his way through college" in various factories. As John Muir left the University of Wisconsin at Madison for "the University of the Wilderness" in 1863, Antler left the Milwaukee campus for the same destination in 1973. Besides factories, he has explored wildernesses in Upper Peninsula Michigan, Minnesota, Ontario, Colorado, and California. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean copy.

Softcover. Athens GA, University of Georgia Press, 1st, 2002, Book: Very Good, Dust Jacket: None, 76 pages, illustrated wraps. SIGNED BY JACKSON on title page.

Hardcover. NY, HarperCollins, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY APPLEMAN on the half-title page. Clean copy.

Softcover. Washington, D.C., Wall Street Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 79 pages. INSCRIBED BY JOYCE ON FRONT ENDPAPER. Black laminate covers, perfect binding, large b&w photograph of poet to front cover, one large b&w plate. Light rubbing to covers, page block crisp and unmarked; a very clean, tight copy.

Softcover. Daleville IN, Barnwood Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 102 pages. Frontis of Goedicke and her husband, author Leonard Wallace Robinson. Clean copy.

Hardcover. San Francisco, North Point Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 97 pages. Clean copy.

Hardcover. NY, Norton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Dust jacket price clipped. "From a marketplace in Bangkok to the fields of New Hampshire, from recollections of her own childhood to celebrations of an infant grandson, Kumin stakes her far-flung claims with authority in her tenth book of poetry."--Publishers Weekly

Hardcover. New York , Farrar Straus Giroux , 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, black cloth covers in a bright, unclipped dust jacket with minor edgewear to extremities. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 497 pages. "The critic Adam Plunkett expertly teases out the many meanings of Frost's poems . . . Blending biography and criticism, Plunkett shows how the circumstances of Frost's peripatetic life gave rise to some of his most successful poems. As in the best critical biographies, Plunkett does not merely track down real-world inspiration for a given work. Rather, he brings together Frost's personal life, literary sources, and publication history to enrich our understanding of the poems, then uses the poems to enhance our understanding of the life. The result is a thorough, elegant, and, at times, surprising study of Frost, who emerges as a remarkably complex poet and a compelling but complicated man." -Maggie Doherty, The New Yorker. Clean copy.