psychology

Softcover. Hollywood CA, American Progress Enterprises, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. A rambling discourse about America, it's problems and future prospects by a former publicist for Warner Brothers. The author wrote this book to elucidate problems caused by governmental blunders and to ferret out solutions, emphasizing the science of psychology. This book contains copies of correspondence between the author and President Reagan as well as copies of other supporting documents. Lots of advice for the President, Clean, bright copy.

Hardcover. New York , Appleton, 1st, 1920, Book: Good, 336 pages, hardcover with no dust jacket. Green cloth covers with black lettering. Minor wear, clean copy.

Softcover. Oxford UK, Clarendon Press , 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 475 pages, What is reduction? Must all discussions of the mind, value, color, biological organisms, and persons aim to reduce these to objects and properties that can be studied by more basic, physical science? Conversely, does failure to achieve a reduction undermine the legitimacy of higher levels of description or explanation? Though reduction has long been a favorite method of analysis in all areas of philosophy, in recent years philosophers have attempted to avoid these traditional alternatives by developing an account of higher-level phenomena which shows them to be grounded in, but not reducible to, basic physical objects and properties. The contributors to this volume examine the motivations for such anti-reductionist views, and assess their coherence and success, in a number of different fields, including moral and mental philosophy, psychology, organic biology, and the social sciences. Name on front fly leaf, otherwise a clean, bright copy.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY AUTHOR on the title page. What motivates us to reread literary works? How is our pleasure, interpretation, involvement, and evaluation different when we read a literary work and when we reread it? This fascinating book by Matei Calinescu is the first to focus on the implications of rereading for critical understanding. Drawing on literary theory, cultural anthropology, psychology, philosophy, and previous theories of reading, Calinescu describes the dynamics of rereading and explores the sometimes complementary, sometimes sharply conflicting relationships between reading and rereading. Calinescu analyzes fictional works by Borges, Nabokov, Proust, Robbe-Grillet, and Henry James, among others, explaining how reading texts is related both to symbolic play or make-believe and to games with rules. He reviews the history of reading in modern times, discussing, for example, how the Reformation led to rereadings of Scripture and how the proliferation of books during the Enlightenment led to a shift from "intensive reading" to "extensive reading." Calinescu looks at the distinctions between reading and rereading from the perspectives of the age, situation, and gender of the individual reader. He discusses the problems raised by secret or oblique languages and codes - devised to evade censors, communicate with a select audience of "secret sharers," or play games of hide-and-seek with the reader - and shows that they naturally lead to rereading a text. Calinescu argues persuasively that an understanding of rereading is useful in formulating both analytic strategies of practical criticism and a poetics of reading. Clean, bright copy.

Hardcover. Ann Arbor MI, The University of Michigan Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 354 pages. INSCRIBED BY THE AUTHOR on title page. Light pencil marking to 5 pages, otherwise clean.

Hardcover. La Salle, Illinois, Open Court, 1st, 1974, Book: Good, Dust Jacket: Fair, Hardcover, 151 pages. No. 14 of the Paul Carus Lecture Series. Tears on dust jacket and some foxing on rear of dust jacket. Dust jacket rubbing on front. Previous owner's signature on front flyleaf. Small notes and markings in pencil on about 20 pages. Light creasing on top edge. Nice reading copy.

Hardcover. NY, Knopf, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light wear to top of dj spine, 429 pages. The fledgling science of psychoanalysis permanently altered the nineteenth-century worldview with its remarkable new insights into human behavior and motivation. It quickly became a benchmark for modernity in the twentieth century--though its durability in the twenty-first may now be in doubt. More than a hundred years after the publication of Freud's The Interpretation of Dreams, we're no longer in thrall, says cultural historian Eli Zaretsky, to the "romance" of psychotherapy and the authority of the analyst. Only now do we have enough perspective to assess the successes and shortcomings of psychoanalysis, from its late-Victorian Era beginnings to today's age of psycho-pharmacology. In Secrets of the Soul, Zaretsky charts the divergent schools in the psychoanalytic community and how they evolved-sometimes under pressure-from sexism to feminism, from homophobia to acceptance of diversity, from social control to personal emancipation. From Freud to Zoloft, Zaretsky tells the story of what may be the most intimate science of all. Clean copy.

Hardcover. Phildelphia, W.B. Saunders Company, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, red cloth binding with spine labeling in black and gilt. Clean text; 842 pages, indexed; with bibliography and appendices. Title page with 1953 and no other printings indicated so assumed first printing. Based on data collected from 8,000 females, this book covers all aspects of sexuality as it relates to the human female. Owner's small embossed stamp on front fly leaf, otherwise clean. No dust jacket.

Hardcover. Phildelphia, W.B. Saunders Company, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, red cloth binding with spine labeling in black and gilt. Clean text; 804 pages, indexed; with bibliography and appendices. Title page with 1948 and no other printings indicated so assumed first printing. Pioneering study -- influential and highly controversial, followed five years later by the companion "Sexual Behavior in the Human Female." Owner's small embossed stamp on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Julian Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, 207 pages. Black cloth with gilt lettering on spine, decorative device on front cover. According to his biographers, Freud was not comfortable in making hand passes and touching the subject, which were the (limited) techniques available at the end of the 19th century. Freud studied with Charcot and Bernheim (the two schools of thought which conflicted with each other), but later gave hypnosis up in favor of his free association technique. This book begins by discussing the reasons Freud did that. It states that Freud at the end of life regretting not using hypnosis more. His followers balked at hypnosis, erroneously believing the cures were temporary since the ego was being bypassed (and their theoretical beliefs required the ego to be the agent). But this book reveals that Freud did not abandon hypnosis for the reasons commonly thought, and so it is essential reading for all students of Freud. The second part of the book goes into commentary on hypnosis in theory and practice. Small ink doodle to front fly leaf, otherwise clean.

Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: Very Good, Hardcovrt in a lightly worn dust jacket, 141 pages. Frontis photo of Pinero. Sir Arthur Wing Pinero (24 May 1855 - 23 November 1934) was an English actor and later an important dramatist and stage director. He became a prolific and successful playwright, authoring fifty-nine plays. These include serious social dramas, some dealing with social hypocrisy surrounding attitudes to women in second marriages. 'Pinero's talent was stagecraft. He knew how to organize material for effective presentation on the stage. He understood the mass psychology, the emotional reaction of the group in the theater, and thought little of the individual reader. As a result, the dialogue in his plays is right for the actor and the audience, but disconcerting to the readers. But in particular, Pinero was the master of suspense, motivating the turns in his plot sequence with unerring skill. For he understood stage business, the timinng of motion and sound, and, above all, the reactions of an audience to the physical properties on the stage itself. ' Clean copy.

Hardcover. NY, Philosophical Library, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to spine, 109 pages. Clean copy.

Softcover. New Lebanon NY, Omega Publications, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, b&w photos. Everything about Noor Inayat Khan was extraordinary. A great-great-great granddaughter of Tipu Sultan, the Tiger of Mysore, she was born in Moscow to an American mother and an Indian Sufi Muslim father. Due to the unrest in Russia the family moved to London and from there to France where she spent the happiest years of her life studying music, child psychology and writing children's books. In 1940, her father having deserted the family and died in India years before, the family moved once again to England where Noor was trained as a wireless operator with the aim of sending her to German-occupied France to join up with the resistance. Noor was small and delicate, emotional, imaginative, shy, easily flustered and distracted. On the other hand there was her steely determination to serve her country, the desperate need for wireless operators and her perfect French. She was sent on her mission in June 1943. Her biography contains all the elements of an exciting spy novel but it was horrific and deadly reality. Clean copy.

Softcover. London/NY, Routledge, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 340 pages, b&w illustrations. In the past stars have been studied as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have reopened debate, as film and cultural studies try to account for the active role of the star in producing meanings, pleasures, and identites for a diversity of audiences. Stardom brings together for the first time some of the major writing of the last decade which seeks to understand the phenomenon of stars and stardom. Gathered under four headings - The System, Stars and Society, Performers and Signs, Desire and Politics - these essays represent a range of approaches drawn from film history, sociolgy, textual analysis, audience research, psychoanalysis, and cultural politics. They raise important issues about the politics of representation and the cultural limitations and possibilities of stars. Clean copy.

Hardcover. NY, Viking, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 346 pages. In Status and Culture, W. David Marx weaves together the wisdom from history, psychology, sociology, anthropology, economics, philosophy, linguistics, semiotics, cultural theory, literary theory, art history, media studies, and neuroscience to demonstrate exactly how individual status seeking creates our cultural ecosystem. Marx examines three fundamental questions: Why do individuals cluster around arbitrary behaviors and take deep meaning from them? How do distinct styles, conventions, and sensibilities emerge? Why do we change behaviors over time and why do some behaviors stick around? The answers then provide new perspectives for understanding the seeming "weightlessness" of internet culture. Clean copy.

Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. Includes decorative slip case. Like new in publisher's shrink-wrap. Shoebox Studio records a moment in a fashion model's career that is rarely seen by a wider public: the model's first "getting-acquainted" photoshoot, in which no attempt is made to beautify or exaggerate her face, pose or expression. Having produced photo campaigns for some of the world's premier beauty clients (Lancome, L'Oreal, Revlon), French photographer and painter Stephane Coutelle is ideally placed to make these portraits of vulnerability and aspiration: his Shoebox Studio sees an unending parade of young women, newly arrived from all over the world and pursuing their first career. His first meeting with a model aims to establish their character and psychology, before professional reflexes take hold, and before complicity is established between photographer and model. Shoebox Studio gathers portraits of aspiring models taken between 2006 and 2010.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 242 pages. While few soldiers may have read the works of Epictetus or Marcus Aurelius, it is undoubtedly true that the ancient philosophy known as Stoicism guides the actions of many in the military. Soldiers and seamen learn early in their training "to suck it up," to endure, to put aside their feelings and to get on with the mission. Stoic Warriors is the first book to delve deeply into the ancient legacy of this relationship, exploring what the Stoic philosophy actually is, the role it plays in the character of the military (both ancient and modern), and its powerful value as a philosophy of life. Marshalling anecdotes from military history--ranging from ancient Greek wars to World War II, Vietnam, and Iraq--Nancy Sherman illuminates the military mind and uses it as a window on the virtues of the Stoic philosophy, which are far richer and more interesting than our popularized notions. Clean copy.

Hardcover. Evanston IL, Northwestern University Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 452 pages. Ex-lib but only minimal stamping, residue to rear endpaper. Clean interior. The articles collected in this volume were written during a period of more than thirty years, the first having been published in 1929, the last in 1961. They are arranged in a systematic, not a chronological order, starting from a few articles mainly concerned with psychological matters and then passing on to phenomenology in the proper sense.

Hardcover. NY, Macmillan Co., 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, olive cloth with gilt lettering on spine faded. 278 pages. Titchener's last statement of his 'structuralist' theoretical position, edited by his Cornell colleague H.P.Weld (who provides a 4 page Preface). A comprehensive book written by Edward Bradford Titchener, a prominent psychologist of the early 20th century. The book is a prologue to Titchener's larger work, Systematic Psychology, and lays out the philosophical foundations of psychology as a science. Titchener begins by defining psychology as the study of conscious experience, and argues that it is a natural science that should be studied using introspection. He outlines the basic principles of introspection and the methods used to study mental processes, including perception, attention, memory, and thought. The book also covers the philosophical underpinnings of psychology, including the relationship between mind and body, free will and determinism, and the nature of causality. Name on front fly leaf, otherwise clean.

Hardcover. NY, Palgrave Macmillan , 6thpr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 268 pages, color illustrations. Why would a smart New York investment banker pay $12 million for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock's drip painting No. 5, 1948 sell for $140 million? Intriguing and entertaining, The $12 Million Stuffed Shark is a Freakonomics approach to the economics and psychology of the contemporary art world. Why were record prices achieved at auction for works by 131 contemporary artists in 2006 alone, with astonishing new heights reached in 2007? Don Thompson explores the money, lust, and self-aggrandizement of the art world in an attempt to determine what makes a particular work valuable while others are ignored.

Hardcover. Pittsburgh PA, GoodKnight Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Art of Selling Movies presents the first-ever look at 60 years of newspaper advertising for motion pictures great and small. These ads created by Hollywood and adapted by local and regional exhibitors motivated patrons to leave their homes, part with precious income, and spend time in the dark. Because of the high stakes involved, theater operators used wildly creative means to make that happen. They made movie advertising equal parts art and psychology, appealing to every human instinct (especially sex) in an effort to push product and keep their theatres in business. From the pen-and-ink masterpieces of the 1920s and 30s to location-specific folk art to ad space jam-packed with enticements for every member of the family, The Art of Selling Movies dissects the psyche of the American movie-going public ... and the advertisers seeking to push just the right buttons.

Hardcover. Pittsburgh PA, GoodKnight Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Art of Selling Movies presents the first-ever look at 60 years of newspaper advertising for motion pictures great and small. These ads created by Hollywood and adapted by local and regional exhibitors motivated patrons to leave their homes, part with precious income, and spend time in the dark. Because of the high stakes involved, theater operators used wildly creative means to make that happen. They made movie advertising equal parts art and psychology, appealing to every human instinct (especially sex) in an effort to push product and keep their theatres in business. From the pen-and-ink masterpieces of the 1920s and 30s to location-specific folk art to ad space jam-packed with enticements for every member of the family, The Art of Selling Movies dissects the psyche of the American movie-going public ... and the advertisers seeking to push just the right buttons.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2024, Hardcover in a bright dust jacket, 256 pages illustrated in color. An exploration of late nineteenth-century American literary posters. a vibrant genre at the vanguard of modern commercial art and graphic design spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed these advertisements for books and high-tone periodicals such as Harper's and Lippincott's went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design,

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.