reference

Hardcover. Melbourne AU, Melbourne University Press , 1st, 1972, Book: Good, Dust Jacket: None, Three volumes. Volume 1: A-K, 588 pages. Volume 2: L-Z, pages 589-1231. Volume 3; Index, 83 pages, plus a fold-out map in a folder at the back. Green cloth with gilt titles on spine and decoration on upper cover. All volumes with numerous illustrations and maps, the indispensable reference work on New Guinea. NOTE: Vol. 2 has text block separated from binding but all pages present in VG condition.

Hardcover. Plesant Plain OH, David Zimmerman, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 268 pages illustrated in color. A visual reference for all kinds of tins for coffee, peanut butter, cocoa, tea, and various other food products. Also tins for spices, tobacco, cosmetics talcum powder, soap, typewriter ribbons, needles, pens, medicines, etc. Clean copy.

Hardcover. San Diego, CA, Advanced Marketing Services, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 816 pages, illustrated throughout in color. Large heavy volume. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. New York, Bulfinch, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrik-wrap. An inspirational account of the global initiative to eliminate the scourge of polio offers one hundred stunning duotone photographs that capture the campaign in five polio endemic nations--Democratic Republic of Congo, India, Pakistan, Somalia, and Sudan.

Hardcover. London, Batsford, 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated in color and b/w. A detailed record of important children's books and stories from English literature between 1600 and 1900, with chapters on the "Prehistoric Age", Harris to "Alice", the triumph of nonsense, after Carroll, the importance of pictures, and more. Written by Percy Muir a distinguished English antiquarian bookseller, book collector, and bibliographer who served as president of both the Antiquarian Booksellers Association and the International League of Antiquarian Booksellers. Clean copy.

Hardcover. London, England, Cambridge at the University Press, Revised 2nd edition, 1925, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover. Navy blue cloth cover boards, gilt title on spine. Ex-library book with labels/stamps/and appropriate markings. Light pencil markings throughout. Some light tanning to edges and pages. Traditions of Science, The Foundations of Dynamical Physics, Scientific Relativity, The Natural Elements...

Hardcover. Wiesbaden, Germany, Harrassowitz Verlag, 1st, 2004, Book: Very Good, Dust Jacket: None, 264 pages. Hardcover. Former library book with some labels/stamps etc. In very good condition, binding tight, clean inside and out. No rips or tears.

Hardcover. Kerber, 1st, 2008, Book: Very Good, Hardcover, 144 pages. Painter Francesco Clemente once said of Eric Fischl, "If life is what happens to you as you make other plans, then 'life' is Eric Fischl's subject matter." Though Fischl is best known for his figurative paintings, this monograph presents a 2007 series of 13 sculptures and corresponding large-format gouache works. Cast in polyester and resin, the life-sized, three-dimensional nudes enter into tense dialogue with the drawings, depicting the same element of human struggle that we find in Fischl's paintings. Naked bodies without context or reference, engaged in no specific narrative, offer any number of possible interpretations. They allow the viewer to indulge in careful observation, daring us to penetrate the surface patina of the sculptures to see if anything lies beneath. A special section includes a complete catalogue raisonee of the sculptural work from 1975 through 2007.

Hardcover. Washington DC, Microcard Editions, 1st, 1971, Book: Very Good, Dust Jacket: None, 122 pages. Hardcover with no dust jacket. Light edgewear to cover boards, light soil to top page block. SIGNED BY BRUCCOLI on title page.

Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.

Hardcover. Everett, City of Everett, 1st, 1893, Book: Good, Dust Jacket: None, 134 pages. Hardcover. Black & white photographs and illustrations. Preliminary ad pages with darkening, light soil. 2.5" horizontal closed tear on foredge of pages 45-48. Moderate wear to black cloth covers. Clean, unmarked text. Scarce.

Hardcover. Boston, The Page Company, 3rd, 1919, Book: Very Good, Dust Jacket: None, 706 pages. Hardcover. Features over 700 black & white illustrations. Red cloth covers with attractive titles and decorations. Light wear. A nice copy.

Softcover. Massachusetts, MIT Press, 1st, 1982, Book: Good, Dust Jacket: None, 135 pages. Softcover. B/w and color illustrations throughout. Wrapper has some age wear. Clean inside, binding tight. In good condition.

Hardcover. Boston, MA, Richardson & Lord, 1st edition, 1826, Book: Fair, Dust Jacket: None, 125 pages plus publisher ads. Hardcover. Small: 4.5" W x 5.5" L. Previous owners' names on front endpapers. Brown, marbled cover boards, brown quarter cloth, rubbing and chipping to cover boards (see image). Tanning and some foxing to pages from age (see image), doesn't affect text. Binding tight. Spine straight. Charming old, tiny textbook.

Hardcover. New York, Golden Press, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover. Non-paginated. Full color illustrations by Feodor Rojankovsky. Light wear to covers. Clean, tight copy.

Hardcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. "This collection of illustrations from the National Art Library at the V&A contains well-known and unfamiliar fables accompanied by contemporary texts and translations, often with a topical or satirical content. It gives a cross-section of illustrative styles from the 15th to the 20th centuries. Fabulous color and b/w illustrations throughout. A wonderful reference volume, with a small bibliography and an "Analysis by Theme" at rear (plus Index)." Clean copy.

Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.

Hardcover. Williamsburg VA, College of William & Mary, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 528 pages, b&w illustrations. The collected papers in this book describe human sexuality and gender among a small sample of societies on the island of Borneo. Expressions of human sexuality vary widely among the 200 autonymic societies, which range in population from a few hundred persons to three-quarters of a million. Some are quite open about the subject, others circumspect and discreet. The present work contains studies of eight societies, with references to others. It does not deal with Chinese and Malays, who with others will be the subjects of future monographs on the same topic. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 353 pages, illustrated throughout in color and b&w. Light edgewear and two tiny closed tears to pictorial dust jacket and faint foxing to edges of textblock. Otherwise, a clean, tight copy.

Hardcover. Flagstaff AZ, Northland Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, original dark blue cloth stamped with a wolf and rattler in silver on front cover and lettered in silver on spine. Fine/pictorial dust jacket (lightly rubbed). Half folio. Illustrated Contains articles and check lists on, amongst many, Peter Hurd, N. C. Wyeth, Frederic Remington, Charles M. Russell, Maynard Dixon, Edward Borein and Will James.

Softcover. International Exhibitions Foundation;, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 28 pages. Color & B&W illustrations. Bibliography. Uncommon exhibition catalog as it toured smaller US museums. 2 page "Homage to Babar" by Maurice Sendak.

Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.

Hardcover. NY, Columbia University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages, b&w photos. Bright, clean copy in dust jacket.

Hardcover. NY, Pantheon, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with red cloth spine. The beloved and award-winning author's haunting and visually arresting story of an artist's obsessions, and the value and cost of pushing the boundaries of creativity. As a child, Brian and his friend Jimmy would make sci-fi films in their yards, convincing their friends to star as victims of grisly murders, smearing lipstick on the "bodies" to simulate blood. Now a talented artist and aspiring filmmaker, Brian, along with Jimmy, Jimmy's friend Tina, and Laurie--his reluctant muse--sets off to a remote cabin in the woods with an old 8 millimeter camera to make a true sci-fi horror movie, an homage to Brian's favorite movie: Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams, his damsel in distress, and his savior wrapped into one. Rife with references to classic sci-fi and horror movies and filled with panels of stunning depictions of nature, film and the surreal, Burns blurs the line between Brian's dreams and reality, imagination and perception. A master of the form at his finest, Final Cut is an astonishing look at what it means to truly express oneself through art. Clean, bright copy.