Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: None, 336 pages. Hardcover with no dust jacket. Very clean, unmarked copy. Black & white and color images throughout. Tight copy. Introduction by Martin Scorsese.
Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.
Hardcover. New York, Museum of Art New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Dust jacket unclipped. Color and b/w illustrations throughout. In excellent condition, clean inside and out.
Hardcover. Boston, Gray & Bowen, 1st, 1830, Book: Good, Dust Jacket: None, Hardcover, 312 pages, leather spine and corners with marbled boards. Gilt title on spine. Copyright page states "on the eleventh day of November, A. D. 1830." With frontispiece folding map of the eclipse of Feb 12th, in its passage across the United States. A very good copy with mild wear to leather, map in very good condition. moderate foxing to text. There is some minimal marking, numbers and light residue to endpapers.
Hardcover. New York, Thomas Nelson & Sons, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 476 pages illustrated in b&w and color displaying beautiful pieces of colored glass and pottery. Clean and bright copy. Dust jacket slightly stained. Previous owner's inscription present. Lavishly illustrated and exhaustively researched reference on Art Nouveau designs in glass produced in America from 1890 to 1925, marking a high spot in the decorative arts. Includes a detailed study of various manufacturers and their histories, with special emphasis on those artisans who created identifiable and collectable pieces, including Louis Comfort Tiffany, A. Douglas Nash, the Durand family, and Frederick Carder. Contains four useful appendices reproducing a complete 1932 catalog published by the Steuben Division of Corning Glass Works, several pages from a circa 1928 Vineland Flint Glass Works catalog, pages from a circa 1914 C. Dorflinger & Sons catalog, and a "Belle Ware" catalog of Carl V. Helmschmied.
Hardcover. New York , R.R. Browker Co., 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 290 pages, red cloth covers with gilt lettering on spine. Clean, tight copy.
Hardcover. New York , Edmund and George W. Blunt, 18th Edition., 1857, Dust Jacket: None, 739 pages, contains 4 fold-out maps and charts. 2 maps with tears, one detached, all present. Original calf covers with spine label. Edges worn, hinges cracked, some tan staining to some page margins. Soiling to rear end papers and text block, top and bottom edges. Overall good plus.
Hardcover. New York, Doubleday & Company, Inc., 1st, 1948, Book: Very Good, Dust Jacket: None, 190 pages. Hardcover. Black & white illustrations by Barbara Cooney. Moderate foxing to cloth covers. Clean, tight copy.
Hardcover. Philadelphia, J. B. Lippincott & Co., Eleventh Ed., 1857, Book: Very Good, Dust Jacket: None, 637 pages. Hardcover. Eleventh Edition - 1857. Black & white illustrations. Varying degrees of foxing to pages 349-356 - this due to leaves being pressed between pages at some point. Overall, pages are bright and unmarked. Original brown cloth covers with faded spine and edges. Firm binding.
Softcover. New York, The Metropolitan Museum of Art, 1st, 1991, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages. b&w and color illustrations throughout. Gray pictorial paper covers. Very light wear to corners, otherwise like new.
Hardcover. NA, By Subscription, 1825, Book: Fair, Dust Jacket: None, 431 pages. Brown leather covers. Spine with chipping and creases to gilt decoration. Black & white illustrations, including 1 fold-out. Previous owners name stamped on preliminary page. Light to moderate foxing throughout. Front cover detached.
Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Softcover. New Haven, Yale University Press , 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover set. Two volumes in a cardboard slipcase, 344, 300 pages. Illustrated with b&w photographs throughout. Vol. 1 covers New England, Vol. 2 - The Middle Colonies and the South. Clean, tight copies.
Softcover. San Diego CA, San Diego Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, b&w illustrations. Includes bibliographical references (p. 35-36) and index. In 1916, George Wesley Bellows, a successful painter at the height of his artistic power, turned his considerable talent to the graphic medium of lithography. Over the next nine years, until his untimely death in January 1925, Bellows created nealry 200 lithographs - an impressive body of work unparalleled in the history of American art. While some of these lithographs appeared as illustrations in contemporary periodicals , and others were graphic versions of drawings and paintings he had previously made, the majority stood as independent works. Their subjects and styles span the breadth of Bellows's artistic vision. Light sticker residue to front cover, otherwise clean.
Softcover. London/NY, Routledge, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 1062 pages. This volume includes twenty-two chapters by international experts covering the entire history of technology from humankind's earliest use of stone tools to the exploration of space. Written clearly and without unnecessary jargon, each chapter traces the development of its subject from earliest times to the present day, stressing the social context and its place in scientific thought. Usefully drawn with over 150 tables, drawings and photographs. Two comprehensive indexes of names and subjects. Essential reading for teachers and students in the History and Philosophy of Science and Technology, Industrial History and Archaeology. Clean copy.
Hardcover. Philadelphia, Lydia H. Bailey, 1st, 1821, Book: Good, Dust Jacket: None, Hardcover, worn calf covers, unpaginated. Maroon leather label on spine with gilt lettering. The author (1782 -1852) was an historian and educator, born in Ireland. In 1815 he and his family emigrated to Philadelphia, and he became a noted author of many history textbooks and other works. This is a first edition of his most famous work published in Philadelphia in 1821. Grimshaw's work remains a valuable reference for scholars and students of English language and linguistics. Both covers partially detached, but still holding on. Inside text pages mildly foxed. Front endpapers with previous owner's pencilled comments. Otherwise clean, binding tight.
Hardcover. Edinburgh, Edinburgh University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. Thomas Reid (1710-96) is increasingly being seen as a highly significant philosopher and a central figure in the Scottish Enlightenment. This edition of Reid's classic philosophical text in the philosophy of mind at long last gives scholars a complete critically edited text of the Inquiry. The critical text is based on the fourth life-time edition (1785). A selection of related documents showing the development of Reid's thought, textual notes, bibliographical details of previous editions, and a full introduction by the editor makes this an important contribution to the study of this increasingly respected philosopher.Key Features:*Complete, critically edited text of the Inquiry accompanied by a judicious selection of manuscript evidence relating to its composition.*Comprehensive Introduction providing an historical and philosophical account of the formation of the Inquiry.*Detailed textual notes which include bibliographical details and allusions, translations, references to secondary literature and selected passages from Reid's MSS. Clean copy.
Hardcover. Ohio, Kent State University Press , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover,115 pages, cream cloth with black lettering on spine.
Hardcover. New York, Board of Publications of the Reformed Protestant Ditch Church, 3rd Edition, 1857, Book: Good, Dust Jacket: None, 479 pages. Hardcover. B/w illustrations with tissue guards for most. Red cloth cover boards with blindstamped design and gilt title on spine (faded), agewear to covers. Foxing throughout. Tanning to edges and pages from age. Binding good. Spine straight.
Hardcover. New York, Random House Books for Young Readers, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The classic work by Dr. Seuss analyzed and dissected. Red cloth, beige spine. 10 1/2" X 10 1/4" in size. IIllustrated, color drawings, black & white photos. Notes galore.
Hardcover. US, Smart Art Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 90 pages. Like new in publisher's shrink-wrap. ''Anthony Hernandez's "Pictures for Rome" (1998-99), made while he was a fellow at the American Academy, make no reference to any iconic images of that historic city and its famous edifices. Instead, these elegantly disturbing color photographs examine what could be considered a series of unofficial urban monuments composed from the distressed architectural elements and detritus found inside abandoned buildings..."Pictures for Rome" are pictures of haunted places. Whether they chronicle the bones and viscera of an aborted commercial structure or never-finished hospital, a vacant housing complex or long-deserted schoolhouse, these images engage the ghostly relic of urban renewal, the failed construction projects and real estate disasters that conjure modernism's less glamorous side. And they remind us that even in Rome, the mother city, everything is disposable... "Pictures for Rome" are not, in other words, the same thing as pictures "of" Rome. These images do not describe a specific city at all; instead, they chart concealed landscapes that exist in a world apart from the vitality and velocity of today's consumerist metropolis...A deep undersea silence seems to engulf the modern ruins that Hernandez photographs... Blurring the line dividing past and present, they leave our temporal compass spinning wildly.''--Ralph Rugoff
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