reference

Hardcover. New Haven CT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Published to accompany a touring exhibition during 2002 / 2004. Features reference to figures such as Richard Avedon, Everett Shinn, George W. Bellows, Pablo Picasso, Yasuo Kuniyoshi, Paul Manship, Morris Louis, Ralston Crawford, Salvador Dali, Andy Warhol, Jean-Michel Basquiat and many others. Color and b&w photos.

Hardcover. New York, William T. Comstock, 5th, 1889, Book: Very Good, Dust Jacket: None, 44 pages. Hardcover. Green cloth with gilt titles on spine and cover. Fifth edition. Light rubbing to cover edges, corners. Clean, unmarked.

Hardcover. New York, American Book Company, Reprint, 1899, Book: Very Good, Dust Jacket: None, 252 pages. Hardcover. Color (maps) and b/w illustrations throughout. Brown leather boards, black designs and gilt on spine and front cover board. Decorated edges.

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.

Softcover. New Castle DE, Oak Knoll Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 505 pages. Reprint of the first edition published in 1949. With an Introduction by G. Thomas Tanselle. One of the indisputable classics of 20th-century scholarship, Bowers's work is one of the standard guides on the subject, providing a comprehensive manual for the description of printed books as physical objects. Although there has been much activity in descriptive bibliography since then, Principles still holds its place as the central book to which those engaged in bibliographical work continually return. Name on half-title page, otherwise clean.

Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York, Skira/Rizzoli, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, 86 color, 252 b&w illustrations. A clean, bright copy in a similar dust jacket. Slipcased. The book delivers on its title, covering various printmaking techniques from the 15th century to the present. An excellent reference.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Hardcover. Amsterdam, Elsevier/North-Holland Biomedical Press, 1st thus, 1980, Book: Very Good, Dust Jacket: None, 491 pages. Red boards with white printed illustration & white titles to cover & spine. Black & white illustrations throughout, including figures, chart, tables & photographs. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Hardcover. Ithaca, Cornell University Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, 260 pages. No dust jacket. John Locke's untitled manuscript "Questions concerning the Law of Nature" (1664) was his only work focused on the subject of natural law, a circumstance that is especially surprising since his published writings touch on the subject frequently, if inconclusively. Containing a substantial critical apparatus, this new edition of Locke's manuscript is faithful to Locke's original intentions and to the format he chose for his discourse on the law of nature-a late-Scholastic quaestio disputata, the form through which in 1664 the young Locke debated questions with his students as moral censor of Christ Church.For this volume, Robert Horwitz provides an introduction summarizing the history of the manuscript and analyzing Locke's role in the development of thinking on natural law. Jenny Strauss Clay offers a superb critical edition of the Latin text, for which she has supplemented the Latin text of Manuscript B, written by an amanuensis, with Manuscript A, a first draft in Locke's own hand. Diskin Clay's precise English translation-with the Latin presented on facing pages-is accompanied by annotations identifying Locke's references and allusions and explaining difficulties of translation.In the view of Horwitz, Clay, and Clay, Questions concerning the Law of Nature shows a tension between several opposing conceptions of natural law. In developing this view, the editors break with W. von Leyden, who prepared the first edition of the text and who interpreted Locke's understanding of natural law squarely within a Christian framework. The editors here present a fresh interpretation of Locke as a thinker who posed a series of subtle challenges to traditional natural law doctrine. That Locke was aware of the political danger of this challenge is evident from his refusal to publish the work during his lifetime and from the care he took to conceal these manuscripts among his possessions. Clean, tight copy.

Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.

Softcover. NY, Bryan Davis Publishing, 1st, 1931, Book: Good, Dust Jacket: None, Softcover magazine format, 52 pages, b&w illustrations, vintage ads throughout. Articles include: Circuits to Obtain Detection and Delayed AVC, Ionization in Vacuum Tubes, A Giant Tube for Radio Transmisson, others. Light soiling to wraps, otherwise clean.

Softcover. NY, Bryan Davis Publishing, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover magazine format, 56 pages, b&w illustrations, vintage ads throughout. Articles include: Hyper-Sensitive Detection Systems, Television Turns to Projection, Synchronization of Westinghouse Radio Stations, others. Dust soiling to wraps, otherwise clean.

Hardcover. NY, Easton Valley Press, 2nd pr., 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 417 pages, b&w photos. Dust jacket chipped. rubbed. An encyclopedia of programs, their dates, casts, networks and producers, with many photo plates.

Hardcover. Paris, Arthaud, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages of French text followed by full color photographs of the people and culture of the Rajasthan region of India. Light edge wear to dust jacket. Clean, tight copy.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. Edinburch and London, William Blackwood and Sons, 2nd revised edition, 1874, Book: Very Good, Dust Jacket: None, Vol. 1: 463 pages. Vol. 2: 500 pages. Scarce. Hardcovers. Colored endpapers (black). Light pencil notes/marks in margins. Red cloth cover boards, gilt title on spine, light age wear to covers. Front endpapers' gutters are split, binding is good. Spines straight. Edges untrimmed, pages and edges have some tanning from age. Some foxing to preliminary pages. DOMESTIC SHIPPING ONLY.

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Hardcover. New York, Pantheon, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 1330 pages. Hardcover. Small red remainder mark on bottom edge. Light wear. Clean, tight copy.

Softcover. Ithaca, Urban Horticulture, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. Black & white illustrations throughout, including graphs & charts. Clean unmarked copy.

Softcover. Bowie MD, Heritage Books, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 333 pages. Clean copy.

Hardcover. New York, Wise-Parslow Company, Reprint, 1930, Book: Good, Dust Jacket: None, 96 pages. Hardcover. Full color and black & white illustrations by Alexander Key. Pages 15-51 with shallow bump to top right corner of pages. Front cover with 2 quarter size stains, standard wear. Clean, tight copy.