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Hardcover. NY, New York Review Children's Collection, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a red cloth spine. 72 pages illustrated in color by the author. A reissue of a title first published in 1934. Peewee the dog didn't know any tricks, not even a single one not even how to roll over not even how to shake hands but never mind he is so teeny weeny that everyone loves him, the clown, the fat lady, the thin man, the strong baby, the acrobats, the elephant, the goat on the burning bed, and all the other amazing performers in the wonderful circus of the man with the quite tall red hat. But then something unexpected happens that threatens to bring Peewee s place under the Big Top to an end. Now Open the Box is a beautiful example of the art of Dorothy Kunhardt, the author of the timeless classic Pat the Bunny and the pioneering picture book Junket Is Nice. Here Kunhardt speaks with wonderfully reassuring directness to children s hopes and fears while making magic out of the simplest things. Clean copy.

Hardcover. NY, New York Review Of Books , reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover, oblong format in pictorial boards. Peewee the dog doesn't know any tricks, 'not a single one not even how to roll over not even how to shake hands but never mind he is so teeny weeny that everybody loves him,' the clown, the fat lady, the thin man, the huge tall giant, the strong baby, the acrobats, the elephants, and all the other amazing performers in the wonderful circus of the man with the quite tall red hat. A classic picture book first published in the 1930s. Clean copy.

Softcover. NY, Archipelago Books, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 272 pages. Moving from the Great Lakes to the jazz bars of Detroit and Chicago, Of Song and Water is a tale of singlehanded sailors and jazz musicians, of working-class dreams blighted by family duty, personal betrayals, and the untold violence between fathers and sons. The novel follows the life of Coleman Moore, a jazz guitarist of early fame who finds himself adrift and in the company of ghosts: his mentor, a black jazz legend trying to live peacefully on the edge of a white town; his grandfather, a Prohibition rumrunner turned ruthless entrepreneur; and his first love, a clear-headed woman who refuses to live in the dark tunnels of the past. As he abandons music and turns his mind to a damaged sailboat, Coleman begins a hazardous course, risking the love of his daughter and the trust of Brian James, his longtime collaborator and friend. Clean, bright copy.

Softcover. Ann Arbor MI, University of Michigan Press, 2nd pr., 1985, Book: Very Good, Dust Jacket: None, Softcover, 462 pages. Illustrated in b&w. Includes bibliography. From rear cover: "From Kenneth Rexroth to the Czechoslovakian secret police, from Marianne Moore to the F.B.I., from Diana Trillling to Time magazine - Allen Ginsberg's work has always drawn a spirited response. Now, for the first time, these responses - remarks, reviews, and essays - have been collected in a single volume. Beginning with William Carlos Williams's early letters of support and ending with James Breslin's biographical analysis of 'The Origins of Howl and Kaddish', this collection reflects a full thirty years of praise, complaint, debate, and analysis of the work of one of the most innovative poets of our century". Previous owner's name on front fly leaf, otherwise clean.

Hardcover. New York, Red Ozier Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Unpaginated, hardcover. SIGNED BY AUTHOR & ILLUSTRATOR. Singer's signature to last story page in pen. Interior color lithographic frontispiece signed in pencil by Callner. Illustrated with three colored lithographs, each signed by Richard Callner in pencil. Violet morocco leather spine, sides, and corner-tips. Blue boards. Translated from the original Yiddish by the author and Elizabeth Pollet. Light age toning to top text block edge. Heavy fading to spine. Rough-cut fore edge. Of 155 copies, this is number 76. Scarce. A clean and tight copy.

Hardcover. NY, Pharos Books, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Baseball players who have had only one great season throughout their careers discuss the events, circumstances, and glory of the limelight, and their return to mediocrity. In a century and a half of baseball history, many journeyman players have enjoyed a single season--or a partial season--of greatness. Fedo ( The Man from Lake Wobegon ) focuses here on 11 men who achieved just such success from 1945 to 1970. Among them are: pitcher Ned Garver, who garnered 20 of the St. Louis Browns' lowly total of 54 victories in 1951; and Bob Hazle, who joined the Milwaukee Braves late in the 1957 season and helped them win the pennant by hitting over .400 for two months. Others include Willard Marshall of the New York Giants, Walt Dropo of the Boston Red Sox, and Wes Parker of the Los Angeles Dodgers (probably the most complex and unusual of the interviewees). As might be anticipated, none of the former players can explain how he came by short-term brilliance, nor how he lost it--but the concept of the book is nonetheless intriguing. 169 pages. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Charles M. Schulz believed that the key to cartooning was to take out the extraneous details and leave in only what's necessary. For 50 years, he wrote and illustrated Peanuts, the single most popular and influential comic strip in the world. Renowned designer Chip Kidd was granted unprecedented access to the extraordinary archives of the Charles M. Schulz Museum and Research Center in Santa Rosa, California. Only What's Necessary reproduces the best of the Peanuts newspaper strip, all shot from the original art by award-winning photographer Geoff Spear, and features exclusive, rare, and unpublished original art and developmental work--much of which has never been seen before.

Hardcover. NY, Zone Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An examination of the ultimate power opera grants to singing: the reversal of death. In Operatic Afterlives, Michal Grover-Friedlander examines the implications of opera's founding myth-the story of Orpheus and Eurydice: Orpheus's attempt to revive the dead Eurydice with the power of singing. Grover-Friedlander examines instances in which opera portrays an existence beyond death, a revival of the dead, or a simultaneous presence of life and death. These portrayals-in operas by Puccini and other composers and performances by Maria Callas-are made possible, she argues, by the unique treatment of voice in the operas in question: the occurrence of a breach in which singing itself takes on an afterlife in the face of the singer's death. Clean copy, 252 pages.

New York, American Tobacco Co., 1928, Book: Very Good, Dust Jacket: None, Art "Cream of the crop", b&w art of D'Alvarez, Mexican opera singer, not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1972, Book: Very Good, Color art of a busy singles bar by Getz.8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Book: Very Good, Color art birds celebrating Spring by Low. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art of singing bird surrounded by flowers and bees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1971, Color art by Charles Saxon. 8 1/2 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Arthur A. Levine Books, 1st, 2001, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. SIGNED BY EMILY ARNOLD MCCULLY ON BLANK PRELIM PAGE WITH ILLUSTRATED SKETCH. Acetate-protected dust jacket, gorgeous full page color illustrations. No sign of wear, dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.

Paperback. New York, Welcome Books, 1st, 2008, Book: Very Good, Dust Jacket: None, 287 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Holographic photograph on front cover. In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa (pop. 676). He converted an abandoned storefront on Main Street into a makeshift studio and posted fliers inviting people to stop by. At first they trickled in slowly, but in the end, nearly all of Oxford stood before Feldstein's lens. Twenty years later, Feldstein decided to do it again. Only this time he invited writer Stephen G. Bloom to join him, and together they went in search of the same Oxford residents Feldstein had originally shot two decades earlier. Some had moved. Most had stayed. Others had passed away. All were marked by the passage of time.

Softcover. Steidl, 2008, 2008, Book: Very Good, Dust Jacket: Very Good, Softcover. Like new in publisher's shrink-wrap. The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

Hardcover. New York, Harper & Row, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with price-clipped dust jacket. Clean, tight copy. Scarce biography of Robeson by Hamilton, a noted African-American children's book author.

NY, Knopf, 1st, 1988, Book: Very Good, Hardcover in a bright, unclipped dust jacket. Passionate and enormously talented, Paul Robeson lived one of the great lives of the twentieth century. Martin Duberman's classic biography is a monumental and powerfully affecting portrait of one of this century's most notable performers, political radicals, and champions of racial equality. Drawing on a vast archive of family papers and interviews with friends and relatives as well as FBI files, Paul Robeson charts the heroic and tragic course of Robeson's life: from his early days as the son of a former slave to his rise to unprecedented international acclaim as a stage actor and singer, and from his political awakening to his downfall as a victim of McCarthyism and the efforts of the U.S. government to destroy him. Clean copy.

Hardcover. New York , Thames and Hudson, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. Louis Stettner is one of the last living members of the avant-garde New York School of photography of the 1950s, which challenged many of the long-accepted foundations of art form. His Penn Station series of the late 1950s represents some of his most important work, gathered here in a single form for the first time. The series is less a portrait of the building than a study of people at once in transit and in suspension. 

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. Pick-Up is really two different books contained within a single cover. The first half describes in raw, realistic detail the hopeless, despairing and desperate, lives of a man and a woman, both alcoholics, barely surviving in post World War II San Francisco. The second half of the book consists of one man's account of his first hand experience with the criminal justice system. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Comics, graphic novels, and single panel cartoons have long flourished as an alternative medium. In recent years these forms of narrative illustration-artwork that tells its own story rather than supporting a text-have increasingly crossed over into mainstream popular culture. Pictorial storytelling now reaches the public through animated films (Spirited Away) and films with animated sequences (Kill Bill), while graphic novels win literary prizes and comic art hangs in art galleries. This delightful book explores the various uses of images with and without text in the work of over thirty artists from around the world.

Hardcover. New York, Aperture , 1st, 2001, Book: Very Good , Dust Jacket: Very Good, Hardcover, 144 pages, B&W photos. In original shrink wrap. For almost sixty years Pirkle Jones has chronicled the people, politics, and landscape of Northern California-a "promised land" which has long held sway in the American cultural imagination. Within the confines of that locale, he has unearthed a universe of beauty and meaning, photographing everything from flea-market finds to some of the most important American social movements of the second half of the twentieth century. Operating primarily within a social-documentary framework, Jones has made images characterized by sensitivity and acute observation. With uncanny prescience, a sense of urgency, and a sympathetic eye, Jones often plays the dual roles of artist and witness, combining portraiture, landscapes, and architectural photographs to create thorough documents of social structure and upheaval. Among the photo-essays included in Pirkle Jones: California Photographs are a compassionate and controversial piece on the Black Panther Party in the San Francisco Bay Area, Jones's portraits of the Sausalito houseboat community known as Gate 5, and a notable 1956 photo-essay done in collaboration with Dorothea Lange photographing the destruction and dislocation of the Berryessa Valley before it was flooded on completion of the Monticello Dam. Produced as a single issue of Aperture magazine in 1960 under the name "Death of a Valley", this essay remains a powerful testament to the price of progress. The book also includes Jones's work from the last few decades, in which he shifted his focus to an extended series of elegant, contemplative landscapes. A biographical essay by curator Tim B. Wride frames Jones and his work within the context of photographic history, the people he collaborated with-including Ansel Adams as well as Lange-and the great scope of Californian life.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. 188 pages. Full of beautiful women, as always. Kelly Marie Monaco, Joey Heatherton, Vincent Bugliosi, Howard Stern, etc. A copy that may have a few cosmetic defects.