Hardcover. NY, William Morrow, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 245 pages, b&w illustrations. Only a few dozen T206 Wagners are known to still exist, having been released in limited numbers just after the turn of the twentieth century. Most, with their creases and stains, look like they've been around for nearly one hundred years. But one -- The Card --appears to have defied the travails of time. Its sharp corners and still-crisp portrait make it the single-most famous -- and most desired -- baseball card on the planet, valued today at more than two million dollars. It has transformed a simple hobby into a billion-dollar industry that is at times as lawless as the Wild West. Everything about The Card, which has made men wealthy as well as poisoned lifelong relationships, is fraught with controversy -- from its uncertain origins to the nagging possibility that it might not be exactly as it seems. In this intriguing, eye-opening, and groundbreaking look at a uniquely American obsession, award-winning investigative reporters Michael O'Keeffe and Teri Thompson follow The Card's trail from a Florida flea market to the hands of the world's most prominent collectors.
Hardcover. NY, Random House, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, color illustrations by Seuss throughout. 19 songs for Beginning Singers. Piano score and Guitar chords by Eugene Poddany. 1st printing, with 1st group listed books ending with I Had Trouble & list for Beginning Readers ending with Fox in Socks on back cover, decorated cloth cover. Mild soil to rear cover, otherwise clean.
Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. The Dolans live by their wits, jumping freight trains and lining up for day work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula. Clean, fresh copy.
Hardcover. NY, Harper Business , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. B&w and color illustrations. Small remainder line on bottom edge. In his much-anticipated memoir, The Company I Keep: My Life in Beauty, Chairman Emeritus and former CEO of The Estee Lauder Companies Leonard A. Lauder shares the business and life lessons he learned as well as the adventures he had while helping transform the mom-and-pop business his mother founded in 1946 in the family kitchen into the beloved brand and ultimately into the iconic global prestige beauty company it is today. In its infancy in the 1940s and 50s, the company comprised a handful of products, sold under a single brand in just a few prestigious department stores across the United States. Today, The Estee Lauder Companies constitutes one of the world's leading manufacturers and marketers of prestige skin care, makeup, fragrance and hair care products. It comprises more than 25 brands, whose products are sold in over 150 countries and territories. This growth and success was led by Leonard A. Lauder, Estee Lauder's oldest son, who envisioned and effected this expansion during a remarkable 60-year tenure, including leading the company as CEO and Chairman.
Hardcover. San Diego, Idea & Design Works/IDW, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, color and b&w illustrations. April Kane has come to China and Terry Lee's life will never be the same! Milton Caniff's newspaper classic shifts into high gear with stories featuring the villainous Sanjak, the outrageous Singh-Singh and the mysterious Hu Shee. This volume also features the first appearance of the pivotal character Raven Sherman. Containing more than 100 lovingly-restored color Sunday pages and over 700 total comic strips.
Hardcover. Stanford CA, Stanford University Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers, black lettering to spine, 288 pages. About 1307 a remarkable woman in Japan sat down to complete the story of her life. The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun. Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi. No dust jacket. Name on front fly leaf, otherwise a bright, clean copy.
Softcover. Ann Arbor MI, University of Michigan Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. The first known mystery written by an African-American, set in 1930s Harlem. Rudolph Fisher, one of the principal writers of the Harlem Renaissance, weaves an intricate story of a native African king, who, after receiving a degree from Harvard University, settles into Harlem in the 1930s. He becomes a "conjure-man," a fortune-teller, a mysterious figure who remains shrouded in darkness while his clients sit directly across from him, singly bathed in light. It is in this configuration that one of these seekers of the revelation of fate discovers he is speaking to a dead man. Thus a complex mystery begins, involving suspects and characters who are vividly and richly portrayed, and who dramatically illuminate for the reader a time, a place, and a people. Clean copy.
Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 224 pages. The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word.The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City.
Hardcover. NY, Times Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 312 pages. A masterful guide to human development that redefines the nature versus nurture debate. A much-needed antidote to genetic determinism, The Dependent Gene reveals how all traits-even characteristics like eye and hair color-are caused by complex interactions between genes and the environment at every stage of biological and psychological development, from the single fertilized egg to full-grown adulthood. How we understand the nature versus nurture debate directly affects our thoughts about such basic issues as sex and reproduction, parenting, education, and crime, and has an enormous impact on social policy. Clean copy.
Hardcover. NY, New York University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Under the influence of European historians, scholarship about the Dutch in America has generally emphasized what was derived from the urban and merchant character of the Netherlands, particularly the single province of Holland in the seventeenth century. But it was among the farmers of New York and New Jersey, according to David Steven Cohen, rather than the urban merchants of Albany and New York City, that a distinctive Dutch-American regional subculture arose, thrived, and survived through the end of the nineteenth century. By examining the life of the early emigrant Dutch settlers, the author constructs a picture of their culture through the farmhouses they built, the landscapes they cultivated, and the tools and equipment they used, relating it all to the structure of their families, their folklore, and folklife. It was in the second quarter of the eighteenth century, according to Cohen, that a change occurred in the culture of the Dutch in America by which they became Dutch-American, and the most striking material evidence of this transformation was in the development of a new type of farmhouse, which began to replace those still traceable to the Netherlands.Thirty black-and-white illustrations. Many pages with light pencil notations.
Hardcover. Lunenburg VT, Stinehour Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering and color label on front cover. 165 pages, b&w photos. Hildegarde Lasell was a concert singer. "Miss Lasell sang with refinement and cultivation," commented a reviewer in 1936, "she is obviously a serious student of the meaning and values of the music she interprets." She appeared in her husband's two short avant-garde films. She played Madeline Usher in the silent horror film The Fall of the House of Usher (1928),and Lot's wife in the Biblical adaptation Lot in Sodom (1933).In the 1950s, she persuaded composer Alec Wilder to write an original soundtrack for the 1928 film. Watson was vice-president of the Rochester (NY)Historical Society, and wrote the history of the society's Woodside mansion in 1962. She received a medal from the Rochester Museum and Science Center in 1972, alongside fellow recipients including Robert Jastrow, Roger Tory Peterson, and Yousuf Karsh. Her memoir, The Edge of the Woods: A Memoir (1979) was published posthumously. Some of her correspondence with poet Marianne Moore was also published posthumously. Limited to 1,000 copies. Clean.
Softcover. London, Penguin Books , reprint, 2020, Book: Very Good, Dust Jacket: None, Softcover, 553 pages. The Europeans is richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their passionate, ambitious lives were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous and genuinely pan-European culture that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, shuttling back and forth across the whole continent from the British Isles to Imperial Russia, as they exploited a new cosmopolitan age. Clean copy.
Hardcover. Boston, Little, Brown & Co., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 183 pages in color. Introduction by Ansel Adams. A wonderful collection of color photos taken from a small single engine plane of various places around the United States. Mild fading to dust jacket along spine edge. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. Philadelphia, Benjamin Warner, 1st thus, 1817, Book: Good, Hardcover, 477 pages. Lithographed portrait frontispiece of Hamilton, two other plates with portraits of Madison and Jay, all portraits have tissue overlays. NOTE: This copy has a 1817 date on the title page, and a total of 477 pages while other books listed are dated 1818 with 504 pages. So this is the first single-volume edition minus the Appendix which was added to the 1818 edition. This is an ex-lib from Columbia University, with several stamps and thie bookplate on inside front cover. The book has been rebound in brown buckram with gilt title on spine and call numbers at bottom. The frontispiece plate has a crease through the center and all 3 plates have light foxing and an embossed stamp. Overall Good Plus with about 12 pages having some light pencil marks in margins. Binding is solid. More pictures available on request.
Hardcover. Lanham MD, AltaMira Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages with color photos throughout. This book is a full-color catalogue raisonne and interprets the distinctive furniture made by John Shearer, one of the most accomplished and intriguing furniture makers during the post-Revolutionary period. Shearer emigrated from Scotland in the late 18th century and retained loyalist sympathies throughout his life, evidenced by the imagery and inscriptions sympathetic to various British causes-such as the suppression of the Irish rebellion in 1798 and the British victory in the Battle of Trafalgar in 1805-that he worked into his furniture. Davison provides insight into the furniture's appeal to Anglo-American patrons, not secret loyalists, but men still culturally tied to Great Britain. Shearer's pieces are scattered among various collections, and many of them have been identified only in the last 25 years. This catalog is the only work in which all of Shearer's known pieces of furniture are presented in a single volume.
Softcover. New Haven CT, Yale University Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 436 pages, b&w illustrations. Eighteenth-century women have long been presented as the heroines of traditional biographies, or as the faceless victims of vast historical processes, but rarely have they been deemed worthy of historical inquiry. "The Gentleman's Daughter" provides an account of the lives of genteel women - the daughters of merchants, the wives of lawyers and the sisters of gentlemen. Based on a study of the letters, diaries and account books of over 100 women from commercial, professional and gentry families, mainly in provincial England, "The Gentleman's Daughter" challenges the view that the period witnessed a new division of the everyday worlds of privileged men and women into the separate spheres of home and work. Amanda Vickery invokes the women's own accounts of their lives to argue that in the course of the 18th and early 19th centuries the scope of female experience did not diminish - in fact, quite the reverse. Contrary to orthodoxy, in the 18th century there was neither a loss of female freedoms, nor a novel retreat into the home. In their own writing, genteel women throughout the Georgian era singled out their social and their emotional roles: kinswoman, wife, mother, housekeeper, consumer, hostess and member of polite society. Clean copy.
Hardcover. NY, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life.Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Taschen, reprint, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life. A bright, clean copy that has a light smoker's odor.
Softcover. NY, Archipelago Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 425 pages. Macabre and fantastical, Hoffmann's wildly imaginative tales offer an unflinching view of human nature and sing clearer than ever in a masterful new translation. Whether a surrealist exploration of the anxieties surrounding automation, or a mystery concerning a goldsmith, missing jewels, and a spate of murders, each tale in this collection reveals the complexities of human desire and fear. Clean copy.
Hardcover. San Francisco, Backbeat Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY LASKIN on the title page. For more than 30 years, Grit Laskin has been building guitars, and his striking inlay work places his instruments in a class all their own. He is credited with single-handedly taking the ages-old tradition of musical instrument inlay from its purely decorative roots into an art form, a means of expression. In his hands, shell, stone, legal ivory and metal emerge as the palette of a re-invented medium. A sumptuous, full-color-throughout, coffee-table quality tome, this is the first book to document the breadth of his work and the techniques he has devised. Clean copy.
Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Since 1945 there have been more than one hundred biographies of Hitler, and countless other books on him and the Third Reich. What happens when so many people reinterpret the life of a single individual? Dangerously, the cumulative portrait that begins to emerge can suggest the face of a mythic antihero whose crimes and errors blur behind an aura of power and conquest. By reversing the process, by making Hitler's biographers--rather than Hitler himself--the subject of inquiry, Lukacs reveals the contradictions that take us back to the true Hitler of history. Like an attorney, Lukacs puts the biographies on trial. He gives a masterly account of all the major works and of the personalities, methods, and careers of the biographers (one cannot separate the historian from his history, particularly in this arena); he looks at what is still not known (and probably never will be) about Hitler; he considers various crucial aspects of the real Hitler; and he shows how different biographers have either advanced our understanding or gone off track. By singling out those who have been involved in, or co-opted into, an implicit "rehabilitation of Hitler," Lukacs draws powerful conclusions about Hitler's essential differences from other monsters of history, such as Napoleon, Mussolini, and Stalin, and--equally important--about Hitler's place in the history of this century and of the world.
Hardcover. Indianapolis, Indiana Historical Society, reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages. A revised edition of a book first published in 1966, profusely illustrated in color and b&w. Biography of Theodore Steele, a popular regional artist from Indiana who specialized in landscapes as well as portraits. Clean copy.
Hardcover. NY, Mason/Charter, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 181 pages, b&w photos. The life story of the 1930's Hollywood superstar, who is still popular today. Clean copy.