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Hardcover. NY, Harper & Row, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Black & white illustrations by William Pene du Bois. Dust jacket price-clipped with light soiling, HarperCrest label on spine.

Hardcover. NY, Norton, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In Sawgamet, a north woods boomtown gone bust, the cold of winter breaks the glass of the schoolhouse thermometer, and the dangers of working in the cuts are overshadowed by the mysteries and magic lurking in the woods. Stephen, a pastor, is at home on the eve of his mother's funeral, thirty years after the mythic summer his grandfather returned to the town in search of his beloved but long-dead wife. And like his grandfather, Stephen is forced to confront the losses of his past. Touch introduces you to a world where monsters and witches oppose singing dogs and golden caribou, where the living and the dead part and meet again in the crippling beauty of winter and the surreal haze of summer.

Hardcover. NY, Dey Street Books/Morrow, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 437 pages. Celebrated NPR music critic Ann Powers explores the life and career of Joni Mitchell in a lyrical style as fascinating and ethereal as the songs of the artist herself. In Traveling, Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life. Clean copy.

Hardcover. Taipei, The International Culture Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio format, 224 pages. Mostly b&w illustrations, some color. Calligraphy and painting.

Hardcover. NY, Dodd, Mead & Co., reprint, 1902, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with elaborate gilt decoration to front cover and spine, top edge gilt. Design by Alice Cordelia Morse. 317 pages with 48 b&w plates. Selections from Dickens, Hugo, Ruskin, and many others. Originally published in 1898. Hinges cracked, Small ownership sticker to front fly leaf, otherwise a clean, tight copy.

Hardcover. NY, W. W. Norton, 1st, 1991, Hardcover in a bright dust jacket, 254 pages. Red phono disc of Tuvan throat singing still attached. As a stamp-collecting boy always fascinated by remote places, Nobel Prize-winning physicist Richard Feynman was particularly taken by the diamond-shaped stamps from a place called Tannu Tuva deep within Outer Mongolia. He hoped, someday, to travel there. In 1977, Feynman and his sidekick - fellow drummer and geography enthusiast Ralph Leighton - set out to make arrangements to visit Tuva, doing noble and hilarious battle with Soviet red tape, befriending quite a few Tuvans, and discovering the wonders of Tuvan throat-singing. Their Byzantine attempts to reach Tannu Tuva would span a decade, interrupted by Feynman's appointment to the committee investigating the Challenger disaster, and his tragic struggle with the cancer that finally killed him. Tuva or Bust! chronicles the deepening friendship of two zany, brilliant strategists whose love of the absurd will delight and instruct. Clean copy.

Softcover. NY, Singer Sewing Machine Co., 1930/1934, Book: Good, Dust Jacket: None, Two stapled brochures, 48, 64 pages. 5 1/2 X 8 1/4", both illustrated with b&w photos and drawings. Both clean. The draperies pages have some light wrinkling.

Hardcover. US, teNeues, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 240 pages. Clean, tight copy. Like new in pubisher's shrinkwrap. In an increasingly mobile society, it's common to cross the globe many times in a single month. Journeys that might once have taken weeks, now take hours. All of this travel is a suitable metaphor for Andrew Macpherson's rise to the pinnacle of celebrity photography. He has literally traveled the world to profile the best-known people of our age; Charlize Theron, Reese Witherspoon, and George Clooney to name a few. As he's done so, he's also embarked on an artistic journey to bring something fresh and inviting to each of his images. In this quest, he employs a multitude of varied techniques, playing with form, context and color. A note of poignancy overshadows this work. Many of the original negatives were lost in a warehouse fire. It is a testament to the strength of Macpherson's work that even scanned from magazine pages - as some of these images are - the results still radiate vitality and power.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. This beautifully typeset and illustrated book offers a singular collection of 35 in-depth articles on typography and the printing arts, from the earliest type design techniques to the latest in digital typeface and design development. Originally printed in Matrix, the renowned and highly respected journal of the printing arts, the articles cover a number of individual typefaces, techniques of making type using both historical and contemporary means, and arguments for the continuing use of obsolete printing technologies. Here too are detailed examinations of book design, ornamentation, and mathematical and other non-Latin typography.

Hardcover. New York, Aperture, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 104 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Published in Italian in 1955, and now available for the first time in the English language, Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits, graceful landscapes, and images of everyday objects. Paul Strand's photographs are carefully distilled, deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image, aligning with the new cinematic trend of the day, a movement known as Italian neorealism. Their Luzzara is an ordinary village, neither overly picturesque nor greatly unusual, yet it is a town sustained by a grounded humanity and a profound love for the land by its people.

Hardcover. NY, Madison Square Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Incredible color illustrations by Tim Raglin. INSCRIBED BY METAXAS on front half-title page. Light wear to top corner and spine of dust jacket. Large format. Uncle Mugsy is a confirmed bachelor -- bachelor bulldog that is -- who lives in his comfortable mansion without a care in the world. His only companion is his faithful butler, Peeves, who sees to his every worldly need, while Mugsy romances the elegant Miss Margaret Dogmont. But Mugsy's perfectly singular existence is put in double jeopardy when his adorable niece and nephew arrive for an unexpected Christmas visit!

NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uphill with Archie is a beautifully written and deeply involving look at the life and the world of the great literary icon, poet Archibald MacLeish, by his youngest son. Partly an homage, partly an attempt to come to terms with the man (and the legend), Uphill with Archie speaks to all sons and daughters who have never completely resolved their feelings about powerful parents. Young William MacLeish grew up both captivated and cowed by the fame of a father who won Pulitzer Prizes for his poetry and comparable honors for his work as a lawyer, playwright, teacher, and government official. William's mother, Ada, began her marriage as a successful concert singer in Paris but later felt compelled to give up her art for her family. When Archie was working for Henry Luce and Fortune magazine, his younger children, watched over by a governess, stayed with their grandfather in Connecticut. But it is of the time spent with his family at Uphill Farm, a beautiful old house above a Massachusetts hilltown, that MacLeish has his fondest and most telling memories: "Archie and Ada gave me great gifts: music, the sound of the language beautifully spoken, the draw of knowledge, the arts of humor," William writes. "I learned to perform for them, and in time found myself addicted to getting a nice tan from Archie's sun. And the more I bathed in his light, the harder I found it to go looking for my own."

Hardcover. NY, Viking, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 191 pages illustrated in color and b&w. Profiles the popular musician, tracing his evolution as a singer from his childhood, through his early days as a blues singer with "Them," his solo career, and hits such as "Gloria" and "Moondance." Clean copy.

Hardcover. NY, Doubleday Publishing, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background--murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity--can be a key to doors he didn't even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer. As a college student, Javi embellishes his life story until there's not even a kernel of truth left. The only real connection to his past is the occasional letter he trades with his childhood best friend, Gio, who doesn't seem to care about Javi's newfound awareness of white privilege or the school-to-prison pipeline. Soon after Javi graduates, a viral essay transforms him from a writer on the rise to a journalist at a legendary magazine where the editors applaud his "unique perspective." But Gio more than anyone knows who Javi really is, and sees through his game. Once Gio's released from prison and Javi offers to cut him in on the deal, will he play along with Javi's charade, or will it all come crumbling down? Clean copy.

Hardcover. NY, Macmillan, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 300 pages, 136 b&w photographs by Werner Forman, 12 in color. "Vienna, as everyone knows, is the city of music, and Joseph Wechsberg's lively book evokes the music of the city, the popular music of the Strauss family and of the Heuringer-singers, the great music of the Classical masters, the soft sound of Viennese speech and the harmony of the baroque city set in the unspoiled beauty of the Vienna Woods...[Wechsberg] reveals the Vienna of the Viennese, not always glamorous, sometimes a little shabby, but a city of living people to whom the past is a reality, who have bred or entertained many of the greatest masters of European music and poetry." Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1929, Book: Very Good, Dust Jacket: None, 125 pages. Hardcover with no duat jacket. 4 black & white illustrations by D.S. Wendell. Previous owner's signature (in pencil) front fly leaf. Tight copy.

Hardcover. London/NY, Thames & Hudson , 1st, 2022, Book: Good, Dust Jacket: None, Hardcover, orange cloth, 256 pages. A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Cover bumped, remainder line on bottom edge.

Hardcover. London/NY, Thames & Hudson , 1st, 2022, Book: Good, Dust Jacket: None, Hardcover, orange cloth, 256 pages. A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Cover bumped, remainder line on bottom edge.

Hardcover. New York , Pantheon, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, 111 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy. In April 1933 an editor at Lippincott asked Evans to take photographs for a polemical book by Carlton Beals, a leftist writer who was very critical of the then Cuban dictator Gerardo Machado and anxious to show how American support of Machado had created an economic catastrophe in Cuba. Evans agreed after acceptance of his conditions that he have complete freedom to choose the photographs for publication and that they be collected at the end of the book so that they appeared to be an independent entity and not simply illustration of the text. Indeed, according to legend, Evans had not read Beals's text when he went to Havana in May 1933. He was in Cuba for three weeks. When his personal funds ran out, his way was paid for by Ernest Hemingway; the two had never met before, but Hemingway was eager for the company of someone equally qualified in literary conversation and in drinking. In the end, Evans contributed thirty-one photographs to the published "The Crime of Cuba". This book, WALKER EVANS: HAVANA 1933, contains seventy of the photographs Evans took in Cuba, including most of the photographs he selected for "The Crime of Cuba". The volume is introduced by an excellent essay by Gilles Mora that gives the historical background and discusses the place of Evans's Cuban photographs in his overall body of work. The photographs were selected by Mora and by John T. Hill, who also was responsible for the sequencing of their presentation. (One of Mora's points is that Evans attached a great deal of significance to the sequencing of his photographs, any collection of which he viewed as a composite artistic/documentary statement and, as such, more important than any single photograph.)

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. The burgeoning popularity of Mickey Mouse on the screen and in the daily newspaper comics made the 1932 addition of a full-color Sunday strip inevitable. The first surprise in this collection of the initial four years of Sunday installments is that in this early color incarnation, Mickey's face was pink rather than white! But, more significantly, each Sunday strip comprised about a dozen panels, not the measly four panels of the dailies, permitting a different pace: gags could be extended longer, and story lines unwound at their leisure. Unlike the dailies, which featured stories that went on for weeks, the Sundays mixed serialized adventures--in this volume, Mickey visits the Wild West, fights a giant in a fairy tale he tells his nephews, and scales a mountain to win a $1,000 prize--with single-episode gag strips, all drawn in a charmingly old-fashioned style. The high-spirited, adventure-seeking mouse in these vintage strips--a far cry from today's bland, domesticated version--makes it clear why Mickey captivated Depression-era America.

Hardcover. New York, Evanston, and London, Harper & Row, 1st, 1970, Book: Good, Dust Jacket: None, 87 pages. Color illustrations throughout by Karla Kushkin. Staining to hinges. Foxing to edges. Edgewear, rubbing to cover. Else a clean copy.

Hardcover. NY, Bluesky/Scholastic, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 65 pages. Hardcover with dust jacket. Color illustrations by Barry Moser. Clean tght copy.

Hardcover. NY, Bluesky/Scholastic, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 65 pages. Hardcover with dust jacket. Color illustby Barry Moser. Clean tght copy.

Hardcover. New York, Dodd Mead and Co., 1st, 1903, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, illustrated with photographs by the Hampton Institute Camera Club. Brown cloth with decorative binding in three colors plus gilt by Margaret Armstrong. Front hinge cracked, some wear to top and bottom of spine cloth, otherwise clean and bright copy.