Hardcover. Berkeley, CA, University of California Press, 1st Edition, 1975, Book: Very Good, Dust Jacket: Very Good, 424 pages. Hardcover. B/w illustrations throughout. Blue cloth cover boards, gilt title on black on spine. Light tanning to pages. Spine straight. Binding tight. Takes its place in the eight-volume History of London series, but it is a self-contained enquiry into the place of ninth- to twelfth-century London in the history of the City and of the urban renaissance.
Hardcover. London, The Studio, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 194 pages, gray boards with black lettering, mustard cloth spine with paper label. Numerous illustrations, several in color, some folding. text pages are tanning, plates are bright. Explores the history of London, richly illustrated with maps and color plates. Light pencil name to front fly leaf, otherwise clean.
Hardcover. New York , Charles Scribner's Sons, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, 433 pages, green cloth stamped in gilt and black, Scribner A on copyright page. A square and solid book with fading to spine and small stain to cover. Photo portrait of James, b&w illustrations by him. Previous owner's signature on front fly leaf. Same page with a crease. Internally sound and clean.
Hardcover. Chicago, Follett Publishing Co., 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. B&W illustrations by Paul Giovanopoulos. 192 pages in a nice, price-clipped dust jacket. The saga of the Amistad. Off the Cuban coast, a slave from Sierra Leone took over the ship which drifted and was taken into custody by the US Navy. The return to Sierra Leone after protracted legal battles. Clean copy.
Softcover. Bennington VT, Bennington College, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover in green stapled wrappers. No. 628 of 1,000 numbered copies. Published in the Bennington Chapbooks in Literature series & in memory of William Trot. A speech delivered by Malamud at Bennington College as Lecture Seven in the Belitt Lectureship Series, October 30th, 1984. Introduction by Nicholas Delbanco. Illustrated with 3 full-page black & white photos of Malamud. Clean copy.
Hardcover. New York, Harcourt Brace Jovanovich, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Price-clipped dust jacket. Previous owner's name on front fly leaf. Light soil to top pages, abrasion on title page. Black and white pictures throughout, some color.
Hardcover. Baton Rouge, Louisiana State University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 175 pages, b&w illustrations. Vermont-native Twitchell sets out from his current home in Florida on the inauguration day of America's first black president to find the "real" South and to try to understand the truth about his illustrious ancestor. He travels in an RV from Georgia's Okefenokee Swamp across Alabama and Mississippi to Coushatta, Louisiana. As he drives through the heart of Dixie, Twitchell sorts through the prejudices he learned from his northern rearing. In searching for the culture he had held at arm's length for so long, he tours small-town southern life -- in campgrounds, cotton gins, churches, country fairs, and squirrel dog kennels -- and uncovers some fundamental truths along the way. Notably, he discovers that prejudices of race, class, and ideology are not limited by geography. As one man from Georgia mockingly summed up North versus South stereotypes, "Y'all are rude and we're stupid." Unexpectedly, Twitchell also uncovers facts about his great-grandfather and sheds new light on his family's past. An enlightening, humorous, and refreshingly honest search, Look Away, Dixieland reveals some of the differences and similarities that ultimately define us as a nation. Clean copy.
Hardcover. NY, Jr. Literary Guild, Book Club, 1930, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped with black design. Color frontispiece and black & white drawings by Wilfred Jones. Published simultaneously with the Little Brown trade edition. Clean, no dust jacket.
Hardcover. Norman, OK, University of Oklahoma Press, 1st Edition, 1967, Book: Very Good, Dust Jacket: None, Two Volume set. DOMESTIC SHIPPING ONLY. Volume 1: 568 pages.Volume 2: 517 pages.Hardcovers. In slipcase, very good. B/w illustrations throughout. Decorated edges. Black cloth cover boards. Pages clean and bright. Spines straight. Bindings tight. North's reputation among historians has varied wildly, reaching its lowest point in the late 19th century, when he was depicted as a creature of the king and an incompetent who lost the American colonies.
Hardcover. NY, Henry Holt, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. The moving story of the life of the woman behind A Raisin in the Sun, the most widely anthologized, read, and performed play of the American stage. Written when she was just twenty-eight, Lorraine Hansberry's landmark A Raisin in the Sun is listed by the National Theatre as one of the hundred most significant works of the twentieth century. Hansberry was the first Black woman to have a play performed on Broadway, and the first Black and youngest American playwright to win a New York Critics' Circle Award. Charles J. Shields's authoritative biography of one of the twentieth century's most admired playwrights examines the parts of Lorraine Hansberry's life that have escaped public knowledge: the influence of her upper-class background, her fight for peace and nuclear disarmament, the reason why she embraced Communism during the Cold War, and her dependence on her white husband-her best friend, critic, and promoter. Many of the identity issues about class, sexuality, and race that she struggled with are relevant and urgent today. This dramatic telling of a passionate life-a very American life through self-reinvention-uses previously unpublished interviews with close friends in politics and theater, privately held correspondence, and deep research to reconcile old mysteries and raise new questions about a life not fully described until now.
Hardcover. Santa Monica CA, Angel City Press, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Gives a lush, visual tour of a Los Angeles that no longer exists--one of elegant office buildings and stately mansions that were razed in the name of "progress" to build the city's famous freeways. Featuring stunning black-and-white photography from Arnold Hylen that captures a lost era, the book contains an original essay by the photographer that provides historical background and context for the time period. This new edition contains additional, never-before-seen photographs from Hylen and newly unearthed information from historian Nathan Marsak on these lost architectural treasures. Arnold Hylen (1908-1987) was a commercial and architectural photographer based in Los Angeles. Between the late 1940s and the late 1960s, Hylen traversed the streets of Los Angeles, photographing it's vanishing landscape. Still in publisher's shrinkwrap.
Hardcover. New York, Knopf, 1st us, 2012, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Small red dot remainder mark on bottom edge, otherwise, clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout.
Hardcover. New York, Dodd, Mead & Co, 1st, 1957, Book: Good, Dust Jacket: None, Non-paginated. Hardcover. Black & white illustrations by Paul Brown. Fading to spine. Previous owners stamp on half title page. Foxing to spine. Foxing to front and back cover and end papers. Otherwise clean, tight copy.
Hardcover. Central Point OR, Hellgate Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages, b&w illustrations. Lost Black Sheep tells two amazing stories. The first chronicles the wartime exploits of Marine Corps Ace Chris Magee, former member of the famous Black Sheep Squadron, his improbable postwar odyssey, and the surprising developments of his later years. The second describes the author's personal quest to find a man who seemed to have dropped off the face of the earth and the startling revelations that follow when he finds him. Clean copy.
NY, Villard, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 86 pages + paintings from Botkin's portfolio. Illustrated with black & white photos and color paintings by Botkin. Text compiled by Botkin's daughter Marina Schweitzer. Foreword by Greg King. Bright, unclipped dust jacket.
Hardcover. Danbury NH, Addison House, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 187 pages. INSCRIBED BY JACOBI on title page. Black & white photography of Lotte Jacobi.
Softcover. Woodstock, VT, Countryman Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 47 pages. Softcover with paper wrappers and dust jacket. Black and white phtoographs throughout.
Softcover. New York, Grey Art Gallery and Study Center/NYU, 1st, 1979, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Illustrated with full color and black & white examples of works by Louis Comfort Tiffany. Light toning to edges. Gallery sheet with biographical information and list of other objects by Tiffany laid in. Clean, unmarked copy. Uncommon.
Hardcover. Boston, Little Brown , 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 1st published in the UK 1971.
Hardcover. Prestel, 1st, 1998, Book: Very Good, Hardcover, 167 pages. Louise Bourgeois: The Secret of the Cells is both a catalog of works by and a biography of the famous Parisian artist. Born in 1911, the now-octogenarian Bourgeois has shown widely throughout the world and to great critical acclaim, especially within the last decade. Bourgeois's personal history is vastly important in the content of her work, and this book takes readers on a journey from her affluent childhood in France, including family photographs, to her schooling under painter Fernand Leger to her eventual marriage and move to the United States, where she continued her long and varied career working primarily as a sculptor and installation artist. Bourgeois's abstract figurative sculptures range in materials from plaster, marble, and bronze to the more nontraditional latex, glass, thread, etc. Regardless of the medium, the work is imbued with a strong physicality that echoes the forms of the human body. Included in the book are discussions of Bourgeois's work in relation to other artists and movements such as Rodin, Brancusi, and primitivism. Bourgeois has been an inspiration to an entire generation of artists, not just because of her long and illustrious career but because her work has pushed so many boundaries. Louise Bourgeois: The Secret of the Cells is an informative and beautiful book with 77 color and 176 black-and-white images.
Hardcover. New York, NBM Comics Lit, 1st, 2015, Book: Very Good, Dust Jacket: None, 80 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Black and white pictures throughout. Graphic novel in which famed early twentieth century actress Louise Brooks returns to her home town of Wichita, Kansas and gets involved in a murder mystery.
Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.
Hardcover. NY, The Macmillan Company, 1st Ltd. Ed., 1921, Book: Very Good, Dust Jacket: Very Good, Hardcover in a tan dust wrapper with black lettering, 111 pages. A tight, lovely first edition of Brown's first book, a study of the works of the just-deceased and little-known New England poet and essayist Guiney (1861-1920). The frontispiece, a head and shoulders wood engraving of a young woman (presumably Guiney) wearing a crown of laurels, is signed boldly in pencil just below the image by famed wood engraver TIMOTHY COLE (1852-1931). ALSO INSCRIBED BY AUTHOR BROWN on the front fly leaf. Number 11 of 100 special copies.