Hardcover. NY, William Morrow & Company, Book Club Ed., 1964, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards,, 32 pages illustrated in color by Janet McCaffery. The story of a bad witch who runs a cattery specializing in magical black cats for sale to other bad witches. One day, she is horrified to discover that one of her new kittens is yellow---a good witch cat. Frightened that her business will be ruined, she tries everything she can to get rid of the kitten; but in the end, good triumphs over bad, and "now good witches and fairy godmothers" get their magical cats from Hissing Hill. Corners with light wear, clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, blue cloth covers with black decoration. Illustrated in 3-colors by Ward. Dust jacket with light soil, price-clipped. Previous owner's inscription on front fly leaf.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, faded on spine, 315 pages. Science fantasy adventure involving the resurrection of a Viking woman, who has been frozen for a thousand years, by a lost community of Vikings in the far north.

Hardcover. NY, Harper & Brothers, reprint, 1915, Book: Good, Dust Jacket: None, Hardcover, tan cloth with boards illustrated in red and black. 318 pages profusley illustrated with b&w drawings by Pyle. Previous owner's inscription on inside front cover.

Hardcover. NY, Harper & Brothers, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, rose-colored cloth with black and red design on front cover. 24 short tales illustrated in b&w by Pyle. Verses by Katherine Pyle. Originally published in 1887, appears to be a 1940s reprint. Mild soil, inscription on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth, cover label with blackberry and fern design, 126 pages. B&w illustrations by Helen Sewell. The fifth book of Sally's story, in which, released by the sultan from service to the White Lalla, she returns home to Maine. How Five Bushel Farm is saved and how Sally, and Andrew, and Pierre grow up. Bookplate on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Simon and Schuster, 1st, 1957, Book: Good, Dust Jacket: Good, Hardcover, illustrated throughout by Marc Simont in blue & black. Stated First Printing. In a lightly soiled dust jacket that's price-clipped. Small scar to front endpaper otherwise clean

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.

With variorum notes, and numerous illustrations by Gustave Doré. Hardcover. Privately Printed, circa 1920, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with faded gilt lettering, 640 pages. Circa 1920's (there is no date of publication stated). Many pages toward second half are unopened. Solid binding, paper tanning slightly. Name on front fly leaf otherwise clean. Doré's beautiful b&w drawings throughout.

Hardcover. NY, Horizon Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 black and white plates with Subject Guide at rear. Illustrated with black and white plates. First Edition/First Printing. DJ has light shelfwear present with chipping present to the DJ extremities. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Eugene Atget (1857-1927) was a French flaneur and a pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization. Most of his photographs were first published by Berenice Abbott after his death. An inspiration for the surrealists and other artists, his genius was only recognized by a handful of young artists in the last two years of his life, and he did not live to see the wide acclaim his work would eventually receive.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. NY, Farrar Straus Giroux, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 530 pages, b&w illustrations. The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today. Remainder mark on top edhge, otherwise clean.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue boards, black cloth spine with gilt lettering. 101 pages, two b&w frontispieces, clean copy. No dust jacket.

Hardcover. Boston, Charles E. Lauriat, reprint, 1930, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Beige cloth boards with black lettering on spine. Multiple illustrations and plates with detailed engravings. Limited to 500 copies, reprint of 1808 1st London edition, with appendix from the 1819 2nd London edition. Subtitled: A key to the leading of rigging, and to practical seamanship. A knowledgeable and comprehensive manual by Darcy Lever designed to assist young gentlemen of the Royal Navy from the early 19th century.

Softcover. Oxford UK, Blackwell, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 332 pages. The Zizek Reader - which includes a Foreword by Zizek and a new, previously unpublished essay on cyberspace - provides a comprehensive and accessible introduction to the flamboyant work of a figure who has been variously described as 'one of the most arresting, insightful and scandalous thinkers in recent memory' and 'the Giant of Ljubljana'. His work is an extraordinary mix of Hegel and Hitchcock, Schelling and science fiction, Kant and courtly love, Stalin and Stephen King, all of which is strongly seasoned with Lacanian psychoanalysis. Divided into three parts - Culture, Woman and Philosophy - the Reader not only provides careful explications of the individual extracts within each section but also connects these extracts in a general introduction, mapping the shiftings of Zizek's thought within the Lacanian framework. The essays on woman offer feminism ammunition from unexpected sources, within a reading of Lacan that goes counter to his ambiguous reception by feminists. In fact, at this collection dazzlingly demonstrates, Zizek provides us with one of the most limpid and persuasive readings so far produced of Lacan's difficult thought. Name on inside of front cover, otherwise clean.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout. A tight copy. Covering many styles and movements, it includes work by pioneers such as Edward Sheriff Curtis, seminal figures like Walker Evans, Cecil Beaton and August Sander, as well as artists such as Martin Parr, Cindy Sherman and Philip-Lorca diCorcia - With over 300 black and white and color photographs, this book offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Hardcover. NY, McGraw-Hill Book Company, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, color and black and white illustrations throughout. A masterly survey of the world's stages brings to the contemporary reader the entire panorama of the theatre, including its formative stages among primitive peoples and the richly stylized traditions of the East.

Hardcover. NY, McGraw-Hill Book Company, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, color and black and white illustrations throughout. A masterly survey of the world's stages brings to the contemporary reader the entire panorama of the theatre, including its formative stages among primitive peoples and the richly stylized traditions of the East.

Hardcover. NY, Doubleday & Company, 1st, 1940, Book: Very Good, Dust Jacket: Very Good, Oblong hardcover in turquoise cloth lettered in yellow, Color illustrated endpapers. Illustrated with color and black and white drawings by the author. INSCRIBED BY DE ANGELI on tile page and dated 1940. Stated First Edition. In a bright dust jacket with light edgewear that's unclipped ($2.00). The story of two little Quaker girls living in Philadelphia just before the Civil War.