Hardcover. New York, Grosset & Dunlap, 1st, 1930, Book: Very Good, Dust Jacket: None, 334 pages. Yellow cloth covering with black lettering on front cover and spine. Top edge of papers stained blue. Previous owners' names written in red pen on top of front end paper. Related ephemera laid in. B&W photos from Fox Movietone movie. Cover corners bumped, front and back covers slightly marked. A couple spots of discoloration on page edges.
Hardcover. Boston, Atlantic Monthly Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on spine and drawing of Charlie on front cover, a story by the author of Ironweed and his son, Brendan. Illustrated in color by Glen Baxter. Through ingenuity, determination, and sheer grit, Charlie Malarkey and his friend Iggy must stop Ben Bubie and his diabolical machine from stealing belly-buttons in Albany, New York. Clean copy. No dust jaclet.
Hardcover. Atlanta, GA, University of Georgia Press, 1st, 1945, Book: Good, Dust Jacket: Good, Written by fresco painter Jean Charlot on the subject of 3 particular murals he painted during his year as artist-in-residence at the University of Georgia. 222 pages, illustrated with 178 (mostly black/white, few color) plates. Introduction by Lamar Dodd and photography by Eugene Payor. Cloth bound book is in good condition, some light stains on the cover, a few pages stick. Dust jacket shows slight edge wear.
Hardcover. NY, Harper and Brothers, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 184 pages.The rear panel of the jacket quotes reviews of Stuart Little before concluding with the publisher's name on two lines. Original light beige cloth, spine and front cover lettered in black and blue, blue and white spider web-patterned endpapers. 47 charming black and white illustrations by Garth Williams. No First Edition or publisher's code on copyright page, so assumed a very early reprint. Clean copy.
Softcover. San Francisco, Backbeat Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. Chasin' That Devil Music has the feel of a documentary about the making of a thrilling motion picture. The main focus is on the Delta blues singers of the early 20th century--artists such as Charley Patton, Tommy Johnson, Son House, and Blind Lemon Jefferson who've achieved near-mythic status in blues circles. In addition, many of the articles gathered in this splendidly illustrated volume capture the process and people involved in tracking long-lost recordings nearly as elusive as the performers who made them. Here, for example, is the story of author/blues scholar Gayle Dean Wardlow's three-year hunt for the death certificate of Robert Johnson, the celebrated Mississippi bluesman and a figure whose legend has grown greater with each year since his much-debated death in 1938. The text here is nearly as raw in spots as the music that sparked it, but, as with those sounds (which can be heard on a terrific CD sampler included with the book), enthusiasts will find Chasin' That Devil Music riveting. Clean, bright copy.
Hardcover. NY, Harper & Row, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 64 pages. Hardcover with dust jacket. Black & white illustrations by Marc Simont. Light edgewear and rubbing. Tight copy.
Hardcover. NY, Bloomsbury, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 284 pages, color illustrations. Winfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsys encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison. Chasing Me to My Grave presents Remberts breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert calls forth vibrant scenes of Black life on Cuthbert, Georgias Hamilton Avenue, where he first glimpsed the possibility of a life outside the cotton field. Pulitzer Prize sticker on dj. Foreword by Bryan Stevenson. Clean copy.
Hardcover. NY, Harper and Brothers, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth black, white and green decoration, 265 pages. B&w drawings by the author. Animal stories told through the eyes of a black and white magpie. Clean, tight copy.
Hardcover. London, Chapman and Hall, 1st, 1835, Book: Good, Hardcover, black cloth with embossed floral design with gilt vignette of a mounted knight on front. 114 pages with illustrations and 24 colored diagrams including frontispiece. Lewis was a leading chess teacher and author-his most famous pupil was Alexander McDonnell-and for a time he ran chess rooms in St. Martin's Lane. In 1819 he operated the chess-playing automaton The Turk when it was exhibited in London. The Lewis Counter Gambit was name for him. First blank page has "With the Publisher's Compliments" in pencil, otherwise clean, There are 2 small chips to the front cover cloth. (See picture), otherwise a handsome copy of this scarce chess book.
Hardcover. NY, W. W. Norton & Company, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 606 pages. In this definitive biography of Chester B. Himes (1909-1984), Lawrence P. Jackson uses exclusive interviews and unrestricted access to Himes's full archives to portray a controversial American writer whose novels unflinchingly confront sex, racism, and black identity. Himes brutally rendered racial politics in the best-selling novel If He Hollers Let Him Go, but he became famous for his Harlem detective series, including Cotton Comes to Harlem. A serious literary tastemaker in his day, Himes had friendships-sometimes uneasy-with such luminaries as Ralph Ellison, Carl Van Vechten, and Richard Wright. Jackson's scholarship and astute commentary illuminates Himes's improbable life-his middle-class origins, his eight years in prison, his painful odyssey as a black World War II-era artist, and his escape to Europe for success. More than ten years in the writing, Jackson's biography restores the legacy of a fascinating maverick caught between his aspirations for commercial success and his disturbing, vivid portraits of the United States. Clean copy.
Hardcover. Chicago, IL, Chicago Historical Society, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. History of the art of glass and ceramics in Chicago. Focuses on both small-scale, decorative works and larger, architectural pieces. Illustrated with 221 photographs (mostly black/white, few color). Dust jacket in very good condition, shows slight rubbing on the back, but cloth bound book in near fine condition with virtually no flaws.
Hardcover. Chicago, Chicago Historical Society, 1st, 1977, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with silver lettering and design. A comprehensive look at the history of objects made of metal from Chicago between 1844 to 1970. Includes numerous black and white illustrations by Walter W. Krutz. 141 pages. SIGNED BOOKMARK by author laid in. Clean copy. No dust jacket issued.
Hardcover. Berkeley CA, University of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 112 pages. Schell, Orville [Foreword]; Parks, Gordon [Commentary]; Stepto, Robert B. [Commentary]. Shortly before the end of the Second World War, Wayne Miller was awarded a grant from the Guggenheim Foundation to photograph 'The Way of Life of the Northern Negro'." This project documented the wartime migration of African Americans northward, specifically looking at the black community on the south side of Chicago, covering all the emotions in daily life. The people depicted are mostly ordinary people, but some celebrities appear, such as Lena Horne, Ella Fitzgerald, Duke Ellington and Paul Robeson. He was a contributor to Magnum Photos beginning in 1958. Stamped name on front fly leaf, otherwise clean copy.
Hardcover. Berkeley, University Of California Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth stamped with silver lettering in a bright dust jacket, 112 pages. An immensely important record of black life in Chicago at the near end of the 1940's. Apart from a few photos of entertainers the rest capture, in fascinating detail, life in Chicago's south side. The workplace and workers, interiors of homes and bars, parades, funerals, sport and street scenes with plenty of activity. The detail in all these pictures is impressive and typical of Miller's eye to capture a scene that reveals so much. Foreword by Orville Schell. commentaries by Gordon Parks and Robert Stepto. Small color sticker on front fly leaf, otherwise clean.
New York, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages. Color and black & white photography and illustrations. "Chicken Run" is the first feature from Aardman Animation, the animation studio responsible for the award-winning "Wallace & Gromit" films. This book tells the complete story of the making of this epic adventure, taking the reader into Aardman's magical world.
New York, Holt Rinehart Winston , 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover. 128 pages. Black & white decorations by Antony Maitland. Ex-library with usual markings and stamping. Dust jacket with tear, library label on spine.
Hardcover. NY, W. W. Norton, 1st, 1990, Hardcover in a bright dust jacket, 208 pages. From the late 1880s to around 1915, Childe Hassam, America's foremost impressionist, frequently visited the Isles of Shoals, the site of a summer resort popular with many American artists and writers. Paintings from Hassam's Isles of Shoals series are among the most familiar icons of late nineteenth-century American art. But until now, a comprehensive selection of these beautiful works had not been collected in one place. David Park Curry's informative text provides the background essential to a full appreciation of these works. 105 full-color reproductions and100 black-and-white photographs.
Softcover. San Diego, Green Tiger Press, 2nd printing, 1987, Book: Good, Dust Jacket: Good, 100 pages. Softcover with dust jacket. Light and minor wear to cover edges. Color and black and white pictures throughout.
Hardcover. Philadelphia, Lippincott, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, 230 pages. Color and black & white illustrations by Richard H. Rodgers. Cover has edgewear.
Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers,192 pages. Black & white lithographs by Grace Paull. Red top edge. Decorated endpapers. No dust jacket. True stories of children and their crafts, such as quilting, book-making, gardening, etc. Clean copy.
Hardcover. Philadelphia, Presbyterian Board of Publication, 1st, 1890, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in black and gilt. 4 b&w plates. Covers with edge wear, gilt slightly faded. Library bookplate inside front cover, otherwise clean, no markings.
Hardcover. New York, Windmill Books/Simon & Schuster, 1st, 1969, Book: Very Good, Dust Jacket: Good, Non-Paginated. Hardcover. Black & white pencil drawings by Edna Eicke. Bottom corner of front inside flap clipped. Dust jacket with some light foxing - jacket protected with clear plastic cover. Clean, unmarked copy.
Softcover. New York, W. W. Norton & Company, Inc., 1st, 1990, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black & white photographs throughout.