Hardcover. New York , Greenwillow, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Clean, tight copy.Illustrated in color by Anita Lobel. SIGNED BY LOBEL on title page.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 3. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. US, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Volume 1. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. US, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 4. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. Boston, Little Brown & Company, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Burke pits a land-hungry oil company against a Blackfeet Indian reservation in a stunning novel that takes detective fiction into new imaginative realms. His Cajun sleuth, Dave Robicheaux, an ex-New Orleans cop featured in two previous novels, attends Alcoholics Anonymous meetings, has recurrent nightmares about his murdered wife, and cares for an adopted El Salvadoran refugee girl. When two American Indian activists disappear, Robicheaux's dogged investigation not only sets him on a collision course with Mafia thugs and oil interests, but also leads him into a romance with Darlene American Horse, his ex-partner's girlfriend. Clean copy.

Hardcover. New York, Dial Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Non-paginated. Color illustrations. by Jerry Pinkney. SIGNED BY PINKNEY on title-page. Clean, bright copy.

Hardcover. Los Angeles, CA, Archaia, 1st, 2016, Book: Very Good, Dust Jacket: None, 166 pages. Hardcover with no dust jacket. Color comics throughout by Fincher/Hyman. Clean, tight copy with minor if any wear to edges.

Hardcover. Templar, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Wonderfully quirky illustrations in color by the Australian artist. An enormous black dog and a very tiny little girl star in this offbeat tale about confronting one's fears. When a huge black dog appears outside the Hope family home, each member of the household sees it and hides. Only Small, the youngest Hope, has the courage to face the black dog, who might not be as frightening as everyone else thinks. Clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 131 pages. The story is set in Philadelphia in a 1950's winter. The protagonist, Al Hart, wanders the city streets and steals an overcoat from a clothing store. He is running away from New Orleans where he is wanted for the murder of his older brother. The motive of the murder, it appears, is to inherit the large wealth his brother had earned. As the story unfolds, it develops that Hart was well educated and had gifts as an artist. Goodis' words "He had no idea of where he was going and he didn't care" describe Hart's life.Clean copy.

Softcover. Berkeley, Black Lizard, reprint, 1987, Book: Very Good, Dust Jacket: None, Paperback, tight and square, clean and bright. Unread mass market reprint of the 1954 Goodis classic. A nice copy of this Black Lizard reprint.

Hardcover. Boston, Little, Brown and Co,, reprint, 1947, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. The true story of an African medicine man as he leaves his home to practice his medicine in the city. Wulf Sachs was born in Russia and trained at the Psychoneurological Institute in St. Petersburg. A citizen of South Africa who resided in Johannesburg, he was a practicing psychoanalyst and the author of many books on psychiatry and literary criticism. Classic account of a two and half year psychoanalysis of a South African witch doctor. This book was earlier published with the title Black Anger. Derived from a review posted on-line: Black Hamlet is at the same time a case study in psychoanalytic therapy, the report of a scientific investigation, a political polemic, a collection of ethnographic observations, and the biography of a common man whose remarkable features would otherwise have been overlooked. Clean copy.

Hardcover. New York, Crime Club/Doubleday Doran, 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, 300 pages, orange cloth covers. Previous owner's signature on front fly leaf, small soil smudge to rear cover. Otherwise, very good.

Hardcover. London, Heinemann, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover. Previous owner's bookplate on front fly leaf, small ink checks on rear dust jacket flap. Otherwise clean.

Hardcover. NY, Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, in a bright, unclipped dust jacket. Memoir of an African-American woman when she was a student at a formerly all white male private prep school.

Softcover. NY, Grossman Publishers, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. A powerful photographic meditation on life for African-Americans in the U.S. in the 1960s. Includes numerous black and white images. A clean near fine copy in wrappers. with some very minor wear. Small tape repair to bottom of spine, otherwise bright and clean.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Good, Dust Jacket: None, 208 pages. Softcover. Black and white photographs. Light edgewear to wrappers, spine shows chips and creases. Reprint of the B&W photo essay first published in 1967-68 examines daily lives of African-Americans during the Civil Rights era. Text adapts Freed's diary entries and interviews. 208 pages.

Hardcover. London, Gingko Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 240 pages, b&w illustrations. Pictorial boards. Still in publisher's shrinkwrap. Known as Toast in graffiti circles and Atalier in graphic design circles, Ata Bozaci is recognized as an artist, draftsman, illustrator, and graffiti artist. This Swiss-based dynamo is also known as one of the pioneers of three dimensional graffiti art. The link between these different artistic or design modes is a pictorial language that is based on the reduction of images and ideas to the essential - black ink on white surfaces. In order to preserve the character of his work and to create an object that is more than just a direct documentation of his work, the book was constructed with paper stock similar to that of his sketchbooks and all of his work printed exclusively using black ink on white paper. The book is organized into three main organizing chapters: Graffiti, Sketches, and Illustrations. Graffiti focuses on Styles & Characters, 3-D Styles and Living Letters, Sketches is divided into the categories Animals and People and the last section, Illustrations is devoted to Portraits and the commercial Grafics work that appears under the label Atalier.

Softcover. New York, Pocket Books/Permabooks, 1st, 1961, Book: Very Good, Dust Jacket: None, 195 pages. Paperback. Pocket Book #6087. Creasing along spine.

Softcover. Washington DC, Howard University Press, 1994, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. Maps, illustrations, bibliography, index. A comparative social overview of slavery in Britain, America, and the Caribbean during the colonial period. Walvin carefully examines the external pressures exerted on coastal communities in Africa for slaves, the gradual development of a slave trading system within Africa, and the transport of over twelve million Africans across the seas. Clean copy. Several pages with dog-ear creases.

London , Collins, reprint , 1968, Book: Good, Dust Jacket: Good, Hardcover. 255 pages. Light rubbing to spine, corners. Soiling, edgewear to dust jacket. Being the life story of Ralph Rudd, his early adventures, perils and misfortunes on land and sea, including sundry close encounters with high-jacking, mutiny and violence off the African Slave Coast.

Hardcover. NY, Pantheon Books , 1st US, 1969, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, library binding. Illustrated in b&w by Antony Maitland. An atmospheric and chilling thriller set in 19th century London. Bartholomew Dorking finds himself inexplicably tied to the murdering villain Black Jack, who should have hung from the gallows - but who has now, it seems, come back from the dead!. Leon Garfield was one of the most celebrated children's authors of the twentieth century, and won the Guardian Award, The Whitbread Award, and the Carnegie Medal. Clean copy.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 310 pages, b&w illustrations. Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together-even as deeply internalized prejudices drove them apart-but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.

Hardcover. London, Macmillan & Co., reprint, 1942, Book: Good, Dust Jacket: None, Hardcovers, two-volume set, green cloth with gilt lettering on spine. Rebecca West, 1892-1983, wrote Black Lamb & Grey Falcon after spending 6 weeks in Yugoslavia. Publication occurred at the same time as the Nazi invasion of the state. West pays tribute in the book's epigram to the thousands of civilians who lost their lives in the horrific events that followed; "To my friends in Yugoslavia, who are now all dead or enslaved." 32 black and white photographic plates, map endpapers to both volumes. Clean, tight bindings. Tattered dust jackets laid in. No markings. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Antonio TX, Wings Press, reprint, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages, b&w photos. On October 28, 1959, John Howard Griffin underwent a transformation that changed many lives beyond his own he made his skin black and traveled through the segregated Deep South. His odyssey of discovery was captured in journal entries, arguably the single most important documentation of 20th-century American racism ever written. More than 50 years later, this newly edited edition which is based on the original manuscript and includes a new design and added afterword gives fresh life to what is still considered a contemporary book. The story that earned respect from civil rights leaders and death threats from many others endures today as one of the great human and humanitarian documents of the era. Clean copy.