Hardcover. NY, Garland Publishing, reprint, 1978, Book: Very Good, Hardcover, orange cloth with black lettering on spine, 467 pages. Facsimile of the original 1687 edition. From the 'British Philosophers and Theologians of the 17th and 18th Century' series, edited by Rene Wellek. Name on front fly leaf otherwise clean.

Hardcover. Boston, Houghton Mifflin , 1st, 1900, Book: Very Good, Hardcover, green cloth stamped in black on front cover, gilt lettering on spine. Rear cover with light discoloration. Clean copy.

Hardcover. Boston, Little Brown, 1st, 1924, Book: Very Good, Dust Jacket: None, Hardcover, 296 pages. Black cloth with color label on front, spine lettering faded. Five color plates and endpaper illustration by Elizabeth Shippen Green Elliott. Clean, tight copy.

Hardcover. NY, Garland Publishing, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering on spine, 253 pages. A Garland Series, British Philosophers and Theologians of the 17th and 18th Centuries. A facsimile reprint of the 1655 London edition. Name on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, BC Ed., 1956, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in black, 120 pages, B&w illustrations by Bice. A Weekly Reader Book Club Edition. Paper tanning, otherwise a tight, clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black and white with a collie and her pup on the cover. 36 pages, 4 color plates by W.T. Smedley. Story told from a dog's perspective. Light fading to spine, otherwise clean.

Hardcover. Cambridge MA, MOCA / MIT Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth with gilt and black stamping, 176 pages color & b/w pls. A fine exhibition catalogue featuring works by Jenny Holzer, Mike Kelley, Jeff Koons, Laurie Simmons, Sherrie Levine, Cindy Sherman, Matt Mullican etc. The development of these issues and their role in shifting the focus of much recent art from insistence on the art as object, to a host of representations is addressed in four essays and a section of "artists' pages." In the first essay, exhibition co-organizer Ann Goldstein discusses the individual artists and points to key issues and methods in their art. The artists themselves are represented by a 60 page portfolio of their works. Designed by the artists, these pages include personal statements, the remarks of others, works made specifically for the book and works using the tools of mechanical reproduction.

Hardcover. Boston, John F, Jewett, 1st, 1849, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Bound in blind-stamped brown cloth, gilt-pictorial black morocco spine. frontispiece view and two plates with tissue guards; plates foxed. Otherwise clean, tight copy.

NY, Oxford University Press. , 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket, 85 pages. Black & white illustrations by J. Paget-Fredericks. Dust jacket price clipped. Dust jacket with closed tears, chips, small chunks gone from top & bottom of back cover.

Hardcover. NY, Van Nostrand Reinhold, 1st thus, 1969, Book: Very Good, Dust Jacket: Very Good, Three hardback books in original slipcase, dust jackets with minor wear, books are clean, very good. Very Good black slipcase, minor wear and soiling. Each volume includes black-and-white images and illustrations, and full-color plates. 96 pp. A Grammar of Color: A Basic Treatise on the Color System of Albert H. Munsell. Includes an Introduction by Birren. 96 pp. The Color of Primer: A Basic Treatise on the Color System of Wilhelm Ostwald. Includes a Foreword and Evaluation by Birren. 96 pp. Principles of Color: A Review of Past Traditions and Modern Theories of Color Harmony. Fantastic set of books for referencing multiple aspects of color theory.

Hardcover. Hanover NH, University Press of New England, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 161 pages. Carousing at the Black Dog Inn, Charles recounts to a friend the recent events of his life - "an endless soap opera" now centered on his chance meeting with hitchhiker William Cutshall, who weaves a tale of intrigue about his attempt to find his missing son. Connolly structures this novel as a kind of My Dinner with Andre, a nonstop conversation during which Charlie spins the tale of William Cutshall and Garth interrupts with observations, questions, and rebuttals. Surreal and darkly comic, A Great Place to Die can overwhelm at times, but Sean Connolly's faultless prose and offbeat characters keep things moving along until the end.

Hardcover. Boston, Roberts Brothers, 1st, 1881, Book: Good, Dust Jacket: None, Hardcover, gray-green cloth with gilt. silver and black decoration to front board and spine. 238 pages profusely illustrated in b&w by various illustrators. Endpapers feature a map of the Island of Guernsey with the author's previous books opposite. Susan Coolidge is the pen name of Sarah Chauncey Woolsey (1835-1905) American author of children's books. Previous owner's name on blank prelim page, hinge cracked at front, binding a little shaken. Lettering on spine faded.

Hardcover. Boston, Houghton Mifflin, 3rd Ed., 1891, Book: Good, Dust Jacket: None, Hardcover, 3/4 leather over marbled boards, ribbed spine with gilt lettering. Frontispiece with tissue guard. Marbled endpapers with gilt pattern. Black and white plates and illustrations. 349 pages. Front cover starting to split from spine but still holding. Mild edgewear to covers, bookplate on inside front cover, otherwise clean copy.

Hardcover. NY, Random House, 1st, 2016, Book: Very Good, Hardcover in a bright, unclipped dust jacket. 1941. The City of Light is dark and silent at night. But in Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu, a leader of the French Resistance, leads one such cell, helping downed British airmen escape back to England. Alan Furst's suspenseful, fast-paced thriller captures this dangerous time as no one ever has before. He brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. NY, Harper & Brothers, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with pictorial design of girl on a horse stamped in white and black. 153 pages illustrated with 5 b&w plates by Lucius Hitchcock. Twain's historical fiction novel, partially written from the point of view of Buffalo Bill's favorite horse, Soldier Boy. This novel was first published in two installments in August and September 1906 in 'Harper's Magazine'. Twain's daughter Susy Clemens, who died in 1896 at age 24 of spinal meningitis, is understood to be the inspiration for lead character Cathy Alison. When Twain provided the story to Harper's, he included a photograph of Susy for the illustrator to use for Cathy. Spine is lightly faded, otherwise a bright, clean copy.

NY, Harper & Brothers, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with stamped colored cover illustration of a winter mountain scene framed by a holly leaf wreath. Top edge gilt. Thick card pages all have pictorial borders in soft pale yellow and black by Remington. Remington end papers, tissue covered frontis and two additional full page Remington plates. Christmas story featuring Lin McLean. Beautiful illustrated book. 92 numbered pages. Some rubbing/flecking to red cloth, especially spine and rear cover. Otherwise clean.

Hardcover. NY, Frederick A. Stokes, 1st, 1890, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. 60 black & white illustrations by H.A. Ogden. Bright gilt decorated cover with 3-color decoration. Previous owner's inscription on prelim page. Otherwise a clean, tight copy.

Garden City, NY, 1st, 1962, Book: Very Good, Dust Jacket: Good, Black & white illustrations by the author. Dust jacket with edgewear, chipping, and light soil. Illustrated endpapers. First book written by the notable illustrator, who went on to create the Rosy Cole children's series. A delightful tale of romance and culture in the city.

hardcover. Boston, Little Brown, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Susan Perl. Light edgewear and rubbing to dust jacket. Review slip laid in.

Hardcover. New York, G. K. Hall & Company, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 319 pages. Hardcover with dust jacket. Minor dust jacket edge wear, otherwise, spotless and tight copy.

Hardcover. NY, Macmillan, reprint, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 257 pages. Later printing. Bound in black cloth boards with paper titles present to the spine and front board. Stuart Chase was an American economist and engineer trained at MIT. His writings covered topics as diverse as general semantics and physical economy. His hybrid background of engineering and economics places him in the same philosophical camp as R. Buckminster Fuller. Chase's thought was shaped by Henry George, Thorstein Veblen and Fabian socialism. Chase spent his early political career supporting "a wide range of reform causes: the single tax, women's suffrage, birth control and socialism." Chase's early books The Tragedy of Waste (1925) and Your Money's Worth (1928) were notable for their criticism of corporate advertising and their advocacy of consumer protection. Although not a Marxist, Chase admired the planned economy of the Soviet Union, being impressed with it after a 1927 visit. Chase stated that "The Russians, in a time of peace, have answered the question of what an economic system is for." It has been suggested that he was the originator of the expression a New Deal, which became identified with the economic programs of American president Franklin Delano Roosevelt. Inscription on front fly leaf, otherwise clean.

Hardcover. NY, Harper & Brothers, 1st, 1891, Hardcover, original decorative blue cloth stamped in gilt, with a paper black and white oval cameo laid on front board. First edition. A cornerstone collection of 24 New England regional tales, including the ghost stories "A Gentle Ghost", "The Twelfth Guest," and "A Village Lear". Spine gilt lightly faded otherwise a clean, tight copy.

Hardcover. Dublin, The Cuala Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, one of 425 copies, publisher's device vignette by T. Sturge Moore on title page, minor offsetting to endpapers, else unmarked internally, publisher's cloth-backed blue boards, paper label on spine is chipped, black lettering to upper cover, blue endpapers, spine and extremities slightly toned, else very good. One of 425 copies, printed at the Cuala Press, with the date misprinted as 'MCMXXVIV' on the title page (as noted by Wade). The Cuala Press originally started out as the Dun Emer Press in 1903, founded by Evelyn Gleeson. Influenced by the Gaelic revival occurring in Ireland, it promoted Ireland's cultural heritage, while at the same time training women to work in a useful trade. Eventually the two sisters of W.B. Yeats took over the press, continuing Gleeson's work, and renaming it The Cuala Press in 1908. No dust wrapper, as issued. There is some tanning/foxing to last 8 pages including colophon.