Hardcover. Jaffrey NH, Sparhawk Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover. Contains black & white and color cartoons by Tripp. Book and dust jacket in excellent condition.

Hardcover. New York, Dodd Mead , 1st US, 1896, Book: Very Good, Dust Jacket: None, Hardcover, 201 pages. Black & white page illustrations by Harry Furniss and vignettes by Dorothy Furniss. Previous owner's inscription front end paper. Edgewear, corners bumped. Some browning to page edges. No dust jacket.

Hardcover. NY, Grosset & Dunlap, 1st, 1942, Book: Very Good, Dust Jacket: None, Previous owner's inscription opposite title-page. Color and black & white illustrations by Disney. Cover shows some wear. Hardbound, no dust jacket.

Hardcover. Garden City NY, Garden City Publishing, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, squarish book about 10 by 11 inches with unnumbered pages. Bound in pictorial boards with a red cloth spine. Based on the Disney animated feature film. Color illustrated end papers (Same for front and rear). Illustrated throughout in color & black/white by the Disney artists. Hinges cracked, mild soil to covers, a tear to last page about 5" long. no loss of paper. No markings.

Hardcover. Seattle, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 302 pages. Black and white comic strips, light edgewear to spine edges, otherwise clean, tight copy. This climactic book of Gottfredson serials also finds Mickey plagued by Uncle Gudger, the one-man circus-and Gilhooley, the pitiless king of the leprechauns! Floyd Gottfredson and co-writer Bill Walsh infect Mouseton with the super-hi-tech of the Sputnik era.

Hardcover. Prescott, AZ, Gladstone Publishing Ltd., 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Fortieth anniversary edition of Uncle Scrooge compilation. With storybook paintings by Norman McGary and commentary by Geoffrey Blum. Black covers with gilt lettering on front and spine. Small abrasion to rear bottom spine edge, otherwise unmarked, clean and tight copy with light wear to dust jacket.

Hardcover. New York, Times Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. SIGNED AND INSCRIBED BY AUTHOR OFFEN ON FRONT FLYLEAF.

Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages, color illustrations by Brian Selznick.SIGNED by illustrator Selznick. No dj as issued. The pioneering team that brought you Caldecott Honor Book The Dinosaurs of Waterhouse Hawkins lends their vision, flair, and unique style to Walt Whitman--poet, American icon, Civil War hero.Did you know that poet Walt Whitman was also a Civil War nurse? Devastated by his country dividing and compelled to service by his brother's war injury, Walt nursed all soldiers--Union and Confederate, black and white. By getting to know them through many intense and affecting experiences, he began to see a greater life purpose: His writing could give these men a voice, and in turn, achieve his highest aspiration--to capture the true spirit of America. Dramatic, powerful, and deeply moving, this consummate portrait of Whitman will inspire readers to pick up their pens and open their hearts to humanity.

Hardcover. Boston, Little Brown, 1st, 1926, Book: Good, Dust Jacket: None, Hardcover. 238 pages. Introduction by E. K. Hall. Black & white illustrations. Corners a bit bumped. Spine sunned. Spine slightly cocked. Some markings to covers.

Softcover. Providence, RI, Rhode Island School of Design, 2nd, 1966, Book: Very Good, Dust Jacket: None, 69 pages. Softcover with slight edgewear to wrappers. Minor shelf wear to back wrapper with some discoloration to top edge. Black and white images throughout. Edition limited to 2, 200 copies designed by Malcolm Grear.

Hardcover. Dresden, Verlag der Kunst, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages. Illustrated with 140 black & white photographs by Walter Rosenblum. Red remainder stamp on bottom edge. Text in English and German. Clean, tight copy.

Softcover. NY, Palgrave Macmillan, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 270 pages, b&w illustrations. The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette. Clean copy.

Hardcover. NY, Longmans, Green and Co, 3rd pr., 1933, Book: Good, Hardbound, 198 pages. Illustrated by Frank McIntosh. Translated from the Swedish by Siri Andrews. Color frontispiece. Illustrated endpapers. Purple cover with black lettering and decoration. Faded spine. Soiling to covers. Corners bumped.

Hardcover. Boston, Houghton Mifflin , 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, red cloth covers with black lettering. Bright, unclipped dust jacket (red title on spine with VERY slight fade. SIGNED BY PRICE on the front fly leaf. His first book.

Softcover. New Haven, Bessette, 1st, 2004, Book: Very Good, Dust Jacket: None, 117 pages. Spiral bound softcover. Black & white illustrations. Clean, bright copy.

Hardcover. New York, Aladdin Books, 1st, 1948, Book: Good, Dust Jacket: None, Hardbound, 174 pages. Black & white illustrations by Frederick T. Chapman. Short tears to rear fly leaf. Previous owner's signature and stamp front endpaper. Light soil to covers. Green top edge. Corners bumped. Two boys' adventures trying to obtain the bicycles they dream about.

London, Hardie Grant, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed black boards stamped in white, 250 pages, color photos. Wanting You to Want Me is a collection of anonymous stories from the world of London strip clubs, documented by the women themselves. The stories range from behind-the-scenes conversations in the changing rooms, to dancefloor and private room etiquette, from emotional and intellectual connections between dancer and client, to the often-blurred boundaries that exist in between.Journalist Emily Dinsdale and filmmaker Bronwen Parker-Rhodes have collected images and stories from the women working in the London strip clubs over several years. Having been part of the industry themselves, they have a unique and intimate access to the seldom-heard stories, giving voice to an age-old industry, from the perspective of the traditionally voiceless workers. Supported by original, behind the scenes photography from the authors, these narratives express vulnerability, empowerment, curiosity and the complexity and duplicity of relationships--in short, what it is to be human.

Hardcover. London, J. Hatchard, 2nd Ed., 1805, Book: Good, Dust Jacket: None, 252 pages with appendix added in this December printing. (The first edition consisted of 215 pages and was issued in October.) Half black leather binding and marbled boards. Both covers detached, the front missing. The interior and binding are in very nice condition, clean.

Hardcover. NY, Henry Z. Walck, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering, 125 pages, b&w illustrations by Harper Johnson. Children's story of a boy and his horse, living on a New Mexico ranch. When the Spanish cavalry needs horses for fighting the Indians, the horse is comandeered, and later captured by a Comanche warrior. Covers with light soil, clean internally, no markings.

Hardcover. New York, HarperCollins Publishers, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 845 pages. Hardcover SIGNED BY AUTHOR to title page. Brown cloth covers with orange titles to spine. Black & white illustrations throughout. Bright dust jacket with only marginal wear. Clean & unmarked. A nice copy.

Hardcover. Scranton PA, International Textbook Company, reprint, 1919, Book: Very Good, Dust Jacket: None, Hardcover, thin black textured cloth covers with embossed titles, gilt lettering on spine, marbled endpapers, 104 pages. With drawings, illustrations, a few in color, diagrams, a few as foldouts, questions and exorcises, and index. Clean, bright copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Washington Seen Fredric Miller and Howard Gillette bring together nearly four hundred unique photographs from the Gilded Age to the Great Society. Throughout, the focus is not on streets and monuments but on the complex relationships among the people of Washington-men and women, black and white-and the way they worked and lived. Here are Washingtonians at home and at work, at restaurant tables and lunch counters, in schools and churches, dancing the jitterbug and going to the movies, cheering the Redskins, the Senators, and the Homestead Greys. In the accompanying text, Miller and Gillette invite readers to enter into an intimate "conversation with the past," offering insightful commentary on the images of people whose faces cannot fail to captivate. Clean copy.

Honesdale, PA, Boyds Mills Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages, Black & white illustrations by Christoher Zhong-Yun Zhn. Review copy. An intimate look at family and village life in southeastern China, approximately 50 years ago. Ying, 10, is raised by her beloved grandmother. Ah Pau is thrifty, wise, and firmly rooted in her culture's traditions and superstitions. She guides Ying and her cousins with a firm and loving hand. As in First Apple (Boyds Mills, 1994), in which the little girl was a year younger, Ying must raise an ambitious amount of money. This time, she must bargain with her mercenary cousin Kee, and deal with the class bully.

Garden City, NY, Doubleday Page, reprint, Book: Good, Dust Jacket: None, Hardcover. 259 pages. Color plates and black & white illustrations by George Soper. Gilt top edge. Green cloth covers with gold lettering and green decoration. Frontispiece detached from book. Scribling in pencil on front end paper. Soiling to first few pages. Small soiling mark near fore edge to last few pages.