Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color, Black and white pictures throughout.

Hardcover. New York, Viking, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 28 pages. Color illustrations by James Stevenson. Dust jacket unclipped, very good. King Gordo is such a light sleeper that when he takes his afternoon nap, all commotion must absolutely cease, and when an unfortunate potscrubber comes down with a bad case of hiccups, the king despairs of ever getting his beauty sleep.

Hardcover. NY, Minton Balch & Co., 1st, 1932, Book: Very Good, Dust Jacket: None, 224 pages, illustrated in b&w by Diana Thorne. Blue cloth covers with black decoration. Previous owner's signature on front fly leaf.

Hardcover. London/Boston, Foulis Books/Le Roy Phillips, 1st thus, 1916, Book: Very Good, Dust Jacket: Fair, Hardcover, gray cardboard covers with black lettering. Features 8 tipped-in color plates on gray pages by Frank Brangwyn, each with a tissue guard. Dust jacket present but chipped with half of spine gone. Previous owner's signature on front fly leaf otherwise a clean copy.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Hardcover. Chicago, Ivan R. Dee, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Illustrated with black & white portraits and paintings. When Peter Paul Rubens died in 1640 he left an indestructible reputation as one of the world's great painters. In every sense Baroque, his paintings have a wonderful fluidity, a powerful sensuality, a beauty and richness of color and texture. His prolific output included some 1,300 paintings (compare this with Leonardo's twenty and Vermeer's thirty-six) as well as books of engravings, architectural drawings, and sketches. He also left a beautiful young wife, a vast personal fortune, a palatial house in Antwerp, and collections of old masters, antiquities, precious stones, and silver work. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 64 pages, illustrated by Paul Giovanopoulos. Dust jacket with mild edgewear. Tale of the young son of a Georgia sharecropper who loves animals & wants to be a zoologist. Clean copy.

Hardcover. New York, Clarkson N. Potter, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 197 pages + index, illustrated throughout in b&w. Maroon cloth spine, black boards. Pictorial dust jacket. Light wear to edges and spine, slight scratch to front cover, else a very nice, tight, clean copy.

hardcover. London, SelfMadeHero, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Hardcover with NO dust jacket. Color comic illustrations make up this graphic novel. Bottom corner bumps otherwise, bright, and lean, unmarked copy in excellent condition. Red decorative staining to page block and black satin ribbon marker.

Hardcover. NY, Doubleday Doran, 1st, 1928, Book: Very Good, Dust Jacket: Good, 279 pages. Hardcover with dust jacket. Color, black & white illustrations by Will Crawford. Dust jacket with some heavy chipping.

Hardcover. NY, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 455 pages, b&w illustrations. From John Hope Franklin, America's foremost African American historian, comes this groundbreaking analysis of slave resistance and escape. A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could.For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways,meted out severe punishments, and established patrols to hunt down escaped slaves. Clean copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 46 pages. Line drawings by Lucy Dawson. Corners bumped. Edgewear to cardboard spine edges. Red lettering with black & white illustrations on front book cover.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with white lettering and drawing of horse's head on cover. 144 pages. Black & white drawings and color frontispiece by Willy Pogany. Pink top edge. Previous owner's signature front end paper. Rubbing, light soiling to endpapers. The story of an old dapple-grey workhouse, Nebuchadnezzar, or Nebby, for short, and the two siblings who love him, Marigold and Noel, who live with their mean old aunt-in-law.

Hardcover. New York, PowerHouse, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photography by Larry Fink. Introduction by Guy Trebay. Unpaignated. A collection of black and white photographs set in and around the fashion industry. Clean. tight copy.

Hardcover. Madison, WI, The University of Wisconsin Press, 1st, 1948, Book: Good, Dust Jacket: None, Volume dedicated to the rural art originating in Wisconsin. Discusses 30 different artists and contains illustrations (color and black/white) of their pieces. Good condition; cloth bound book shows some wear on the edges of the covers. No dust jacket. Commemorates the 100th Anniversary of the founding of the University of Wisconsin by means of the work of rural Wisconsin artists such as Ambrose G. Ammel, Joan Arend, John M. Black, WIlliam H. Boose, Frances Burt, Frank H. Engebretson, Francis D. Grady, Louis Grebetz, Rachel Gertrude Grimm, Lois Ireland, Arthur Johnson, and many more.

Hardcover. New York, Little, Brown and Company, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Black and white illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.

Hardcover. Moscow, Sovietsky Khudozhnik, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 359 pages. Hardcover with dust jacket. Russian text only. Profusely illustrated in full color and black & whiite. A survey of Russia's brief Art Nouveau movement in architecture. Bright, clean copy in a similar dust jacket. In a plain cardboard slipcase.

Hardcover. NY, Aperture, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An acclaimed photographer's images and the words of Russia's foremost writers combine in an intimate record of the contemporary Russian experience: an intractable culture in the throes of irrevocable change. 30 color and 70 black-and-white photographs. This handsome photo album with Morath's own foreword and captions depicts a world to which many Russians in the grip of post-Soviet nostalgia long to return. Morath's Russia is devoid of Soviet excresence: no ugly concrete apartment blocks, Stalinist skyscrapers, or exhortative banners appear. Landscapes and street scenes are poetic and largely deserted. Sidetrips to Armenia, Georgia, Kyrgyzstan, Lithuania, and Uzbekistan are subsumed under "Russian culture." The people shown are mainly artists and intellectuals, and portraits of embattled dissident writers (Nadezhda Mandelstam and Joseph Brodsky) testify to the moral support Morath and her husband Arthur Miller offered them in the 1960s. The album includes fond letters from Mandelstam and poet Andrei Voznesensky, as well as Olga Andreyev Carlisle's reminiscence of her 1967 trip to the Soviet Union with Morath. Clean copy.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. Rutland, Sharp Offsett Printing, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcovers in bright dustjackets. SIGNED BY AUTHOR. Includes parts 1 and 2. Approx. 400 pages. B&W illustrations throughout. Rail map laid-in to part 1. Black pictorial covers. Pen mark on bottom edge of part 2. Overall, a clean, tight set.

Hardcover. NY, Hermitage House, 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 336 pages, illustrated in black and white. The story of a great impresario's adventures in the dance world. Mr. Hurok remembers Anna Pavlova, Isadora Duncan, Martha Graham, et al. Clean copy.

Hardcover. Kampala Uganda, Saben's Directories, 1st, 1960, Hardcover, 312, 74, , 64 pages. Original publisher's brown cloth boards with black lettering at front and gilt lettering and illustration at spine. Illustrated throughout in black and white. Laid in is the envelope holding 3 folding maps: Uganda Protectorate Map, East African Railway Map, Kampala Street Plan. Some tanning at edges of pages. Binding is slightly cocked where maps were laid in. Previous owner's name inside front cover, otherwise clean.

Hardcover. New York, E. P. Dutton & Co. , 1st, 1936, Book: Good, Dust Jacket: None, Hardbound, 216 pages. Black & white illustrations by Julian Brazelton. Illustrated endpapers. Faded blue top edge. Corners bumped. Soiling to covers.