Hardcover. Chicago, University of Chicago Press , 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages of text, plus 125 numbered plates in b&w and color. Price-clipped dust jacket with minor wear.
Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.
Hardcover. New York, Harper & Brothers, reprint , 1923, Book: Very Good, Dust Jacket: None, Hardcover, 274 pages. Illustrated with full color and black & white plates by Frederic Remington. Brown paper covered boards with cover pastedown of Remington drawing. black cloth spine. Copyright page with 1923 date and Harper's G-B code indicating later printing of 1st edition. Light foxing to outer edges of some pages and plates. Fraying to cloth at top of spine. Light darkening of pages close to gutter. Still an attractive copy.
Hardcover. NY, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages, color plates. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This book surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages, and met Ada del Moro, his wife and muse. The essays in this book contextualize Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising, and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance.
Softcover. NY, The Brooklyn Museum, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. Unpaginated, numerous b&w illustrations throughout. Exhibition at Brooklyn Museum November 1972-February 1973. Pictorial stiff wrappers. Slight wear and rubbing around edges and spine, front cover lightly sunned, else a nice, tight copy.
Hardcover. US, Moderne Kunst Nurnberg, 1st, 2011, Book: Very Good, Dust Jacket: None, 216 pages, illustrated in color and b&w. Small 4to, boards. This work looks at parallels between Conner's works as an artist and filmmaker. It depicts and discusses his drawings, oil and acrylic paintings, lithographs, prints, photograms and photographs, alongside three of Conner's best-known films: Breakaway (1966), Crossroads (1976), and Marilyn Times Five (1968-1973). Text in English. Like new in publishers shrink-wrap.
Hardcover. US, Moderne Kunst Nurnberg, 1st, 2011, Book: Near Fine, Dust Jacket: None, 216 pages, illustrated in color and b&w. Small 4to, boards. This work looks at parallels between Conner's works as an artist and filmmaker. It depicts and discusses his drawings, oil and acrylic paintings, lithographs, prints, photograms and photographs, alongside three of Conner's best-known films: Breakaway (1966), Crossroads (1976), and Marilyn Times Five (1968-1973). Text in English. Like new in publishers shrink-wrap.
Hardcover. Montreal, Drawn and Quarterly, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages, illustrated throughout in b&w. Light shelf-wear to covers, else a clean, tight copy. The Love and Rockets author, Gilbert Hernandez, returns with Bumperhead, a companion book to Marble Season. Whereas Marble Season explored the exuberant and occasionally troubled existence of the wide-eyed preteen Huey, Bumperhead zeroes in on disaffected teenhood with its protagonist, Bobby.Bumperhead follows Bobby, a young slacker who narrates his life as it happens but offers very little reflection on the events that transpire. He lives in the moment exclusively and is incapable of seeing the world outside of his experiences. He comes of age in the 1970s, making a rapid progression through that era's different subcultures and in a short period of time segues from a stoner glam rocker to a drunk rocker to a speed-freak punk. He drifts in and out of relationships with friends, both male and female. Life zooms past him.Hernandez's approach captures the numbness and raw undirected anger and passion of a young man who waits for life to happen to him, not noticing all the while that it is happening. Subtle and thought-provoking, Bumperhead is a fascinating read.
Hardcover. Englewood Cliffs, NJ, Prentice-Hall, 1st, 1971, Book: Very Good, Dust Jacket: Good, 150 pages. Hardcover with dust jacket. Black and white pictures throughout. Light edgewear to covers, dust jacket covered in plastic sleeve.
Hardcover. Rockland ME, Farnsworth Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 91 pages. Beautiful full-color illustrations throughout - several historical photographs of Nureyev. Clean copy.
Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 195 pages, illustrated throughout in color and b&w. Blue cloth with gilt title to spine. Blue pictorial dust jacket. Light shelfwear to covers, else like new.Traces the life of the Navajo artist, including his experiences as a code talker for the Marines in World War II, and looks at his paintings and watercolors.
Hardcover. Berkeley, CA, Zephyr Press, 1st, 1983, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 127 pages. Illustrated with nearly 100 color plates of various carousel animals, as well as other color and black/white photographs. Cloth bound book is in near fine condition, dust jacket shows some rubbing and slight curling at the edges. Shows horses and menagerie animals carved out of wood for American and European carousels, traces the history of carousel rides, and looks at some prominent manufacturers.
Hardcover. New York, Harry N. Abrams, Inc., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 235 pages, 251 illustrations with 56 plates in full color. Includes selected bibliography. Clean copy.
Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.
Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.
Hardcover. NY, Watson-Guptill Publications, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 208 pages, 46 four-color plates, and 100+ b&w reproductions. The first fully illlustrated major study of the artist, considered one of the greatest painters of the American scene. Burchfield (1893-1967) 'painted 'the haunting lights and shadows of small-town America. He evolved 'quite alone anmd independently' in Ohio and New York, painting nostalgic fantasies, dreary small-town life; fanciful & poetic landscapes. Clean copy.
Hardcover. Norman OK, University of Oklahoma Press , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 238 pages. b&w and color illustrations. Pictorial dust jacket. Decorative endpapers. Minor edge wear. A very nice. clean and tight copy.
Hardcover. New York, Watson-Guptill Publications, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, includes 40 color plates, (32 full page), as well as 19 b&w illustrations. Introductory biographical essay by author. Clean and well bound in blue cloth, very good condition. Dust jacket shows a little bit of wear around edges.
Hardcover. New York, Watson-Guptill Publications, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, includes 40 color plates, (32 full page), as well as 19 b&w illustrations. Introductory biographical essay by author. Clean and well bound in blue cloth, very good condition. Dust jacket shows a little bit of wear around edges.
Hardcover. New York, Harry N. Abrams, Inc., 1st Edition, 1989, Book: Very Good, Dust Jacket: Very Good, 155 pages. Hardcover. Color and b/w illustrations throughout. Cover boards bound in orange cloth, gilt title on spine, all excellent. Dust jacket unclipped, has small puncture near spine on front cover (patched from inside a with tape, see image), otherwise very good. Binding tight. Spine straight. In beautiful condition. Hassrick's illuminating discussion of Russell's work, based on much new research, is set against the backgrond of the artist's experiences in the West.
Softcover. New York, Rizzoli, 1st, 1993, Book: Very Good, Dust Jacket: None, 305 pages, illustrated throughout in color and b&w. Light edgewear and sun-fade to spine. Previous owner's signature on front end paper. Clean, tight copy. Briefly traces the career of this contemporary American architect and shows examples of his houses, apartment buildings, libraries, museums, schools, hotels, churches, and conference centers.
Hardcover. New York, Museum of Contemporary Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 119 pages, mostly illustrated in color. Essays by Paul Schimmel and Lisa Phillips. Illustrated boards, no dust jacket issued.
Hardcover. Boston, New York Graphic Society , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 162 pages. Green cloth cover with gilt lettering to cover and spine, illustrated dust jacket, 90 tritone and 78 duotone illustrations, companion copy to "Charles Sheeler: Paintings and Drawings." Light wear to dust jacket; otherwise a tight, clean copy.
Hardcover. New York, Harry N. Abrams, Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. 189 illustrations, including 98 plates in full color. Light brown cloth. Clean, bright copy. As good as new. Peale painted thousands of canvases and that provided a superb record of colonial and federal society. In mid-life Peale turned to the study of nature and assembled a museum in Philadelphia that was, at its time, the most important institution of its kind in the country.
Hardcover. Philadelphia, The American Philosophical Society, 1st, 1939-47, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes. 293+468 pages. B&w illustrations throughout both volumes. Blue cloth, gilt lettering to spine and front cover. Dust jackets in protective mylar cover, some pieces missing from spine and some dark age stains on vol. 2. Both copies excellent shape, volume 1 looks almost new, while volume 2 has aged gracefully. A very nice, tight and clean set.
Hardcover. New York, Abrams, Revised Ed., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, illustrated throughout with 80 plates in full color and numerous illustrations in b&w. Clean, unmarked copy with only minor wear to dust jacket. The author, Frederic G. Renner, was a good friend of the artist, and devoted nearly 35 years to collecting and studying Russelliana.
Hardcover. Atlanta, GA, University of Georgia Press, 1st, 1945, Book: Good, Dust Jacket: Good, Written by fresco painter Jean Charlot on the subject of 3 particular murals he painted during his year as artist-in-residence at the University of Georgia. 222 pages, illustrated with 178 (mostly black/white, few color) plates. Introduction by Lamar Dodd and photography by Eugene Payor. Cloth bound book is in good condition, some light stains on the cover, a few pages stick. Dust jacket shows slight edge wear.
Softcover. New Haven, NJ, Yale University Art Gallery, 1st, 1982, Book: Very Good, Dust Jacket: None, 213 pages, numerous b&w illustrations. Pictorial stiff wrappers. Light wear to edges and spine, else a nice, clean copy.
Hardcover. Chicago, IL, Chicago Historical Society, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. History of the art of glass and ceramics in Chicago. Focuses on both small-scale, decorative works and larger, architectural pieces. Illustrated with 221 photographs (mostly black/white, few color). Dust jacket in very good condition, shows slight rubbing on the back, but cloth bound book in near fine condition with virtually no flaws.
Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new
Hardcover. NY, W. W. Norton, 1st, 1990, Hardcover in a bright dust jacket, 208 pages. From the late 1880s to around 1915, Childe Hassam, America's foremost impressionist, frequently visited the Isles of Shoals, the site of a summer resort popular with many American artists and writers. Paintings from Hassam's Isles of Shoals series are among the most familiar icons of late nineteenth-century American art. But until now, a comprehensive selection of these beautiful works had not been collected in one place. David Park Curry's informative text provides the background essential to a full appreciation of these works. 105 full-color reproductions and100 black-and-white photographs.
Hardcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Small paper scar on front fly leaf where tape pull left dime-size white spot. Otherwise like new. 256 pages. Childe Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume.No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art. By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.
Hardcover. Minneapolis MN, Walker Art Center/San Francisco Museum of Modern Art, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 152 pages. No markings, Fine; no dust jacket as published. Boards, bibliography, color and B&W reproductions and photos of Close's amazing self-portraits.
Hardcover. New York, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Padded vinyl covers, 221 pages illustrated in color and black and white. SIGNED BY OLDENBURG and dated '72 on the title page. Edges of vinyl with light soil, otherwise very good. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed by Chermayeff & Geismar Associates is a work of art in itself, from its innovative cover proudly highlighting the work of curator Barbara Rose, to the profusion of illustrations, both documentary of Oldenburg and his artistic peers and representative of his large body of work.
Softcover. Pasadena, CA, Pasadena Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 135 pages. Exhibition catalog. Mostly black-and-white illustrations, with a few color illustrations. Light shelf-wear, scratching, and edge-wear on covers. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work.
Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.
Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, mild damp stain to rear cover. Previous owner's writing, underlining to several pages.
Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, with some sun-fade to spine and slight soil to rear cover. Previous owner's signature on front end paper. Neat, tight copy.
Softcover. Minneapolis MN, Walker Art Center, 1st, 1980, Book: Very Good, Dust Jacket: None, 80 pages, color and b&w plates. Softcover exhibition catalog in like new condition.
Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.
Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.
Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.
Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.
Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.
Softcover. Brunswick ME, Bowdoin College Museum of Art, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 222 pages, color illustrated wrappers. Black and white, color plates. Clean, tight copy.
Hardcover. Cambridge, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 459 pages. Green cloth with silver gilt lettering on spine. Book comes with a press release from "News From Cambridge". Black and white plates throughout. Thirty-one essays on colonial painting organized in three chronological sections: Origins and Beginnings, to 1680; The Transition, 1680-1840; and The Culmination, 1740-1790. Bibliography.
Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.