Softcover. Seattle WA, Fantagraphics Books, reprint, 2009, Book: Very Good, Dust Jacket: None, 126 pages. Softcover. Extensive color and b&w illustrations by R. Crumb throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

Hardcover. Kent, OH, The Kent State University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Conrad Wise Chapman (1842-1910) is unique among Civil War artists: he painted and sketched while on duty as a Confederate soldier who served in three theaters of the war. Chapman's first-hand knowledge is evident in his work. Ben Bassham has written both a critical study of Chapman's art and a biography, incorporating Chapman's correspondence and Civil War memoirs.

Hardcover. New York, National Academy of Design, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages. 62 B&w illustrations and 77 plates in full color. Black leatherette. silver lettering to spine. Pictorial dust jacket. Like new.

Hardcover. New York, Funk Wagnalls, 4th pr., 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 110 pages. Black & white illustrations by Eric Sloane. Dust jacket heavily chipped. Dust jacket is protected by a mylar cover.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcovers, 2 volumes complete. 331 + 404 pages with 354 plates. Originally printed by Doubleday, Doran in 1929. In this edition the color illustrations are reproduced in black-and-white.. Cream colored boards. Light smudging to covers and edges. Else a very clean, tight copy.

Hardcover. Austin, TX, University of Texas, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. b&w and color illustrations throughout. Captures the best of Windberg's work with 50 of his finest paintings splendidly reproduced and illustrates the tranquity of the hillsides, meadows, harbors and shores of his beloved Lone Star State. Brown leather-like cover, gilt lettering to spine. Beautiful pictorial dust jacket with some edgewear. Very clean, tight and crisp copy.

Hardcover. New York , Nan A. Talese, 1st US, 2014-11-11, Book: Very Good, Dust Jacket: Very Good, 430 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Newport Beach CA, Newport Harbor Art Museum, 1st, 1977, Book: Very Good, Dust Jacket: None, Unpaginated, softcover exhibition catalog, illustrated in color and b&w. Essay by Betty Turnbull. Clean, tight copy. David Park, an artist who fused representational figuration with abstract expressionism and was one of the creators of the Bay Area Figurative style is featured here in a career retrospective exhibition containing work from throughout his life.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Hardcover. New York, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs spanning over 30 years. Tight copy.

Hardcover. New York, Harry N. Abrams Inc., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover (cloth) in near fine condition with dust jacket which is protected by clear plastic covering, also in near fine condition. 293 pages., including 226 illustrations with 65 color plates. A beautiful and large-format monograph focusing on Willem De Kooning's life and paintings.

Hardcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of "America" and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.Illustrated with more than 130 photographs of their influential designs, this book tells the engrossing story of Urban and Bel Geddes. Christopher Innes shows how these two men with a background in theater lent dramatic flair to everything they designed and how this theatricality gave the distinctive modernity they created such wide appeal. If the American lifestyle has been much imitated across the globe over the past fifty years, says Innes, it is due in large measure to the designs of Urban and Bel Geddes. Together they were responsible for creating what has been called the "Golden Age" of American culture.

Hardcover. Berkeley CA, University of Calfornis, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 b&w and color illustrations. Light edge wear to dust jacket. Light marking on bottom edge. Else a very clean, tight copy.

Softcover. Williamstown MA, Trustees of Williams College, 1st, 1979, Book: Near Fine, Dust Jacket: None, Softcover. Cover features "Self Portrait," by Chuck Close. Features numerous black and white works from 39 artists. Complete with biographical and critical text. Slight wear and blemishes on cover. Interior is clean.

Hardcover. New York, Harper Collins, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 250 pages. Hardcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. New York, Fox, Duffield & Co, 1st, 1904, Book: Good, Dust Jacket: None, Hardcover. Unpaginated. 39 full page b&w plates of drawings by A. B. Frost, accompanied by verse by Wallace Irwin, introduction by Joe Chandler Harris, small b&w illustrated figures throughout, monotone illustration to cover. Covers have noticeable wear, faded, wear to cloth spine, water stains to right edge of pages, dark markings to back cover, previous owner's inscription to front endpaper, some pages partially separated from binding.

Hardcover. NY, Watson - Guptill, 1st , 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 88 pages. Brown cloth cover with very little wear. Dust jacket has some wear to corners and edges. 32 full-page color reproductions, and b&w illustrations throughout. A bright, clean copy.

Hardcover. New York, Crown Publishers, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 112 pages. 64 b&w illustrations and 8 plates in full color. Red cloth, gilt lettering to spine and front cover. Pictorial dust jacket with some wear and small tears to spine,light sun-fading to front cover, still overall a very nice, clean, tight copy.

Hardcover. New York, Benjamin Blom, reprint, 1972, Book: Fine, Dust Jacket: None, Hardcover, 65 pages. Reissue of rare 1930 first edition. Brown cloth covers with gilt titles to spine, illustrated profusely with over 50 b&w plates. Copy still packaged in original shrinkwrap, never opened; in excellent condition.

Hardcover. New York, Da Capo Press, Reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. (Library of American Art Series) 1971 reprint of the original 1926 edition. 110 pages. b&w illustrations. Brown cloth, gilt lettering to spine and front cover. Light wear and unfortunate paper-clip impressions to upper edge of some pages. Still a nice, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.

Hardcover. Hingham, MA, Pierce Galleries, 1st, 1980, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 253 pages. b&w illustrations and color plates throughout. Documents Tarbell's journey from being labeled "just a Boston painter" to being one of the most sought-after, outspoken, teachers in the country. Black leatherette, gilt lettering to spine and front cover. In mint condition. Looks brand new.

Hardcover. New York, Abbeville Press, 1st, 1985, Book: Near Fine, Dust Jacket: Near Fine, 276 pages illustrated throughout in color and b&w. Gray cloth with dark green title to spine. Pictorial dust jacket. Beautiful copy. Like new. Edward Hicks (1780-1849), itinerant Quaker preacher and painter of coaches, signs and his own pictures, viewed Paine and Spinoza as devils, considered slavery a moral but not a political issue, and abhorred the temperance movement. When not torturing himself with guilt for being an artist or for leaving his wife and children in order to preach, he produced some masterpiecesnotably The Peaceable Kingdom, whose 50 or so variants dramatize Isaiah's biblical prophecies. Fifty color plates and 100 halftones show Hicks's folk renditions of William Penn, Noah's ark, David and Jonathan, along with his pastoral landscapes.

Hardcover. NY, Rizzoli, Revised Ed., 2007, Book: Very Good, Dust Jacket: None, Hardcover, 777 pages. In the art of Edward Hopper (1882-1967), tense, unhappy men and women, in whom we recognize something of our neighbors and ourselves, play out mysterious dramas in silent, stripped-down spaces - stages raked by an unrelenting and revealing light. These paintings, and Hopper's equally evocative landscapes and houses, make us wonder: what kind of man had this haunting vision, and what kind of life engendered this art? No one is better qualified to answer these questions than the art historian Gail Levin, author of the major studies of Hopper's work (including the catalogue raisonne) and curator of many exhibitions that explored his development and cultural context. Delving deeply into his art and into a rich archive of unpublished letters and diaries, she now constructs "An Intimate Biography, " which reveals the true nature and personality of the man himself - and of the woman who shared his life and helped to shape his art. Jo Hopper's diaries permit an intimate look at the interactions of an indissolubly bonded couple, revealing for the first time the personal tensions that lie behind some of Hopper's most haunting works. Lacks dust jacket but a clean, bright copy.

Softcover. NY, Christie's, 2013, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 34 pages. BW & color illus. Issued in conjunction with an auction of Edward Hopper's painting "Blackwell's Island." Offers historical background with substantial text and archival and contemporary photographs Includes related works by fellow artists Robert Henri, Georgia O'Keeffe, George Wesley Bellows, and additional paintings by Hopper. Clean, bright copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in color and b&w. 6 color, 32 b&w plates, frontispiece. Showcases select artwork by Edward Hopper. With an essay by Douglas Dreishpoon. Many of these works were included in a traveling exhibition entitled "Edward Hopper: The Early Years", and held Mar. 14 to Apr. 18, 1987. The exhibition checklist cites 81 pieces, and about 40 are shown here. Clean copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, 67 illustrations (13 color). Catalogue of 106 paintings, watercolors, etchings and drawings, with notes on selected works. Essay by Peter Schjeldahl. Includes a collection of drawings, forming the basis of the exhibition, bequeathed by the artist's widow Jo Hopper to her friend Mrs. Mary R. Schiffenhaus. Clean, bright copy.

Hardcover. NY, W.W Norton/Whitney Museum, 7th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity. In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life. 280 color and 220 black-and-white illustrations.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Oversize, heavy hardcover. 306 pages, b&w illustrations, color tipped-in plates. Light edge wear, rubbing to dust jacket. Foxing to fly leaves and bottom edge. Small stain on top edge. Else a very clean, tight copy.

Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 306 pages. Green cloth hardcover with gilt illustration of lighthouse on front cover and gilt lettering on spine. In a lightly worn dust jacket. Green endpapers and color frontispiece. Edited by Milton S. Fox, book design by Nai Y. Chang. Numerous b/w and color plates (246 reproductions of Hopper's work, 88 in full color).

Hardcover. New York, Eakins Press , 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. 1/3075 copies. 359 pages, 215 plates in sepia. Beige cloth with gilt lettering to spine. Pictorial dust jacket with clear acetate cover. Small tears to plastic cover, otherwise like new.

Hardcover. NY, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. US, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. New York, Art in America/ Stewart Tabori and Chang, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, illustrated throughout with 134 plates in full color. Essay by Peter Schjeldahl. Edited by David Whitney. Illustrated with reproductions of 77 of Fischl's oil paintings from 1980-1987, 35 of his works on paper, and 12 seminal glassines. Includes a selected bibliography. Minor edgewear to white pictorial dust jacket . Else a clean, tight copy.

Hardcover. New York , White Stokes & Allen, 1st, 1886, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, 12mo. Decorative pale green cloth stamped with gilt and maroon design, top edge gilt, floral end papers. Original etching frontispiece by R. Swain Gifford (The First Plate Etched in The New York Etching Club). Includes lists of American Etchers and Notable Collections of Prints.

Hardcover. Clarkson N. Potter, inc, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 236 pages. b&w and color illustrations and photographs. Red cloth spine. Dust jacket edgewear, otherwise in good shape. Everett Shinn (1876 - 1953) was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," who protested the restrictive exhibition policies of the powerful, conservative National Academy of Design. He is best known for his robust paintings of urban life in New York and London, a hallmark of Ashcan art, and for his theater and residential murals and interior-design projects. His style varied considerably over the years, from gritty and realistic to decorative and rococo.

Hardcover. New York, Rizzoli International , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 224 pages illustrated in color and b&w throughout. Foreword by John Kenneth Galbraith. Folio. Brown leatherette. Like new, in original shrinkwrap.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 311 pages, color illustrations. Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Her account looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career...and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes--as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. Clean, bright copy.

Softcover. Washington DC, Smithsonian's National Museum of the American Indian, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Color plates throughout. Five essays by contributors. Clean copy.

Hardcover. Gloucester MA, Peter Smith, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages, b&w illustrations. A checklist of 387 paintings, lithographs, watercolors and drawings, with appendix including excerpts from Lane's will and bibliography. One of Wilmerding's first of many works, this is a pioneering monograph on the artist, best known for his luminous marine paintings. Clean copy.

Softcover. New York, Whitney Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 110 pages, illustrated throughout color and b&w. Gray pictorial stiff wrappers. Light wear and rubbing to covers and spine, else a very nice. tight,. clean copy.

Hardcover. Los Angeles, CA, Los Angeles County Museum of Art, 1st, 1988, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. Exhibition catalog. 128 pages, illustrated throughout in color and b&w. Red cloth with gilt title to spine. Pictorial dust jacket. Minor stain to back flap, else like new.

Hardcover. US, Harry N Abrams, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 336 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on half title page. Light shelf-wear and sun-fade to dust jacket, else a clean, tight copy. Essay by Paul J. Karlstrom. With 365 illustrations including 260 plates in full color.