Hardcover. New York, Funk and Wagnalls, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Eric Sloane presents a volume containing autobiographical notes and reproductions of his paintings. 184 pages, featuring 37 color plates of Sloane's oil paintings in addition to numerous other black-ink drawings. Excellent condition; book has no internal flaws but few very light marks on the cover. Dust jacket is in very good condition, very slight rubbing and wear, price-clipped.

Hardcover. Philadelphia, Pennsylvania Academy of the Fine Arts/Universe Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, 191 illustrations most in color. Bibliography and index. One of the foremost African-American artists of the twentieth century, Horace Pippin came to prominence in the late 1930s between the heyday of the American Scene painters and the ascendancy of Abstract Expressionism. An unschooled painter who was a disabled World War I veteran, Pippin is represented in public and private collections across America. I Tell My Heart features over 110 Pippin paintings including many never before reproduced nor shown in public since the artist's lifetime, as well as many black and white archival photographs of Pippin and his contemporaries.

Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.

Hardcover. Garden City, Doubleday & Co, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 549 pages. Tan cloth cover with gilt lettering to spine, color illustrated dust jacket, b&w illustrations, comprehensive reference work on Western American art. Light wear to dust jacket; overall a clean, tight copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Vol. 1: Slaves and Liberators, 379 pages with 156 b&w, 40 color illustrations. Vol. 2: 306 pages, 131 b&w, 52 color illustrations. Both volumes like new, shrinkwrapped in cardboard slipcases. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.

Hardcover. New York, The Free Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 263 pages. Hardcover. Dust jacket unclipped. Color illustrations throughout. Gilt title on spine. A touch of foxing on spine, otherwise clean inside. Binding tight, in great shape.

Hardcover. San Francisco CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, an exhibition catalog with 43 color plates. Essays by Donald Hagerty, Dan Dixon, Ansel Adams, others. INSCRIBED BY DAN DIXON (the artist's son) on front fly leaf. Embossed white cloth covers in a matching slipcase. 8 page exhibition brochure listing 118 works is laid in.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. New York, Harry N Abrams Inc, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, SIGNED BY RICHARD AVEDON on front flyleaf. 172 pages. Hardcover with dust jacket. Clean, unmarked copy with some minor shelf wear to dust jacket. A master of American fashion and art photography turns his artistry to capturing, in a series of photograph portraits, the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience.

Hardcover. New Haven, CT, Yale University Press : Yale University Art Gallery, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 379 pages. Like new in publishers shrink wrap. Lee Friedlander (b. 1934) has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine. Produced to the highest production standards and featuring over 400 duotone images--from his first self-portraits, taken with cable release in hand, to recent images of the photographer with his family and extended network of friends--In the Picture explores Friedlander's various guises throughout a rich and colorful life.

Softcover. US, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 304 pages, illustrated throughout in color and b&w. Light sun-fade and edgewear to wrappers, else a clean, tight copy. Independent Spirits brings to vivid life the West as seen through the eyes of women painters from 1890 to the end of World War II. Expert scholars and curators identify long-lost talent and reveal how these women were formidable cultural innovators as well as agitators for the rights of artists and women during a period of extraordinary development.

Hardcover. Chicago, A. C. McClurg and Co., reprint, 1934, Book: Very Good, Dust Jacket: None, 213 pages, 254 illustrations in color and b&w. First published in 1914, this is the 1934 reprint. Light yellow cloth with two-color design. Previous owner's signature, date on front fly leaf. Otherwise clean, very good.

Hardcover. New York, Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover still in publisher's shrinkwrap. Dust jacket unmarked. Binding is strong. Clean tight copy.

Hardcover. Tucson, University of Arozona, 1st, 1974, Book: Near Fine, Dust Jacket: Very Good, 221 pages illustrated throughout in color and b&w. Limited edition, 1/2500 copies. Green cloth with dark green title to spine. White pictorial dust jacket with minor wear to edges, else like new. 4 color, 147 bw plates. Catalogue at rear lists 184 works. Foreword by John I.H. Baur. Introduction by Martin H. Bush. Main essay by Sheldon Reich, with notes. Includes reproductions of many etchings. A terrific copy of this uncommon title.

Hardcover. New York, Harry N. Abrams, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 181 pages, 171 illustrations, 50 plates in color. The definitive monograph on Bishop. Like new in a bright, crisp dust jacket in a mylar protector.

Hardcover. New York, Abbeville Press, inc, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages. color illustrations throughout. This VERY LARGE volume gives insight into the world of a realist, who's paintings have fascinated, and often shocked the public for more than fifty years. Red cloth, gilt lettering to spine. Near fine copy, small tear to dust jacket otherwise as good as new. The first book devoted to the life and work of American painter Ivan Albright. Foreword by Jean Dubuffet. 173 plates, 83 of which are in color.

Hardcover. NY, Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover. Beautiful copy of this detailed study of the American illustrator. Color, black & white plates. 206 pages. In a bight, unclipped dust jacket.

Hardcover. NY, George Braziller, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, yellow cloth covers with Pollock's signature stamped in black. 125 pages in color and b&w. About 20 pages of text by noted poet and playwright O'Hara, followed by over 80 reproductions, 16 in color. Clean copy.

Softcover. New York, Abbeville, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w and color illustrations. Illustrated end papers. A very clean, tight copy.

Softcover. Seattle WA, Seattle Art Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w and color illustrations. Red end papers. Marking on copyright page. Light edge wear to wrappers. Very light foxing to top edge. Else a clean, tight copy.

Hardcover. Washington, DC, National Gallery of Art, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Exhibition catalog. Hardcover, 331 pages, illustrated throughout in color and b&w. Remainder mark on bottom edge, otherwise like new.

Softcover. Washington, DC, National Gallery of Art, 2nd, 1995, Book: Very Good, Dust Jacket: None, Exhibition catalog. 331 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minimal wear to covers, else like new.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with minor closed tears to dust jacket.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.

Softcover. New York, Abbeville Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Light wear to edges and covers, else a very nice, tight, clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Published to accompany an exhibition celebrating the prints of Jasper Johns. Includes 106 reproductions (43 color, many full-page) of pieces by Johns. Also contains many statements by the artist within the essay by Riva Castleman. Near fine condition, only slight wrinkling on the dust jacket.

Hardcover. NY, Rizzoli, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world's true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend's art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. "For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics," Jaffe says. "With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place." This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe's unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.

Softcover. Albany NY, Opalka Gallery, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 62 pages in color. Exhibition catalog. Clean, bright copy.

Softcover. Montevideo, Impresora Gordon, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Monograph on the Uruguayan artist who championed a modernist aesthetic in South American art. Color wrappers with light wear, interior clean. SPANISH TEXT.

Hardcover. Atlanta GA, High Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color and b&w plates. Like new in a bright, unclipped dust jacket. John Henry Twatchman (1853 - 1902) was an American painter best known for his Impressionist landscape paintings, though his painting style varied widely through his career. Art historians consider Twachtman's work to be among the more personal and experimental of his generation. He was a member of "The Ten", a loosely allied group of American artists, whose members included Childe Hassam, Edmund Tarbell, Frank Benson, and Robert Reid.

Softcover. New York, Christie's Houston, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover auction catalog, 435 pages, b&w and color illustrations. Light edge wear to wrappers. Else a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2010-11-09, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. US, University of Delaware Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Los Angeles, Los Angeles County Museum of Art , 1st, 1970, Book: Very Good, Dust Jacket: Fair, Hardcover, 100 pages, colored paper over boards in lettered glassine wrapper. 10 3/4 x 9 1/4 " 27 pages of text, 89 illustrations - 12 in color. Introduction by Sheldon Reich. Lengthy essay by Larry Curry. Catalog lists 157 works. Selected bibliography. A significant exhibition. Glassine wrapper worn, frayed, book is clean, very good.

Hardcover. New York, Holt, Rinehart and Winston, Inc., 1st, 1970, Book: Very Good, Dust Jacket: Good, Life and art of John Marin; editor Cleve Gray includes writings by Marin himself to accompany the biographical text and reproduced works. 176 pp. Features 20 color and 99 black/white illustrations. Cloth bound book is in near fine condition, previous owner's name, date, and location written inside the cover in pencil. Dust jacket is in good condition, with tear and creasing on the back and light stain on the front.

Softcover. New York, Kennedy Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. Unpaginated, illustrated throughout with 86 plates in color and b&w. Pictorial stiff wrappers. Slight wear to edges and spine, else a very nice, tight copy.

Hardcover. Minneapolis MN, University of Minnesota Press, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, 112 pages, illustrated with b&w photos, one color plate. Dust jacket with light rubbing, edgewear.

Softcover. New York, Coe Kerr Gallery & Wittenborn Art Books,, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. Unpaginated, illustrated throughout with 65 plates in color and b&w. White pictorial stiff wrappers. Light wear and foxing to covers and spine, else a very nice, tight copy.

Hardcover. NY, St. Martin's Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 309 pages. b&w illustrations. In this meticulous and witty work, Stanley Olson uncovers the complex nature of Sargent's life and stunning career. Probable ex-lib with label on spine but no other markings.

Hardcover. New York, Abbeville Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 338 illustrations, including 113 plates in full color. Gives beautiful insight into the extravagant glamour of Sargent's society portraits, watercolors and Boston Murals. Folio. Purple cloth, gilt lettering to spine. previous owner's inscription on front edge paper. Very nice, clean and tight copy. Minor wrinkle to lower edge of dust jacket's spine, otherwise in near fine condition.

Hardcover. New York, Abbeville Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 256 pages. 338 illustrations, 113 in color. Bright, tight copy with very good dust jacket.

Hardcover. Cambridge, MA, Harvard University Press, 1st, 1966, Book: Very Good, Dust Jacket: None, 2 Volumes: Volume I, Copley in America, 244 pages. Volume II, Copley in England, 472 pages. Brown and blue cloth covers with gilt lettering to front and spine, blue slip case with b&w illustration, previous owner's pencil inscriptions to front endpapers of both volumes. 334 b&w plates to volume I, 334 b&w plates to volume II. Light wear to slip case and edges of covers; overall both volumes are clean, tight copies.

Hardcover. Cambridge, MA, Harvard University Press , 1st, 1966, Book: Very Good, Dust Jacket: None, 2 volume hardcover set. Volume 1: In America, 1738-1774, Volume 2: In England, 1774-1815. 491 pages + illustrations in b&w. Brown/blue cloth with gilt titles, slipcase. Light shelf-wear to covers and faint foxing to top edge. Light wear to slipcase, else a clean, tight set.

Hardcover. Boston, Museum of Fine Arts, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth boards with gilt spine lettering. 284 pages, 210 BW illustrations. A catalogue raisonne of Copley's work in America prior to his departure for England in 1774. Begins with a 12-page biography. Clean copy, no dust jacket.

Hardcover. Boston, Boston Book & Art, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 215 pages, 176 illustrations in b&w and color. A book issued in conjunction with an exhibition at the National Gallery of Art in Washington celebrating the centennial of Sloan's birth. Includes a list of books illustrated by the artist, other selected bibliography. Dust Jacket with light edgewear, rubbing.

Softcover. Columbia, University of Missouri Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 62 pages. 69 B&W plates. White pictorial cover with slight soiling to spine and back cover. Overall, a clean, tight copy.

Hardcover. New York, E.P. Dutton & Co., Inc, 1st, 1955, Book: Very Good, Dust Jacket: Very Good, Hardcover in very good condition. Dust jacket with tear to lower edge of back cover and slight edgewear to spine, still very good. 246 pp., 26 b&w illustrations. Biography written by close friend of the artist.