Art American

Softcover. New York, Metropolitan Museum of Art, First Edition, 1993, Book: Very Good, Dust Jacket: None, Softcover published to accompany the exhibition, Church's Great Picture, The Heart of the Andes, held at the Metropolitan Museum of Art, October 5, 1993 - January 2, 1994. Clean, bright copy.

Hardcover. New York, Watson-Guptill Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Quarto Format. 208 pages, 150 black-and-white and 48 colored illustrations. Notes; Bibliography; Index. Collection of paintings of the American West, primarily Native Americans. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Abbeville Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. Burgundy cloth cover with gilt pictorial and lettering to cover, and lettering to spine, acetate-protected color-illustrated dust jacket, 119 full-color illustrations and 128 b&w illustrations. Book in excellent condition; a very clean, tight copy.

Hardcover. Boston, MA, Houghton Mifflin Co., 1st, 1947, Book: Very Good, Dust Jacket: Good, 216 pages+63 b&w prints of the Hudson River artists. Green cloth, gilt titles to front and spine. Pictorial dust jacket only good and price clipped. Still a nice, tight copy.

Hardcover. New York, E. P. Dutton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, b&w illustrations. White cloth spine, red boards. Pictorial dust jacket. For-edge rough cut. Light wear to edges and covers, slight bump to lower edge of spine, else a very nice, tight, clean copy.

Hardcover. New York, E. P. Dutton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, b&w illustrations. White cloth spine, red boards. Pictorial dust jacket. For-edge rough cut. Light wear to edges and covers, slight bump to lower edge of spine, else a very nice, tight, clean copy.

Softcover. Colorado Springs, Colorado, Colorado Springs Fine Arts Center, 1st, 1977, Book: Good, Dust Jacket: None, Softcover. Exhibition catalogue featuring the Hispanic art of the American Southwest. 118 pages, 21 black/white plates, 105 other black/white illustrations of pieces, and 36 black/white photographs of featured artists. Good condition, some soiling/light discoloration on the cover, top right corner bent.

Hardcover. Boston, MA, C. E. Goodspeed & Co , Revised, 1918, Book: Very Good, Dust Jacket: None, New Edition, Illustrated with three volumes. 391+403+418 pages. 174 b&w full-page illustrations. Ruff cut paper edges. Dark green cloth, some bumps to corners. No dust jackets as issued. Light edge wear, otherwise a very nice, tight set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Hardcover. NY, Whitney Museum of American Art]/Yale, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 249 pages, Illustrated throughout, including 386 in color. Publishers' oatmeal cloth with black and orange titles to spine and upper board, with pictorial endpapers, in unclipped pictorial dust-jacket featuring Study for "Nighthawks". Clean and bright with no annotation or inscriptions. In-depth visual overview and study of the work of Edward Hopper (1882-1967), one of the greatest American artists of the twentieth century, and his working methods. Multiple illustrations on virtually every page, featuring working sketches, photos of the artist at work, notebooks and final artworks. A brilliant reference work to Hopper's art and methodology. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, William Morrow and Co., 1st, 1939, Book: Good, Hardcover, oblong salmon cloth-covered boards, illustrated paper label on front cover, wear to corners. Prose and poetry on eleven aspects of Pueblo Indian life, each passage accompanied by a beautiful color illustration after watercolors by Native American artists, including Allan Houser, an Apache who was the great-grandson of Geronimo and Gerald Nailor, a Navajo; both of whom studied at the Santa Fe School. Mild soil, shelfwear. No markings.

Softcover. Hudson Hills Press, 1st, 1982, Book: Very Good, Dust Jacket: None, The San Fransisco Museum of Modern Art catalog of the first major retrospective exhibition of the works of Edward Ruscha. 10 pages, illustrated with Ruscha's artwork, and a photograph of the artist. A clean copy in publisher's stiff wrappers.

Hardcover. New York, Funk and Wagnalls, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Eric Sloane presents a volume containing autobiographical notes and reproductions of his paintings. 184 pages, featuring 37 color plates of Sloane's oil paintings in addition to numerous other black-ink drawings. Excellent condition; book has no internal flaws but few very light marks on the cover. Dust jacket is in very good condition, very slight rubbing and wear, price-clipped.

Hardcover. Philadelphia, Pennsylvania Academy of the Fine Arts/Universe Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, 191 illustrations most in color. Bibliography and index. One of the foremost African-American artists of the twentieth century, Horace Pippin came to prominence in the late 1930s between the heyday of the American Scene painters and the ascendancy of Abstract Expressionism. An unschooled painter who was a disabled World War I veteran, Pippin is represented in public and private collections across America. I Tell My Heart features over 110 Pippin paintings including many never before reproduced nor shown in public since the artist's lifetime, as well as many black and white archival photographs of Pippin and his contemporaries.

Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.

Hardcover. Garden City, Doubleday & Co, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 549 pages. Tan cloth cover with gilt lettering to spine, color illustrated dust jacket, b&w illustrations, comprehensive reference work on Western American art. Light wear to dust jacket; overall a clean, tight copy.

Hardcover. NY, The Society of Illustrators, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 452 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. A fascinating history of modern American illustrations traces 140 years of endeavor and the work of more than 450 artistis--including such masters as Maxfield Parrish, Rockwell Kent, and Theodore Geisel--and discusses the different schools of illustration, styles, artistic innovations and trends, and more. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. New York, Society of Illustrators, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated, b&w and color illustrations throughout. Light foxing to top edge. Else a very clean, tight copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Vol. 1: Slaves and Liberators, 379 pages with 156 b&w, 40 color illustrations. Vol. 2: 306 pages, 131 b&w, 52 color illustrations. Both volumes like new, shrinkwrapped in cardboard slipcases. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.

Hardcover. New York, The Free Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 263 pages. Hardcover. Dust jacket unclipped. Color illustrations throughout. Gilt title on spine. A touch of foxing on spine, otherwise clean inside. Binding tight, in great shape.

Hardcover. San Francisco CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, an exhibition catalog with 43 color plates. Essays by Donald Hagerty, Dan Dixon, Ansel Adams, others. INSCRIBED BY DAN DIXON (the artist's son) on front fly leaf. Embossed white cloth covers in a matching slipcase. 8 page exhibition brochure listing 118 works is laid in.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. New Haven, CT, Yale University Press : Yale University Art Gallery, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 379 pages. Like new in publishers shrink wrap. Lee Friedlander (b. 1934) has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine. Produced to the highest production standards and featuring over 400 duotone images--from his first self-portraits, taken with cable release in hand, to recent images of the photographer with his family and extended network of friends--In the Picture explores Friedlander's various guises throughout a rich and colorful life.