Softcover. New York, Whitney Museum of American Art, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, 145 plates in b&w. Exhibition catalog, light sunning to bottom edge of front cover and spine. Otherwise a clean, tight copy.
Softcover. Washington DC, National Gallery of Art, 1st, 1995, Book: Near Fine, Dust Jacket: None, 118 pages, illustrated in color and b&w. INSCRIBED BY CHOTNER TO JOHN (WILMERDING) on title page. Softcover exhibition catalog in like new condition.
Hardcover. New York, Watson-Guptill Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. Tan cloth covers, black stamped titles, laminate dust jacket with color illustration, 32 full-page color plates, chronology. Light rubbing and edgewear to dust jacket, clean covers, pages crisp and unmarked; overall, a very clean, tight copy.
Hardcover. New York, American Federation of Arts, 1st, 1961, Book: Near Fine, Dust Jacket: Very Good, Catalogue of the sculpture of Jose de Rivera, with a chronology and introductory essay. Approximately 50 pages, illustrated with 15 black/white plates in addition to several other illustrations. Small cloth bound book is in near fine condition, dust jacket is slightly faded on the spine but in very good condition.
Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.
Hardcover. New York, E.P. Dutton & Company, 1st, 1922, Book: Good, Dust Jacket: None, Hardcover, 141 pages. 33 B&W illustrations. No dust jacket. Pages uncut. Blue cloth. In good condition. Articles included in this tribute include: Julian Alden Weir, by Duncan Phillips; Weir The Painter, by Emil Carlsen; Weir, by Royal Cortissoz; Reminiscences of Weir, by Childe Hassam; The Tile Club, by J.B. Millet; Weir The Fisherman, by H. de Raasloff; A Letter, from Augustus Vincent Tack; A Letter from C.E.S. Wood; Lists of Paintings, which is 17 pages long, and lists paintings chronologically, and lists dimensions and owner. One of 712 copies with eight extra illustrations which were published by Phillips Publications as Publication No. 1.
Softcover. University of Illinois Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 165 pages. This remarkable volume collects Bodmer's studio art: a series of compositions he created in his Paris studio. These images, thirteen of them previously unpublished, are augmentations of the artist's expeditionary sketches and watercolors. 12 color plates, 32 b/w plates, 16 B/W in-text figures.
Softcover. New York, Andre Emmerich Gallery , 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, softcover. Unpaginated, 40 pages, illustrated throughout in color. White stiff wrappers. Slight foxing to covers, light wear to spine, else a very nice, tight copy.
Softcover. US, University of Kentucky Art Museum, na, 1981, Book: Good, Dust Jacket: None, 151 page catalog of the January 25-March 15, 1981, exhibition at the University of Kentucky Art Museum. Numerous black and white illustrations. Five color plates. Mild crease on front and back cover. No marking. Kentucky's Resident-painters: From the Ante-Bellum Era to World War I by Arthur F. Jones; In Pursuit of Success: Kentucky and the Visiting Artist, 1805-1865 by Bruce Weber; Selected Bibliography; Catalog Entries; Illustrations.
Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.
Hardcover. San Francisco, North Point Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 46 pages. Hardcover. INSCRIBED BY AUTHOR on front endpaper. Full color illustrations throughout. Minor dust jacket edge wear, otherwise, clean, tight copy.
Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.
Softcover. New York, Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. A very clean, unmarked copy with only minor wear to edges. Black and white portraits of citizens of Indiana, taken over 4 decades.
Hardcover. Boston NY, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, 83 color plates, 53 duotone plates. Foreword by David Levy. Rivers, one of the original Pop artists on the 1950s art scene, is known for his bold and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon, and Hollywood movies, Rivers' work shows a keen sense of history and an adventurous spirit.
Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.
Hardcover. Columbia, Missouri, Univ of Missouri Pr, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 270 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Abrams/Bronx Museum of the Arts, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages, illustrated throughout in color with brief biographies of artists. Very good, unmarked, in a bright dust jacket.
Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.
Hardcover. York PA, Historical Society of York County,, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, square, tight unmarked copy, lettering on cover is faded. 185 pages illustrated in color. Foreword by Robert P. Turner; introduction by Donald A. Shelley. In a brown slipcase with a label on front.
Hardcover. Pittsburgh, University of Pittsburgh Press, 1st, 1950, Book: Very Good, Dust Jacket: Good, 142 pages. 21 b&w illustrations. Maroon cloth, gilt lettering to spine and front cover, light wear to extremities. Yellow dust jacket edge wear with a few small sealed up tears. Price clipped. A nice, tight copy.
Hardcover. Boston, The Taylor Press, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, 285 pages. Brown cloth covers, b&w frontispiece. Previous owner's bookplate to blank endpaper, light wear to covers, edges and spine; overall a very clean, tight copy.
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 "John Twachtman: Connecticut Landscapes by: Chotner, Deborah, Lisa Peters and Kathleen Pyne")
 "John Twachtman by: Boyle, Richard J.")
 "Jose de Rivera by: Gordon, John")
 "Joshua Johnson: Freeman and Early American Portrait Painter by: Weekley, Carolyn J. and Stiles Tuttle Colwill, et al.")
 "Julian Alden Weir- an Appreciation of His Life and Works by: Phillips, Duncan, and others")
 "Karl Bodmer's Studio Art: The Newberry Library Bodmer Collection by: Wood W Raymond; Joseph C Porter; David C Hunt; Karl Bodmer")
 "Kenneth Noland: Winds, Painted Monotypes by: Andre Emmerich Gallery")
 "Kentucky Painter from the Frontier Era to the Great War, The by: Jones, Arthur F., and Bruce Weber")
 "Kingdoms of Edward Hicks, The by: Weekley, Carolyn J.")
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