Softcover. Austin, University of Texas Press, First, 1965, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, profusely illustrated in b/w and color. Slight edgewear otherwise tight, clean copy.

Hardcover. Neshannock PA , Hermes Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. 207 pages. Extensive color illustrations by Lee Falk throughout. Illustrated cover, endpapers and pastedowns. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Scranton, PA, Whitney Museum of American Art, 1st, 1960, Book: Very Good, Dust Jacket: None, Exhibition catalog. Approx. 115 pages. 91 B&W and color prints. Red pictorial cover with slight wear around edges and spine. Black marks on front endpaper and flyleaf, binding glue also visible. Previous owner marking (Evergood) on spine. Overall, a clean, nice copy.

Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. 151 illustrations, including 51 plates in full color, displaying beautiful realistic as well as surrealistic paintings. Copy in mint condition. As good as new.

Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. 151 illustrations, including 51 plates in full color, displaying beautiful realistic as well as surrealistic paintings. Clean, bright copy in a similar dust jacket.

Softcover. New York, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Philip Guston Retrospective is the extensive catalog for his 4 museum retrospective orhanized by Michael Auping. Texts by Auping, Dore Ashton, Bill Berkson, Philip Guston, Andrew Graham-Dixon, Joseph Rishel, Michael E. Shapiro. 271 Pages, paper with stiff wraps. Color and black & white reproductions. 12" x 9 3/4".

Softcover. US, Alpine Fine Arts Collection, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 275 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on front end paper. Edgewear, rubbing and scratching to wrappers. Faint foxing to top edge and end papers, otherwise a clean, tight copy.

Hardcover. NY, Harry N Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in color and b&w. Faint foxing to edges and end papers. Clean, tight copy. 60 color plates, 53 BW illus., 47 sepia duotone, one fold-out. Considers the work of Modern Realist Philip Pearlstein (b. 1924). With a foreword by the artist, known for his "...larger-than-life nudes [posed] under a cold light, motionless and abstracted, in slashing diagonal compositions, often veering off the canvas entirely." Includes one page of notes, chronology and list of exhibitions, selected bibliography and index.

Softcover. New York , Allan Frumkin Gallery, 1st, nd (1983), Book: Very Good, Dust Jacket: None, Large softcover exhibition catalog, spiral bound. Six full-page color plates of paintings by the artist. Essay by Russell Bowman. Top corner has minor bump.

Softcover. Athens, GA, University of Georgia Museum of Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 80 b&w images. Light edge wear to wrappers. Light foxing on rear cover. Else a clean, tight copy.

Hardcover. New York, Princeton Architectural Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive b&w photographs throughout. Silver gilt titles on spine and cover. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Washington, D.C., Library of Congress, 1st, 2011, Book: Very Good, Dust Jacket: None, 51 pages. Softcover. Extensive b&w photographs by Arthur Rothstein throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Washington, D.C., Library of Congress, 1st, 2011, Book: Very Good, Dust Jacket: None, 51 pages. Hardcover. Extensive b&w photographs throughout by Carl Mydans throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Washington, D.C., Library of Congress, 1st, 2010, Book: Very Good, Dust Jacket: None, 51 pages. Softcover. Extensive b&w photographs by John Vachon throughout. Clean, unmarked copy with only minor wear to wrappers. Providing a unique view of American life during the Great Depression and Second World War, each Fields of Vision volume includes an introduction to the life of a Farm Security Administration (FSA)/Office of War Information (OWI) photographer with 50 evocative images selected from their work in the Library of Congress's collection. Transporting the viewer to American homes, farms, and streets of the 1930s and 1940s, they offer a glimpse of a new narrative and intimate style that defined America.

Hardcover. New York, Grossman Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 214 pages with dust jacket and plastic covering. Small crease on upper right hand corner of jacket. Markings from a paper clip on flap, front fly leaf and half-title page. Newspaper clippings from 1970 about the artist laid in. Includes 291 wonderful photographs by the artist and other photographers, captions, and an index. 214 pages.

Hardcover. NY, William Edwin Rudge, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, red cloth, 46 pages + 51 b&w plates (color frontispiece). Russian artist and diplomatic secretary Paul or Pavel Svinin (1787-1839) toured the northeastern United States in the early 1800s. Here are excerpts of his notes, details about the time and his trip, and 51 BW reproductions of landscapes he rendered along the way. Most of the paintings show scenes from Pennsylvania, New York, New Jersey, Virginia and Maryland. Of interest to both cultural and art historians. With an introduction by R.T.H. Halsey. One of 1000 copies. Ex-lib with stamping, residue to endpapers, gilt lettering on spine faded, otherwise clean.

Hardcover. New York, W. W. Norton, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a very good plus dust jacket. 192 pages. Color frontispiece, color photographs, illustrations, diagrams, bibliography, index. The dust jacket has very minor edgewear. A photographic look at some of the earlier churches built in North America.

Hardcover. New York, W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w illustrations, 16 color plates. A very clean, tight copy. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its valuesthe surgeons, inventors, musicians, and athletes of his timeand another that reflected his own struggles with depression and sexual identity. In this evenhanded account of those struggles, William S. McFeely sheds new light on Eakins's genius and on the evocative melancholy of his portraits, particularly of women, which include many of his remarkable wife, Susan McDowell Eakins. Those deeply perceptive paintings may be the greatest expressions of his art.

Softcover. Rutland, VT, Charles E. Tuttle Company, Reprint, 1969, Book: Near Fine, Dust Jacket: Near Fine, hardcover, 197 pages, illustrated throughout in b&w. Red cloth with gilt lettering to spine. Gray dust jacket, price clipped, with light wear to covers, else like new. In original publishers cardboard slip case.

Hardcover. New York, Rizzoli International Publications, Inc., 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. Published to commemorate the Hall of Presidents in the National Portrait Gallery. Features reproductions of portraits of every American president from George Washington to Bill Clinton. Historical notes accompany each illustration. Near fine condition; comes in original shrinkwrap.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1990, Book: Very Good, Dust Jacket: None, 67 pages, illustrated throughout in color and b&w. Light rubbing to edges of spine, minor sun-fade to rear cover. Clean, tight copy. This is the catalog for an unusual exhibition of rare original plasters, most of which were used by foundries to cast in bronze, held at Hirschl & Adler Galleries in New York from March 3 through April 14, 1990. Plasters "frequently represent the last stage of the artist's involvement in the fabrication of a work. . . . plasters have singular qualities: they have a warmth, a beauty, and an approachability, even vulnerability, not often found in the harder media of stone and bronze."

Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.