Hardcover. Austin, TX, University of Texas, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. b&w and color illustrations throughout. Captures the best of Windberg's work with 50 of his finest paintings splendidly reproduced and illustrates the tranquity of the hillsides, meadows, harbors and shores of his beloved Lone Star State. Brown leather-like cover, gilt lettering to spine. Beautiful pictorial dust jacket with some edgewear. Very clean, tight and crisp copy.
Hardcover. Zurich, Verlag Scheidegger and Spiess, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 182 pages. Illustrated in b&w and some color. An account by art historian and controversial author Catherine Millet of a highly personal encounter with the artist s celebrated paintings and self-reflective writings. One of the first studies of the notoriously idiosyncratic artist s essays, this revolutionary book reveals all the narcissism, anxiety, and visual genius of the most famous and infamous of the surrealists. In a bright dust jacket.
Hardcover. US, Nan A. Talese, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.
Hardcover. New York , Nan A. Talese, 1st US, 2014-11-11, Book: Very Good, Dust Jacket: Very Good, 430 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Harry N. Abrams Inc., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover (cloth) in near fine condition with dust jacket which is protected by clear plastic covering, also in near fine condition. 293 pages., including 226 illustrations with 65 color plates. A beautiful and large-format monograph focusing on Willem De Kooning's life and paintings.
Hardcover. New York, Ecco, 2016, 2016, Book: Very Good, Dust Jacket: Very Good, 734 pages. Hardcover. B&w photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. New York, Plume/Penguin Group, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 218 pages. Chester Gould's Dick Tracy, his adventures, his enemies, his allies, and his long-suffering sweetheart and eventual mate, Tess Truehart, live again in the one book that traces his entire crime-fighting career; enriched by a wealth of original classic strips in black-and-white, with 24 pages of color. Bright, clean copy.
Hardcover. England, Antiques Collectrors Club, reprint, 1981, Book: Very Good, Dust Jacket: Good, 520 pages. Hardcover with dust jacket. Ex-Lib with usually stamps and markings on end papers, front fly leaf and spine. Faded dust jacket spine. Black and white illustrations throughout. Tight copy.
Hardcover. NY, Alfred A. Knopf, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with gilt designs and lettering on the spine, 420 pages. Binding is solid. Color frontispiece, many black and white photos and drawings. Stamping to front fly leaf, name on half title page, otherwise clean.
Hardcover. Raleigh NC, TwoMorrows Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 191 pages. Don Heck remains one of the legendary names in comics, considered an "artist's artist," respected by peers, and beloved by fans as the co-creator of Marvel Comics characters Iron Man, Hawkeye, and Black Widow, and for his long stint on Marvel Comics' team book The Avengers. In Don Heck: A Work of Art, author John Coates has meticulously researched and chronicled information on Don's storied 40-year career, including his time at DC, Dell, Gold Key, and as "ghost" artist on Lee Falk's The Phantom newspaper strip. From personal recollections from Don's surviving family, long-time friends, and industry legends, to rare interviews with Heck himself (where he discusses his career, artistic technique, triumphs, frustrations, and love of drawing), this book is full of insight into - and first-hand anecdotes from - the early days of Marvel Comics. It also features an unbiased analysis of sales on Don's DC Comics titles, an extensive art gallery (including published, unpublished, and pencil artwork), a Foreword by Stan Lee, and an Afterword by Beau Smith. Clean copy.
Hardcover. NY, Harper, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Drawing Blood is Molly's personal memoir of her career so far, her struggles to be recognized as an artist, the people she's met and her political world view. It's unusual for a young artist (b. 1983) to write a memoir so young but her life has been crammed with experiences that make this a meaningful, thought provoking book. Some people will undoubtedly be horrified that Molly chose to work in the adult indiustry to fund her early career but in naughties NYC that was, perhaps, the only way a struggling, working class, female artist could maker her way without a wealthy patron. Molly gives vivid descriptions of strip clubs, burlesque dancers, artists, protests, and a lifestyle that many can only imagine. The characters leap off the page illustrated by a vivid written style that draws in words as well as Molly makes art. The book has been described as an unflattering mirror held up to conventional middle-class lives.
Hardcover. NY, Scholastic Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.
Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.
Hardcover. NY, Lippincott , 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light edgewear to dust jacket. The illustrator of Winnie the Pooh recalls his London childhood.
Hardcover. Cleveland, Collins, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Illustrated with full color photographs and art by Tasha Tudor. Dust jacket worn with Short closed tears along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. NY, Liveright, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Who could have imagined that in 1972, when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics history? Laid up in her house, she was persuaded by R. Crumb, her nerdy, neurotic boyfriend, to pass the time drawing together a "two-man" comic. The result is a jaw-dropping yet tender account, not only of the joys and challenges of a legendary marriage but also of the obstacles faced by struggling female artists. In Drawn Together, our foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, and their astonishing move to the safe haven of France. With an irresistible introduction and a striking four-color section, Drawn Together becomes a graphic cause-celebre and a must-have for any comics devotee.
Hardcover. Stockholm, Journal, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 304 pages, 85 color, 210 b&w plates. Hardcover with dust jacket. Like new in publisher's shrink-wrap.
Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. Long before there was The Onion and Comedy Central news shows, there was the National Lampoon, setting the bar in comedy impossibly high!
Softcover. London, Pimlico , reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 570 pages. The life of the painter and designer Duncan Grant spanned great changes in society and art from Edwardian Britain to the 1970s from Alma-Tadema to Gilbert and George. This authoritative biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art.
Hardcover. New York, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, color illustrations throughout, illustrated end papers. Light edge wear to dust jacket. Light foxing to end papers. Else a very clean, tight copy. Rien Poorvliet was a Dutch artist and writer of incomparable talent. He was rightly considered a national treasure in the Netherlands, and his death was a national tragedy. Most of his books are free-ranging collections of his superior drawings and paintings interspersed with cursive text narrative about the subject at hand. This book happens to be an account of his life, family, pets, love of animals, culture and country as he experienced it - past, and (at the time) present in the Netherlands. His artwork is extremely expressive and entertaining - he was a master draftsman, and the work ranges from very spontaneous pencil, charcoal, and conte drawings, along with watercolor, and well-finished oil paintings which provide a wonderful visual story of the man's life.
Hardcover. New York, Watson-Guptill Publications, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 87 pages, illustrated throughout in color and b&w. Gray cloth with gilt titles to front and spine. Pictorial dust jacket, slight wear to edges, closed tear to front cover, Upper edge of spine worn and torn, else a very nice, tight copy.
Hardcover. US, VH1 Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.
Hardcover. NY, VH1 Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. She was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-sixties. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed--became the symbol for all that was hip and stylish--and just as quickly began to disintegrate. Told with unsparing candor, and with images that capture her at the peak of her Factory stardom, Edie Factory Girl is the short but enduring cultural story of Edie Sedgwick--releasing in time for the film of the same name starring Sienna Miller, and including rare photos of Miller as Edie.