Art Biography

Hardcover. New York, Harry N. Abrams, Inc, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, 120 illustrations including 54 plates in full color. Nice clean copy with tight binding and flawless dust cover. Printed in association with The National Museum of American Art, Smithsonian Institution

Hardcover. New York, Cambridge University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages. B&W and color illustrations throughout. Nice clean copy with tight binding and dust jacket in good condition. Preface by David M Sokol. This is the definitive study of one of America's major artists and inventors, Samuel F.B. Morse (1791-1872). It covers his prodigious achievements in painting and technology, his passionate cultural ambitions, and his key role in the historic development of American art. The book imaginatively combines intellectual biography with interpretation of more than one hundred pictures. Three chapters consider Morse's most extraordinary artistic achievements: The House of Representatives, The Gallery of the Louvre, and The National Academy of Design. In a final chapter on the electromagnetic telegraph, an invention that imprinted his name on our language, there is a special discussion of the conceptual relationship between artistic and mechanical inventions.

Hardcover. UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Pictures throughout. Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects--among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin--were visitors to her family's Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers--shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.

Hardcover. New York, Abbeville Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. b&w and color illustrations throughout. Takes us away from Sargent's famous society portraits and enters a world of open air studies and landscape paintings. Includes exerpts from Sargent's travel diaries. Light gray cloth, gilt lettering to spine. Beautiful, clean, crisp and tight copy in MINT condition. Looks brand new.

Hardcover. New York, Abbeville Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. b&w and color illustrations throughout. Takes us away from Sargent's famous society portraits and enters a world of open air studies and landscape paintings. Includes exerpts from Sargent's travel diaries. Light gray cloth, gilt lettering to spine. Beautiful, clean, crisp and tight copy in MINT condition. Looks brand new.

Hardcover. NY, Nan A. Talese, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 732 pages, illustrations in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker's most iconic artists.

Hardcover. New York, Nan A. Talese, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 732 pages, illustrations in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker's most iconic artists.

Hardcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Saul Steinberg (1914-99) described himself as a "writer who draws," thus inspiring curator Smith to characterize Steinberg's brilliantly satiric drawings as "illuminations," thus linking his work to illuminated manuscripts and, given Steinberg's love of literature, to a particular favorite, Arthur Rimbaud's Illuminations. Smith also explores Steinberg's mission to illuminate the overlooked and the absurd. In the biographical sections of his beautifully crafted critique, Smith affectingly recounts Steinberg's life as a Jew in anti-Semitic Romania and an architecture student in Fascist Milan whose distinctive cartoons served as his ticket out of Nazi Europe and onto the pages of the New Yorker. Both Smith and renowned poet Charles Simic associate Steinberg's fascination with documents with his harrowing refugee experiences, while Simic, a fellow immigrant from the Balkans and a friend of Steinberg's, offers striking insights into the artist's comic sensibility. Both commentators reflect on the great change in Steinberg's work after 1960, as his images turned hallucinatory and nightmarish, his protest against tyranny more intense. As instantly recognizable as Steinberg's kinetic, punning, and slyly skewering art is, there hasn't been a comprehensive Steinberg book in years, making this outstanding volume invaluable in its reclamation of Steinberg's agile, philosophic, and category-defying art.

Hardcover. New York, Harper, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 672 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Dodd, Mead & Co, reprint, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR on half-title page. 162 pages. The story of the life of Kate Greenaway and her work with illustrating. In very good condition, some yellowing to edges of pages. The dust jacket is laminated, but cover is a bit yellowed. Minor bumping to corners, otherwise a very clean and tight copy. Small label at bottom of dj spine.

Hardcover. New York , Knopf, 3rd pr., 2014, Book: Very Good, Dust Jacket: Very Good, 410 pages, b&w and color illustrations. Clean, bright copy in a similar unclipped dust jacket.

Hardcover. London/New York , Faber and Faber, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages, b&w illustrations. Clean, bright copy in a similar dust jacket.

Hardcover. London/New York , Faber and Faber, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 164 pages, b&w illustrations. Clean, bright copy in a similar dust jacket.

Hardcover. New York, Rizzoli, New York / South Street Seaport Museum, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout in full color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Hodder & Stroughton, 1st, 1923, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, blue cloth covers with gilt design. Color frontispiece portrait of the famous English architect. Illustrated with 12 color plates, 91 b&w plates (some fold-outs). Top edge gilt, clean copy with the scarce light blue dust jacket that has light edgewear with coat-of-arms on front panel, title on spine.

Hardcover. New York, Da Capo Press, Reprint, 1970, Book: Near Fine, Dust Jacket: None,

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with short repaired tear, 155 pages illustrated in color and b&w. Skippy was a comic strip drawn by Percy Crosby-considered by many to be one of the classics of the American newspaper strip. This excellent book contains a biography of Crosby as well as a generous selection from Skippy. Introduction by Jules Feiffer. Clean copy.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 450 color illustrations.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 224 pages, 450 color illustrations.

Hardcover. Cambridge MA, The MIT Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with brown cloth spine. 246 pages, Includes black and white illustrations, appendices, chronology, index. "Marsden Hartley (1877-1943), the American modernist painter, was also a prolific writer who published dozens of essays and reviews and several volumes of poetry and prose. Yet the revealing memoir he wrote about his own life and relationships has remained unpublished until now." Transcribed from Hartley1s own handwritten manuscripts, this edition is accompanied by photographs (some never before published), notes, and an introduction discussing Hartley1s fascination with autobiography in the context of his struggle with notions of self-representation in art. Susan Ryan also describes the circumstances surrounding the composition of Somehow a Past, and explains the distinctions between this original version and two later ones also in the Beinecke Library. Clean copy.

Softcover. Buffalo, NY, Albright-Knox Art Gallery, reprint, 1980, Book: Good, Dust Jacket: None, 236 pages. Softcover with paper wrapper. Light musty odor. Tight copy. Color pictures throughout.

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Sophie Crumb's startlingly expressive drawings track her development as an artist from age two to twenty-eight. Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie's earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York's "seventh circle of hell." The drawings from her early twenties-of tattoo artists, dangerous men-reflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art. Four-color illustrations throughout

Hardcover. New York , W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 271 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 271 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.