Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. US, Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. Kitchen Sink Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w reprints of the early strips. This book contains a complete set of the 1940 daily strips. The first Hollywood adaptation of Li'l Abner was made in 1940. Newspaper columnist Michael Price and the late film historian George Turner provide a fascinating history of this largely forgotten movie, complete with 9 rare stills and lobby cards. The back cover features the very rare Li'l Abner movie poster and another lobby card in full color. Buster Keaton plays Lonesome Polecat in the film but the once hugely popular silent star was in such professional disgrace by 1940 that he was not even listed among the seven acting credits on the film poster! A sidebar provides backgrounds on the producer, director and actors. A second introduction by editor Dave Schreiner provides a political and historical context for the strip itself in 1940. The year begins with Capp's parody of John Steinbeck's The Grapes of Wrath (also made into a movie this year). Dogpatch is wiped out by turnip termites, so our favorite hillbillies are lured to Boston to pick oranges in winter! Li'l Abner also learns how to woo "Dogpatch style" from Adam Lazonga, whom Schreiner speculates is based on controversial philosopher and free thinker Bertrand Russell or possibly playwright George Bernard Shaw. In another episode Mammy and Pappy Yokum get a 100 year-old letter and rush off to the California gold rush. Earthquake McGoon is introduced in the daily strip this year, as is the popular phrase, "As any fool kin plainly see!" Plus the annual Sadie Hawkins Day Race. The cover is drawn by Peter Poplaski.
Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1990, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. Kitchen Sink Press, 5th pr, 2009, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. As World War II came to America, Al Capp moved his comic strip firmly into the realm of social satire. Meet the genial hustler. Available Jones, and Joe Btfsplk, world's worst jinx. Abner goes on a quest and Salomey is kidnapped by the Scraggs. While all this, and more, was going on, Capp found time to contribute artwork and time to the Defense and Treasury Departments, the Red Cross, and military hospitals. See it all in this volume of Al Capp's Li'l Abner.
Hardcover. Kitchen Sink Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, 182 pages. Glazed boards. In the 1943 run of Al Capp's Li'l Abner, Madame Lazonga taught Daisy Mae how to woo, and Abner came perilously close to the fate he dreaded most. Sir Cecil Cesspool - 'he's deep, he has a certain air about him' - visited the colonies, and brought a monster with him. And Patricia Hallroom, the girl with the hottest lips in the world, made Sadie Hawkins Day even more dangerous than usual. Includes an introduction by Don Thompson and an article that places Capp's strip in historical context.
Softcover. Kitchen Sink Press, 5th pr, 2009, Book: Very Good, Dust Jacket: None, Softcover, 182 pages. In the 1943 run of Al Capp's Li'l Abner, Madame Lazonga taught Daisy Mae how to woo, and Abner came perilously close to the fate he dreaded most. Sir Cecil Cesspool - 'he's deep, he has a certain air about him' - visited the colonies, and brought a monster with him. And Patricia Hallroom, the girl with the hottest lips in the world, made Sadie Hawkins Day even more dangerous than usual. Includes an introduction by Don Thompson and an article that places Capp's strip in historical context.
Softcover. NY, St. Martins Griffin, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color, black & white by Crumb, 182 pages. Accolades and Reflections on the Controversial R. Crumb: "Robert Crumb--lurid, pornographic, sexy, twisted, hilarious, and depraved. The greatest American satirist is also its finest draftsman." --Joe Coleman"God bless Crumb. I've always been happy that there was someone as sick and twisted as I am." --George Carlin"I can think of no one more unqualified to say anything about Robert Crumb's artwork than myself. In fact, it's useless for most cartoonists of my generation to do so; without him, there wouldn't "be" any cartoonists of my generation." --Chris Ware, "The Acme Novelty Library"
Hardcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 130 pages, b&w comic art by Hernandez. Ten years in the making (and torn from the pages of the legendary Love and Rockets), Jaime Hernandez's graphic novel skillfully weaves two generations of his beloved characters into a satisfying story of love - both young and middle-aged. Life Drawing darts primarily between the youthful Tonta and the venerable Maggie. Tonta has a crush on her art teacher, Ray, as well as an axe to grind with an older woman in the neighbourhood. When Tonta finds that the woman, Maggie, is married to Ray, things get complicated. And Tonta does not handle complications well. Life Drawing showcases Hernandez's brilliant talent for character, weaving relationships, rejections, infidelities, and adventures. Clean copy.
Hardcover. NY, Stewart, Tabori, & Chang, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. B&w and 2-color drawings by Blechman. Clean, tight copy with only minor wear to dust jacket.
Hardcover. NY, Villard, 1st, 2011, Book: Very Good, Dust Jacket: None, Pictorial boards, 159 pages, color illustrations. Gliding through the daydreams and realities of a young woman searching for definition, "Life with Mr. Dangerous" showcases acclaimed cartoonist Paul Hornschemeier's gift for deadpan humor and dead-on insight with a droll aftertaste--an unlikely but welcome marriage of the bleak and the hopeful.
Softcover. Seattle, Fantagraphics Books, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. Like a Velvet Glove... collects all 10 chapters of the serialized story Eightball. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages-plus: Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. The most popular of Capp's hundreds of distinctive characters was the Shmoo. This lovable little creature loved mankind so much that it would sacrifice itself and turn into a ham steak, a gallon of milk or a dozen eggs: whatever its owner desired. Its whiskers made nice toothpicks and its eyes could be recycled as buttons. Most important, a Shmoo could reproduce faster than a rabbit. Thus, if you had one Shmoo, you were set. You didn't need to work at all. Thus did the apparent book for mankind become its curse and the powers that be decreed that all Shmoos must be exterminated. Capp's insightful morality tale was so popular that it spawned an unprecedented merchandising bonanza. Two introductions, by David Schreiner and by science fiction writer Harlan Ellison, are illustrated with various Shmoo toys manufactured. The large back cover photograph shows a selection of Shmoo merchandise in color from the Denis Kitchen collection. Also featured in this volume: Flying Sausages (parody of "Flying Saucers," a term first coined a few months earlier; Fearless Fosdick, Nightmare Alice, Salomey, Adam Lazonga, Moonbeam McSwine, Cousin Weak-Eyes and Marryin' Sam. See also our Shmoo Facts Sheet for some amazing statistics about this character's popularity.
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. The most popular of Capp's hundreds of distinctive characters was the Shmoo. This lovable little creature loved mankind so much that it would sacrifice itself and turn into a ham steak, a gallon of milk or a dozen eggs: whatever its owner desired. Its whiskers made nice toothpicks and its eyes could be recycled as buttons. Most important, a Shmoo could reproduce faster than a rabbit. Thus, if you had one Shmoo, you were set. You didn't need to work at all. Thus did the apparent book for mankind become its curse and the powers that be decreed that all Shmoos must be exterminated. Capp's insightful morality tale was so popular that it spawned an unprecedented merchandising bonanza. Two introductions, by David Schreiner and by science fiction writer Harlan Ellison, are illustrated with various Shmoo toys manufactured. The large back cover photograph shows a selection of Shmoo merchandise in color from the Denis Kitchen collection. Also featured in this volume: Flying Sausages (parody of "Flying Saucers," a term first coined a few months earlier; Fearless Fosdick, Nightmare Alice, Salomey, Adam Lazonga, Moonbeam McSwine, Cousin Weak-Eyes and Marryin' Sam.
Softcover. US, Andrews McMeel Publishing, 1st, 2009-08-18, Book: Very Good, Dust Jacket: None, Softcover, 221 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition.
Hardcover. NY/Philadelphia, David McKay, 1st, 1941, Book: Very Good, Dust Jacket: Good, Hardcover, black & white, 2-color cartoons from the Saturday Evening Post. Bright cardboard covers, clean, sharp. Dust jacket with edgewear, soil. Presumed first edition, price of 50 cents on front flap and *Little Lulu and Her Pals* only Lulu book listed on rear flap.
Softcover. Milwaukee, OR, Dark Horse Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. Illustrators by John Stanley and Irving Tripp. Based on the character created by Marge Buell. Light edgewear to wrappers.
Hardcover. Montreal, Drawn & Quarterly, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 244 pages of color comics plus 30 pages of additional material. Essay on Stanley by Frank Young. Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages-even if she sometimes finds herself in hot water. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals, sabotages the boys in a masterful snowball fight, and solves the crime of the missing piggy bank! Over the course of these stories, Stanley excels at visual gags, from Lulu winning the soap box derby by turning her frock into a sail, to a lonely cloud almost getting sucked up by a vacuum. This is the second installment in Drawn & Quarterly's landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s and '50s.
Hardcover. Evergreen/Taschen, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 432 pages. A reproduction of some of the "Little Nemo" comic strip from the early 20th century. This volume reflects the distinctive art-nouveau style of the original drawings and follows Little Nemo as he journeys nightly into the world of dreams. The strip was introduced to America over a century ago, and these pages still have the power to astonish and touch anyone that reads them. The utter timelessness of this strip, both in artwork and vision, is the kind of testament to genius that very few graphic artists ever receive. Winsor McCay was such a genius and his major work, Little Nemo in Slumberland, is a vastly rich exploration of human dreams.