Art Comic

Hardcover. Lincoln NE, Blase, reprint, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Here is a subtle mix of humor, glamour, erotica, and nostalgia. Pin Up takes us back to World War 2 for a glimpse at GI life in the Far East. Full color graphic novels with a style reminiscent of Milton Caniff. 48 pages. Part 2 of a trilogy. Originally published in Paris in 1994 by Dargaud. Clean copy.

Hardcover. UK, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects January 1940 to April 1940, Issues 1-4.

Hardcover. New York, DC Comics, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover 216 pages. Like new in publisher's shrink-wrap. Plastic Man encounters a number of zany villains, including Fargo Freddie, the volcanic man; Froggy Fink, underworld killer; Elmer Body, the body-possessing nobody; and others. Jack Cole was one of the true geniuses of the comic book art form. Here we have some great examples of his masterwork, Plastic Man. Plastic Man and his sidekick Woozy Winks are two of the greatest characters of the Golden Age of comics. Jack Cole's odd outlook on life, and his sometimes dark sense of humor, make these among the best of the superhero comics of the era. Highly recommended to superhero fans, especially those who don't them too seriously.

Hardcover. New York, DC Comics, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 204 pages. Like new in publisher's shrink-wrap. Reprinting POLICE COMICS #50-58 and PLASTIC MAN #4 in a handsome hardcover archive! Featuring an introduction by Bill Schelly and a host of innovative and unusual Golden Age Plastic Man tales.

Softcover. UK, PS Artbooks, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover. Reprints the first four comic books (published by Vital Publications, 1943-1946) in their entirety. All in color including covers and ads. Featuring art by the great Jack Cole, firmly locating Plastic Man in the humorous super-hero genre.

Softcover. UK, PS Artbooks, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover. Reprints Plastic Man Nos. 5-8 in their entirety. All in color including covers and ads. Originally published 1946-47. Featuring art by the great Jack Cole, firmly locating Plastic Man in the humorous super-hero genre.

Softcover. Chicago IL, Playboy Press , reprint, 1973, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive color and b&w illustrations throughout. Some edge wear to covers, otherwise clean, tight copy. More than 220 cartoons - 120 in full color.

Hardcover. New York, W. W. Norton & Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Drawings by Will Eisner.

Softcover. NY, Simon and Schuster, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, 127 pages in b&w. Purple pictorial wrappers. Walt Kelly's career in animation began in 1936 at Walt Disney Studios, where he contributed to Pinocchio and Fantasia. In 1941, Kelly resigned at the age of 28 to work at Dell Comics, where he created Pogo. He started drawing the comic strip in 1943 but it was not widely published until 1948. He based his characters on animals native to the Okefenokee Swamp. Pogo, a possum, was the central character and some of his friends were cigar chomping Albert the Alligator, Churchy LeFemme (a turtle), Dr. Howland Owl complete with glasses, and others. His biting political satire was aimed a Senator Joseph McCarthy (Kelly s nickname for him was Simple J Malarkey ), the FBI, the John Birch Society, Nikita Khrushchev, and later, Presidents Lyndon Johnson and Richard Nixon. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.

Hardcover. Seattle, Fantagraphics, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages, illustrated in b&w and color. Presents the years 1959 and 1960 of the politically progressive, influential newspaper strip. This is the first time Pogo has been complete and in chronological order anywhere-with all 104 Sunday strips from these two years presented in lush full color for since their original appearance in Sunday newspaper sections. In Volume 6, Albert Alligator and Beauregard Bugleboy fend off a man-from-Mars, and Howland Owl investigates Communist espionage in the postal system. Then, it's election year and Okefenokee Swamp gets a new presidential candidate, Fremount the Bugboy. His campaign slogan, "Jes' Fine," sparks political debates about just who can and should be president - maybe even a woman! Clean copy.

Hardcover. Seattle WA, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Volume 3. 355 pages, illustrated throughout in color and b&w. Light creasing to front flap, else a clean, tight copy. It's in this volume (featuring another two years worth of Pogo strips) that we meet one of Walt Kelly's boldest political caricatures. Folks across America had little trouble equating the insidious wildcat Simple J. Malarkey with the ascendant anti-Communist senator, Joseph McCarthy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. Foreword by Jimmy Breslin. B&w and color illustrations throughout. This first volume introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.

Softcover. UK, PS Artbooks, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover, reprints the first three issues, (No. 1-3), 192 pages in full color. Police Comics, published by Quality Comics in August 1941 was known for introducing several iconic characters who became staples of the Golden Age of Comics. The series combined superhero action, crime stories, and detective tales, reflecting the era's diverse storytelling styles. Some of the most notable characters that debuted in Police Comics include Plastic Man, Phantom Lady, Firebrand, and the Human Bomb. Art by Reed Crandall, Jack Cole, Gill Fox and others. Clean, bright copy.

Softcover. NY, New York Review Comics, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. The first-ever collection of comics by Ed Subitzky--comedy writer, National Lampoon legend, Atari spokesperson, "The Impostor" on The David Letterman Show, and an enduring influence on an entire generation of cartoonists and humorists. For the entire run of National Lampoon, Ed Subitzky bent, broke, and reimagined what a cartoon could do: A cartoon that hypnotizes you. A cartoon that goes to prison. A cartoon that folds up and flies away. Framed by an interview with Mark Newgarden, this first-ever collection of Subitzky's work is a portrait of one of the funniest, most prolific humorists of the '70s and '80s. Clean copy.

Softcover. Seattle, Fantagraphics , 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover in a cardboard slipcase. An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. This second volume in the Fantagraphic series shifts the focus to a dynamic connection between that of J. Wellington Wimpy and his one true object of desire: a delectable hamburger. A notorious chiseler without a penny to his name, Wimpy is forever scheming new ways to bamboozle the local diner out of a mouth-watering morsel of his favorite meal. And the audacious chicaneries Wimpy employs in pursuit of his greatest love are as riotous today as they were when these strips first appeared in the '30s. Still in pulisher's shrinkwrap.

Softcover. Seattle, Fantagraphics , 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover in a cardboard slipcase. An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. In this third volume, Popeye and company set sail in search of buried treasure but must contend with the malevolent Sea Hag and her spine-chilling sidekick, Alice the Goon. Still in publisher's shrinkwrap.

Hardcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, 182 pages, illustrated throughout in color and b&w. Oversized hardcover with illustrated boards. Clean, unmarked copy with only minor wear to covers. Pictorial paper over boards, with an illustration of Popeye and a cutout on the front cover, so that the white and yellow lettering on the half title page is visible from the front cover. Measures 10.5 x 14.5". Volume one of a six-volume set. B+W daily strips, with the color Sunday strips. Biographical article by Bill Blackbeard. Foreword by Jules Feiffer.

Hardcover. Seattle, Fantagraphics Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's second volume of the acclaimed hit series collecting the entirety of E.C. Segar's original Popeye (a.k.a. Thimble Theatre) comic strips begins with a foreword by Beetle Bailey creator Mort Walker, and continues with an introduction by noted film and cartooning critic Donald Phelps. This second volume features work from 1930 to 1932, and most notably includes the debut of Segar's second greatest character: J. Wellington Wimpy, which stands as a one-of-a-kind icon some 70 years after his creation - the most likeable lowdown cad ever to grace the comics page. Popeye Volume 2 includes the stories: "Clint Gore" (continued from the cliffhanger last volume); "A One-Way Bank," in which Popeye opens a bank that allows withdrawals but no deposits; a long war story featuring King Blozo that begins with "The Great Rough-House War"; and "Skullyville," which wraps up the daily strips for this volume.

Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's third volume collecting Segar's original Popeye (Thimble Theatre) covers 1932-1934 includes the never-republished extra-large strips set at the Chicago World's Fair and an insightful scholarly essay by Donald Phelps.

Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's third volume collecting Segar's original Popeye (Thimble Theatre) covers 1932-1934 includes the never-republished extra-large strips set at the Chicago World's Fair and an insightful scholarly essay by Donald Phelps.

Softcover. New York, King Features Syndicate, 1st, 1937, Book: Very Good, Dust Jacket: None, Softcover, 12 pages. Folio (9 1/2 x 13 1/8") flexible linen-like pictorial wraps, some cover soil, internally clean, overall VG. Illustrated on every page with large bright, vibrant color lithos featuring all of the familiar characters. There are 7 lines of text beneath each picture. with illustrations by E. C. Segar (his "cigar" logo printed on one of the illustrated pages). Story of Popeye and Wimpy's fishing trip. Clean.