Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.

Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.

Softcover. Tampa, FL, University of South Florida, Unknown, N. D., Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 54 pages, illustrated throughout in color and b&w. Green pictorial stiff wrappers. Light wear to covers and spine, front cover slightly sunned, else a very nice, tight, clean copy.

Softcover. Loyola CA, Loyola Marymount University, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 79 pages. Full-page illustrations, mostly b&w but many in color. Clean, bight copy.

Hardcover. NY, Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.

Hardcover. New York , Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.

Softcover. New York, Robert Miller Gallery , 1st, 2001, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive color photographs throughout. Illustrated end papers and paste downs. Creasing to covers, otherwise clean, tight copy. An autobiographical and transitional work, American Family explores the various roles Renee Cox has assumed throughout her life: Catholic schoolgirl, wife, mother, woman who knows and shows her sexual pleasure, and black woman artist contesting an art history that has all but excluded her race. A cross between Diary of a Mad Housewife and The Sensual Woman, American Family is a veritable minefield of taboos, revealed by the miscegenated family album and the erotic display of the artist's own beautiful body. Compartmentalized into sections called Family Room, Erotica, and the Salon, American Family accompanied an exhibition which included a video projection, large scale Cibachrome prints mounted on aluminum, a series of smaller black-and-white diptychs and triptychs, as well as photographs culled from the artist's own family album.Essay by Jo Anna Isaak.

Softcover. Newark NJ, Newark Museum, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover, brick-red paper wraps. Exhibition catalogue featuring American folk sculpture, including wood carvings, decoys, and weather vanes. 108 pages with 24 black/white plates to accompany essays and catalogue entries. Near fine condition, some edge wear, small ink mark inside the cover.

Softcover. Fort Lauderdale, FL, Richard Stuart Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 76 pages, b&w and color illustrations. Light rubbing, soiling to white wrappers. Else a very clean, tight copy.

Softcover. New York, Metropolitan Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 165 pages, illustrated in b&w and color. INSCRIBED BY MARGARET & RAYMOND (HOROWITZ) TO JOHN WILMERDING, art historian and author. Also laid in is the business card of JOHN K. HOWAT - curator of this exhibition at the Metropolitan. Tight, clean copy.

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 247 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 163 color illustrations throughout.

Hardcover. New Haven CT, Yale University Press , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. 100+ color plates and figures. Issued in conjunction with a series of 2010-2011 exhibitions. Features eighty-five works, illustrated and with extensive annotations; Includes works by John Marin, Georgia O'Keeffe, Charles Demuth, Charles Burchfield, Rockwell Kent, Jackson Pollock, Morris Graves, and many more. Includes essays by Elizabeth Mankin Kornhauser, Erin Monroe, and Carol Troyen. Clean copy.

Softcover. Southampton, NY, The Parrish Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover. Tan covers with little wear; only a few minor scratches and marks. Spine is faded and creased. Clean and crisp pages with descriptions of artists along with reproductions of their work. Catalogue of a traveling exhibition, with 65 works by Chase, Duveneck, Ferris, Gifford, Monks, the Moran family, Parrish, Platt, Weir, Whistler, and many more artists. Extensively documented. 62 pages.

Softcover. NY, Whitney Museum of American Art / Harper & Row, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. 187 pages, illustrated throughout in color and b&w. Black/white pictorial stiff wrappers. Light wear around edges and spine, else like new.

Hardcover. New York , Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, burgundy cloth with gilt lettering. Book and unprice-clipped pictorial dust jacket are without defects. A beautiful catalog of the great Ralph Esmerian collection of American folk art done when the 400 outstanding works were given to the American Folk Art Museum in New York. Outstanding plates followed by detailed descriptions.

Softcover. San Diego CA, San Diego Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, b&w illustrations. Includes bibliographical references (p. 35-36) and index. In 1916, George Wesley Bellows, a successful painter at the height of his artistic power, turned his considerable talent to the graphic medium of lithography. Over the next nine years, until his untimely death in January 1925, Bellows created nealry 200 lithographs - an impressive body of work unparalleled in the history of American art. While some of these lithographs appeared as illustrations in contemporary periodicals , and others were graphic versions of drawings and paintings he had previously made, the majority stood as independent works. Their subjects and styles span the breadth of Bellows's artistic vision. Light sticker residue to front cover, otherwise clean.

Hardcover. Chicago, IL, Art Institute of Chicago, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 397 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Bound in black fabric with gilt title on spine and front cover. Other than a bit of foxing on top edge, clean inside. In very good condition. Published to accompany exhibit at art Institute of Chicago, October 10, 1992-January 3, 1993.

Hardcover. Bonn GR, Weidle Verlag, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 92 pages, color plates. Essay by John Yau and an interview with the artist. Clean copy.

Softcover. New York, Katonah Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 39 pages. Softcover with paper wrappers. Clean, tight copy with color throughout. Light bend to top right corner.

Softcover. Koln GR, Jablonka Galerie, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 16 pages, eight color plates. Essay by Fremont.

Softcover. Koln GR, Jablonka Galerie, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 16 pages, eight color plates.

Softcover. New York, Abbeville, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w and color illustrations, photo end papers. A very clean, tight copy.

Hardcover. New Haven CONNECTICUT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, illustrated with 103 color and 262 b&w plates. Still in publisher's shrinkwrap. Anne Vallayer-Coster (1744-1818) was one of the most talented still-life painters of the French school. Her exquisite paintings, today located in some of the world's finest museums, were admired and collected by many of her contemporaries, including Marie Antoinette, who became the artist's most important patron.

Softcover. Washington, D. C., National Gallery of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. Illustrated in full color and black & white. Covers show light wear along edges. Clean, tight copy.Essays by various art historians in the field.