Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.
Softcover. Stony Brook, N.Y., Museums at Stony Brook, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout in color and b&w. Some wear and sun-fade to spine and covers, else a clean, tight copy.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.
Softcover. Burlington VT, The Wascowmium, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, color illustrations. Essay by Mark Waskow. INSCRIBED BY MCGARRELL on the title page. Clean copy.
Softcover. Princeton, N.J., Princeton University Press, 1st, June 1990, Book: Very Good, Dust Jacket: None, Softcover, 77 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. A catalog published on the occasion of the eponymous exhibition at The Art Museum, Princeton University, and the Wadsworth Atheneum in 1990. Appendix, bibliography, exhibition catalogue, chronology. Foreword by Allen Rosenbaum, 12 color plates and numerous other illustrations and photographs. ; Oblong 4to 11" - 13".
Hardcover. Washington DC/New Haven CT, National Gallery of Art/Yale University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 259 pages, hardcover with dust jacket. First major survey of Homer's watercolor career, part of a celebration of the 150th anniversary of Winslow Homer's birth. Mild rubbing to dust jacket. Color and black-and-white illustrations throughout. Unmarked. Bright and clean. A tight copy.
Softcover. Washington DC, Smithsonian Institution Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 106 bw repros. Essay by John Wilmerding. Catalog, prepared by Elaine Evans Dee, lists 106 works. Includes Drawings, Oils, Etching and Wood Engraving. The vast majority of these drawings were found in Homer's studio after his death and given to the Cooper-Hewitt.
Softcover. NY, Theodore B. Donson Ltd, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover stapled catalog, 44 pages, b&w plates. An exhibition of the artist's lithographs from the the French impressionist 1901-1927. Introduction by Theodore Donson. Small corner crease to last 2 pages. Clean copy. Price list laid in.
Hardcover. Philadelphia, PA, Philadelphia Museum of Art in association with Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, like new in publishers shrinkwrap. Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D. M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. By emulating Rubens's composition, these artists circulated it throughout Europe, broadening its influence from his day to ours.
Softcover. Dallas TX, Adams-Middleton Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated in color. Second brochure laid-in, all text, 4 pages. An exhibition catalog of the Spanish sculptor's work.
Softcover. Switzerland, Musee historique et des porcelaines de Nyon, 1st, 2008, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with light wear to paper wrappers. 202 BW and color illustrations. FRENCH TEXT
 "William Rush: American Sculptor by: Pennsylvania Academy of Fine Arts")
 "William Sidney Mount: Works in the collection of the Museums at Stony Brook by: Cassedy, David")
 "Window in Photographs, The by: Hellman, Karen")
 "Window Jazz Inventions: New Paintings by James McGarrell (INSCRIBED BY ARTIST) by: James McGarrell")
 "Winslow Homer in the 1870s: Selections from the Valentine-Pulsifer Collection by: Wilmerding, John")
 "Winslow Homer Watercolors by: Cooper , Helen A.")
 "Winslow Homer, 1836-1910;: A selection from the Cooper-Hewitt Collection, Smithsonian Institution by: Wilmerding, John et al.")
 "Wlodzimierz Ksiazek by: David Pagel / Wlodzimierz Ksiazek")
 "Women of the Belle Epoque by: Albert de Belleroche")
 "Works on Paper Fall 2004 by: Marianne Elrick Manley")
 "World of Benjamin West, The by: Hirsch, Richard (Introduction)")
 "Wrath of the Gods, The: Masterpieces by Rubens, Michelangelo, and Titian by: Atkins, Christopher D. M.")
 "X. Corbero by: X. Corbero")
 "Yves Humbert")